scholarly journals The Neanderthal Musical Instrument from Divje Babe I Cave (Slovenia): A Critical Review of the Discussion

2020 ◽  
Vol 10 (4) ◽  
pp. 1226 ◽  
Author(s):  
Matija Turk ◽  
Ivan Turk ◽  
Marcel Otte

The paper is a critical review of different evidence for the interpretation of an extremely important archaeological find, which is marked by some doubt. The unique find, a multiple perforated cave bear femur diaphysis, from the Divje babe I cave (Slovenia), divided the opinions of experts, between those who advocate the explanation that the find is a musical instrument made by a Neanderthal, and those who deny it. Ever since the discovery, a debate has been running on the basis of this division, which could only be closed by similar new finds with comparable context, and defined relative and absolute chronology.

Antiquity ◽  
1998 ◽  
Vol 72 (275) ◽  
pp. 65-79 ◽  
Author(s):  
Francesco D'Errico ◽  
Paola Villa ◽  
Ana C. Pinto Llona ◽  
Rosa Ruiz Idarraga

The discovery of a perforated cave-bear femur from the Neanderthal levels at Divje Babe has been interpreted as the oldest musical instrument in Europe. Here we present the current discussion on the ‘flute’ and its implications for other similar bone finds from early prehistory.


2021 ◽  
Author(s):  
Manuela Oliverio ◽  
Monica Nardi ◽  
Maria Luisa Di Gioia ◽  
Paola Costanzo ◽  
Sonia Bonacci ◽  
...  

Semi-synthesis is an effective strategy to obtain both natural and synthetic analogues of the olive secoiridoids, starting from easy accessible natural compounds.


2020 ◽  
Vol 31 (2) ◽  
pp. 81-86
Author(s):  
Wido Nager ◽  
Tilla Franke ◽  
Tobias Wagner-Altendorf ◽  
Eckart Altenmüller ◽  
Thomas F. Münte

Abstract. Playing a musical instrument professionally has been shown to lead to structural and functional neural adaptations, making musicians valuable subjects for neuroplasticity research. Here, we follow the hypothesis that specific musical demands further shape neural processing. To test this assumption, we subjected groups of professional drummers, professional woodwind players, and nonmusicians to pure tone sequences and drum sequences in which infrequent anticipations of tones or drum beats had been inserted. Passively listening to these sequences elicited a mismatch negativity to the temporally deviant stimuli which was greater in the musicians for tone series and particularly large for drummers for drum sequences. In active listening conditions drummers more accurately and more quickly detected temporally deviant stimuli.


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