scholarly journals Ancient World. (Depth of Times). Discoveries and Revelations

ICONI ◽  
2020 ◽  
pp. 6-23
Author(s):  
Alexander I. Demchenko ◽  

The object of the proposed cycle of essays is that with a maximal compactness of presentment it presents a cumulative overview of the chief phenomena of world artistic culture, spanned in whole, both from the perspective of an overall historical process and in relation to the various arts (literature, the visual arts, architecture, music, theater and cinema). At the same time, it avoids the customary rubrication according to national schools and division into separate arts forms with the specifi cation of genre inherent to each one of them, which is in accord with the positive tendencies of globalization and provides an integral vision of artistic phenomena. A phased examination of the following periods of art history is foreseen: the Ancient World, Antiquity, the Middle Ages, the Renaissance, the Baroque period, the Enlightenment, Romanticism, the 1st Modern style, the 2nd Modern style, the 3rd Modern style, the Postmodern style, and as an afterword — “The Golden Age of Russian Artistic Culture.”

ICONI ◽  
2020 ◽  
pp. 6-25
Author(s):  
Alexander I. Demchenko ◽  

The peculiarity of the series of essays published by the magazine is that with the maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in General both from the point of view of the General historical process, and in relation to various types of creativity (literature, fne art, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and the division into separate types of art with the genre specifcation inherent in each of them is overcome, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in stages: the Ancient world, Antiquity, the Middle Ages, the Renaissance, the Baroque, the Enlightenment, Romanticism, Postromanticism, Modern I, Modern II, Modern III, Postmodern, and as an afterword — «The Golden age of Russian artistic culture».


ICONI ◽  
2020 ◽  
pp. 6-27
Author(s):  
Alexander I. Demchenko ◽  

The essence of the series of essays published by the journal is that with a maximum compactness of the presentation, it provides a summary of the main phenomena of world artistic culture, covered in its entirety both from the point of view of the general historical process, and in relation to the various arts (literature, the fi ne arts, architecture, music, theater and cinema). At the same time, the customary categorization according to national schools and the division into the separate respective arts with the genre specifi cation inherent in each of them are overcome, which answers the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in stages: the Ancient world, the Greco-Roman world, the Middle Ages, the Renaissance era, the Baroque period, the Enlightenment, Romanticism, Post-romanticism, the fi rst, second and third Modern periods, Postmodernism, and, as an afterword, — “The Golden age of Russian artistic culture.”


ICONI ◽  
2021 ◽  
pp. 6-21
Author(s):  
Alexander I. Demchenko ◽  

The essence of the series of essays published by the magazine is that with a maximum compactness of presentation it provides a summary of the main phenomena of world artistic culture covered in general, both from the point of view of the general historical process, and in relation to the various forms of art (literature, the visual arts, architecture, music, theater and cinema). At the same time, the usual categorization of national schools and division into separate types of art with the genre specification inherent in each of them is overcome, which meets the positive trends of globalization and provides a holistic view of artistic phenomena. The following artistic and historical periods are considered in a stepwise manner: the Ancient world, Antiquity, the Middle Ages, the Renaissance, the Baroque Period, the Enlightenment, Romanticism, Post-Romanticism, the First Modern Period, the Second Modern Period, the Third Modern Period, the Postmodern Period, and as an afterword — “The Golden Age of Russian Artistic Culture”.


1963 ◽  
Vol 68 (2) ◽  
pp. 407
Author(s):  
William Gerber ◽  
John Herman Randall

2021 ◽  
pp. 188-200
Author(s):  
Zaza Skhirtladze

Georgia’s location at the crossroads of East and West determined the character of its culture, expressed in architecture and the visual arts, among other spheres. Along with centuries-old original and uninterrupted local traditions, Georgia maintained a close relationship with the surrounding world and cultural circles throughout the Middle Ages. Particularly significant were aspirations of closeness to Byzantium and an active involvement in the Christian Orthodox commonwealth, based on common interests and confessional unity. All this is evident in the architecture and various artistic expressions of medieval Georgia, which are marked by a combination of original forms inspired by the Byzantine themes and elements.


Author(s):  
Guy G. Stroumsa

The preceding chapter dealt with the legend of the three rings, which highlighted the close family relationship between Judaism, Christianity, and Islam. This relationship, which had been an obvious one up through the Middle Ages, began to be seen as less evident in the eighteenth century. The Enlightenment (or perhaps, rather, the Enlightenments) took many different shapes across Europe. The present chapter is devoted to a paradigm shift, one which reflects a new historicization of European cultural life, at least in the approach to religious phenomena. In France, on which this chapter focuses, the historical transformation started earlier than elsewhere, at the very beginning of the eighteenth century.


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