The Hebridean Blackhouse on the Isle of Barra

2000 ◽  
Vol 22 (1) ◽  
pp. 1-16 ◽  
Author(s):  
KEITH BRANIGAN ◽  
COLIN MERRONY

The Hebridean blackhouse is a well-known part of the eighteenth and nineteenth century landscape of the Western Isles, described by numerous early travellers and preserved for posterity at Arnol in Lewis. Survey and excavation of blackhouses on the Isle of Barra, however, suggests that here at least, the majority of blackhouses did not conform to the 'norm' of a long building with accommodation shared by animals and humans. Despite the large families of the Catholic population of Barra, the houses are shorter and provide less internal space than blackhouses further north in the island chain. Animals were more often housed in separate byres. Similarly, the human use of space in the Barra blackhouses shows some variations from the pattern described by nineteenth century sources. As to the origins of the blackhouse, unexcavated sites on Barra suggest two possible future routes of enquiry.

2008 ◽  
Vol 23 (4) ◽  
pp. 384-390 ◽  
Author(s):  
Fabrício Valandro Rech ◽  
Djalma José Fagundes ◽  
Reginaldo Hermanson ◽  
Henri Chaplin Rivoire ◽  
Anna Luiza Negrini Fagundes

PURPOSE: To develop a project of hyperbaric chamber that allows its safe and reliable use in veterinary and animal experimentation. METHODS: Based on the technical specifications for the construction of hyperbaric chambers for human beings, it has been developed a design of a chamber with dimensions and characteristics for the use of a midsize animal, (dog or pig), as well as a multiple chamber for the use in small animals (mice, rats, hamsters, rabbits or cats). The technical specifications allowed that the chamber could be used both for veterinary use and for use in experiments on Health Sciences. RESULTS: A chamber with the following characteristics was built: ASTM A36 steel for the manufacture of the master cylinder and rear cover; front door built in 5052 aluminum; internal diameter of 50.5 cm and 83.0 cm in length; weight 160Kg and internal area of 150cm³; internal space to accommodate 2 acrylic baskets; 150mm high, 280mm wide and 690mm in length. It was capable of supporting a maximum of hydrostatic pressure test of 3.0 to 4.0 BAR ACT and maximum working pressure of 2.0 BAR or 3.0 ACT; equipped with security devices and valves that triggers with load of 2.2 BAR or 3.2 ACT. Tests for engineering and biological use on animals showed the effectiveness of the device. CONCLUSION: The development of the project enabled the construction of a hyperbaric chamber with security features and reliability comparable to those required by the legal and technical specifications of a hyperbaric chamber human use.


2020 ◽  
Vol 8 (2) ◽  
pp. 8-24 ◽  
Author(s):  
Johanna Wassholm

In the 1880s, the arrival of a new group of traders was noted in Finnish- and Swedish-languagenewspapers published in the Grand Duchy of Finland. The newcomers were Muslim Tatars, pettytraders originating in a few villages south of Nizhny Novgorod. They found a livelihood in marketand itinerant trade in the Russian Empire. This article examines depictions of Tatar mobile tradersin the late nineteenth-century press in Finland. While petty trade has left fragmentary traces inhistorical sources, the Finnish National Library’s digital newspaper database offers new possibilitiesto create an overview of how the press depicted relations between the early Tatar itineranttraders and the local sedentary society. Through the concepts of space and practices, the articlediscusses the following topics: fairs as a space for ethnic encounters, Tatar trading practices andinteraction with local customers, the traders’ use of space and tactics in relation to formal regulationand the fairs as a “threatening” space. The article contributes new knowledge on the earlyperiod of Tatar presence in Finland, relatively invisible in previous research, and on the multiethniccharacter of late nineteenth-century petty trade.


Antiquity ◽  
1927 ◽  
Vol 1 (3) ◽  
pp. 261-289 ◽  
Author(s):  
E. Cecil Curwen

The importance of the part played by agriculture in the economic history of our country is sometimes apt to be forgotten, for its place has, during the past hundred years, been largely taken by manufacture. Down to the beginning of the nineteenth century the bulk of the population still made a living by tilling the fields, just as their fathers had done from time immemorial. It becomes, therefore, a matter of great interest to trace the beginnings and growth of agriculture in our country before the dawn of history.Agriculture may be taken in its broadest sense to signify the artificial growth of plants for human use, as opposed to the gathering of wild products, but the term may also be narrowed down to cover only the cultivation of farinaceous seeds which we call cereals. It is chiefly in the latter sense that the subject will be discussed here, but it must be remembered that the nature of the evidence does not altogether allow of such a distinction.


Author(s):  
Anthony Shay

Badī’ah Masābnī was a professional actress, singer, and dancer from the Levant. She settled in Egypt in the 1920s and eventually opened a highly successful nightclub, Casino Badī’ah. The highlight of the variety shows, which featured both Egyptian and European dances, acts, and skits, were performances in which she often starred, especially as a comedienne. She is associated with the modernizing of belly dance from a static nineteenth-century dance to a new dance genre that became known as cabaret belly dance, with hundreds of thousands of devotees and practitioners around the world. The new dance genre, often called raqs sharqī (Oriental dance), which was included in her nightclub revue and later in Egyptian films, often featured a soloist accompanied by a chorus line, incorporated movements from ballet as well as elements from Hollywood films, and involved a new use of space. Masābnī also revolutionized the costume that is familiar to filmgoers and viewers of belly dance performances by dancing in an elaborately decorated brassiere with a long skirt slit up the sides, and a coin girdle. Her tumultuous life was profiled by the media throughout the Arab world, but in spite of her contributions to belly dance, she remains little known in the West.


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