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Author(s):  
Hnidets R ◽  
◽  
Yasinskyi Ya ◽  

The article considers the formative features of the formation of the Ukrainian architectural style (modern style) as a phenomenon that has accumulated both properties characteristic of the style of Western European countries, and national traditions of the formation of folk housing or sacred construction. Ukrainian architectural style (modern style) has become an outstanding phenomenon in the development of domestic and European architectural art. It has absorbed many features that have become common to the pan-European architectural heritage, with its features and differences in the varieties of its expression. During the XIX-early XX centuries, church buildings appear in temple architecture, and they were based on the foundations of a "modern" or "realistic" understanding of shaping. Therefore, there is a focus on national culture and traditions, in an innovative sound. Linearity and decorativeness are manifested in stylistic solutions and detailing of decorative elements and inserts. In Galicia, for the first time in 1894, a building was implemented that embodied the above-mentioned features and principles of the formation of the UAS (UAMS). And its creator was the famous architect and industrialist Ivan Levinsky, professor of Lviv Polytechnic.


Author(s):  
Adriana Hromnyuk

The research analyzes a large number of food facilities in Kyiv, Lviv, and Odesa. They are famous for special colorit, attractiveness, and innovation in stylistic and thematic solutions of their spaces. The stylistic analysis of the architecture of their interiors showed that there is mostly no trace of a single stylistic solution but a fusion of several styles or trends.  The main stylistic tendencies in the organization of food enterprises' object and spatial environment are defined: eclectic, fusion, a single modern style/direction, and auteur design without reference to any particular style. At the same time, within eclecticism, we distinguish the following vectors of its stylistic solution: displaying the atmosphere of different eras, the relevant historical styles of specific countries and places, and reproducing the interiors of food establishments from different periods and countries. Within the framework of fusion trends, we distinguish the following vectors: a combination of components of modern styles/trends with retro/vintage/antique interior items, with an authentic restored architectural, artistic details; use of contemporary style in combination with elements of historical styles: Art Deco, Classicism, Secession, etc.; the use of several modern styles/stylistic trends, a special mixture of components of many heterogeneous styles of the past and the present, has grotesque character and sometimes bordering on kitsch, also take place. Using a single dominant modern style or trend is the third tendency of style solutions for food enterprises' object and spatial environment. The fourth tendency is interiors, which do not have a clear manifestation of a particular style. The main styles and trends used today in the architecture of the interiors of catering facilities are identified, their definitions are clarified, and the scientific basis is developed. Modern stylistic trends, such as fusion, loft, industrial or industrial, shabby-chic, futuristic, steampunk, Provence, modern classics, and the Mediterranean, are reflected in the object-space environment of restaurants, bars and cafes. Eclecticism, minimalism, and high-tech are the most common styles in these spaces. Performed analysis allowed to determine the main approaches to interior architecture design of food establishments in the context of their conceptual and stylistic solution: conceptualism, eclecticism, environmental friendliness, symbolism, innovation, culturology and traditionalism, cohesion, harmonization, expressiveness, interactivity. Themes of artistic and figurative solution of the subject-spatial environment of food establishments were established.


Author(s):  
Si‐Fang Huang ◽  
Wei Wang ◽  
Andrew C. Kerr ◽  
Jun‐Hong Zhao ◽  
Qing Xiong ◽  
...  

2021 ◽  
Vol 364 ◽  
pp. 106385
Author(s):  
Wenxiao Zhou ◽  
Bo Huang ◽  
Yunxu Wei ◽  
Haiquan Li ◽  
Mantang Tan ◽  
...  

JURNAL RUPA ◽  
2021 ◽  
Vol 6 (1) ◽  
pp. 9
Author(s):  
Assayyidah Bil Ichromatil Ilmi

Nowadays, society perspective about vintage fashion as old-fashioned can be changed. This study aims to discuss the alteration perspective of society about vintage fashion. This discussion is conducted to see the other side of vintage fashion. This research is different from other fashion studies because it wants to show how to view the value of a fashion not in general way, especially using deconstruction approach. This study used qualitative methods in the form of interviews to get the data. The interviewees of this research were four young women who like to follow fashion development through social media. Their opinions are used as society representatives about vintage fashion. It will be connected with the theory of deconstruction like 'Differance.' In this case, people's perspective on vintage fashion changes due to the influence of influencers from various social media so that vintage fashion can be juxtaposed with modern style today. Therefore, vintage can get an identity as nowadays's clothes.


2021 ◽  
Vol 03 (06) ◽  
pp. 262-269
Author(s):  
Fatima BOUCHIKHI

Because of the developement and technology, learners and teachers shift from the traditional way of education to the modern one.This later involves studying from home without going or being at school or university.The modern style of education has advantages and disadvantages.In case of disadvantages we have to suggest solutions for enhancing distance learning.


2021 ◽  
Vol 3 (5(69)) ◽  
pp. 37-40
Author(s):  
E. İsmailova

There is nothing that can affect the spirit and national consciousness of the people as an artistic word. Glorification, propagation and transmission of human feelings from generation to generation is the highest task of the art of speech and literature. In this sense, there is a greater task and responsibility before genius masters of a word. In keeping the people alive, instilling human feelings, and glorifying the highest human feelings such as patriotism, heroism, and bravery, the poets held a leading position in all periods of society. The works of the poet Mohammad Hussein Shahriyar (1906-1988), the most famous figure of both South and North Azerbaijani literature, and the pearls of art he created, especially the poem “Sahandiya” written in a modern style, are of great interest to many readers today. The main purpose of the article is to acquaint the modern reader with the valuable heritage of the poet, promote this heritage by demonstrating the artistic features and importance of the poem “Sahandiya”, which is considered one of the masterpieces among the poet's works written in the native language. Although the poet does not speak in an open context in the poem, the city of M.A. Sabir, remembering Shamakha and Shirvan, actually reminds of the problem of divided Azerbaijan. The last parts of the poem are dedicated to the problem of separation, one of the most painful issues of a divided Azerbaijan. The master described the enthusiasm of the poets of North Azerbaijan for his voice as the support of the mountains, the clear dawn of the waters of the Araz, holding the lamp in the darkness, "the sturgeon of that foal." Due to these features - the high appreciation of national and spiritual interests, the poem "Sahandiya" remains relevant at all times.


2021 ◽  
Author(s):  
Jonathan Poh ◽  
Philippe Yamato ◽  
Thibault Duretz ◽  
Denis Gapais ◽  
Patrick Ledru

Author(s):  
Léa Saint-Raymond ◽  
Solène Amice ◽  
Danyl Hadjali ◽  
Haythem Hassayoun ◽  
Paul Jean ◽  
...  

Created in 1905, the Société des Artistes Meridionaux organized annual exhibitions in Toulouse, in order to promote regional arts and (re)created a "Latin" - and modern - style. Based on a corpus of 11,486 artworks exhibited at the SAM between 1907 and 1939, this paper seeks to measure the contours and particularities of the Salons des Artistes Meridionaux, using a computational approach.


Author(s):  
Marek Makowiec

The article contains considerations on the identification and verification of the impact of gender, and especially the feminine style of management on the success of an organization, with particular emphasis placed on technology startups. It presents examples confirming that women are better equipped to cope with problems in running this type of organization, as compared to men in the same positions. In the course of analysis, it was possible to identify the distinguishing features and characteristics of the female (modern) style of management in the context of startups.


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