scholarly journals Effects of Anthropogenic Pressures on Dune Systems—Case Study: Calabria (Italy)

2021 ◽  
Vol 10 (1) ◽  
pp. 10
Author(s):  
Giandomenico Foti ◽  
Giuseppe Barbaro ◽  
Giuseppina Chiara Barillà ◽  
Ferdinando Frega

During the second half of the last century, considerable anthropization processes were observed throughout most of the Italian territory. These processes have altered the equilibrium conditions of several river and coastal ecosystems, causing the destruction of numerous dune systems. This issue is particularly important in territories such as Calabria, a region in southern Italy subject to considerable anthropogenic pressures and characterized by over 700 km of coast. The aim of the paper was to evaluate the effects of anthropogenic pressures on the Calabrian dune systems, especially in regard to the triggering of coastal erosion processes. For this purpose, historical and current cartographic data, such as shapefiles, cartography, and satellite imagery, were analyzed using QGIS. This evaluation was carried out through the comparison between the current extension of the dune systems and their extensions after the Second World War, before the anthropogenic pressures. This evaluation was also carried out through the analysis of shoreline changes in coastal areas, where dune systems are currently present, and in coastal areas where dune systems have been partially or totally destroyed by anthropogenic causes, compared to the 1950s, thus excluding coastal areas without dune systems in the 1950s, and analyzing what was built in place of the destroyed dune systems. Two criteria were defined to identify the levels of destruction of the dune systems and to identify the coastal erosion processes. The analysis showed a strong correlation between the destruction of dune systems by anthropogenic causes and the triggering of coastal erosion processes.

Author(s):  
Eleni Liarou

This article examines the work of playwright Leo Lehman for British television in the 1950s and 1960s. Originally from Poland, Lehman came to England as a refugee during the Second World War. The study of Lehman’s work, and particularly his stories about refugees and asylum, opens a window to a still largely unmapped history of remarkable cultural diversity on British screens and beyond. This case study also sheds light on the ways in which the history of British television cuts across national borders and intersects with European history.


2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.


Aschkenas ◽  
2021 ◽  
Vol 31 (1) ◽  
pp. 187-200
Author(s):  
Hans-Harald Müller

Abstract Arnold Zweig and Walter A. Berendsohn, who were in correspondence with each other between 1909 and 1968, continuously sought to convert the other to their beliefs. Around 1910 Zweig wanted to convert Berendsohn to Zionism as coined by Buber, while his views changed after his exile in Palestine, when he tried to win Berendsohn over to communism. Berendsohn, for his part, wanted to convince Zweig of social democracy around 1910, but after traveling Palestine in the 1950s tried to convince Zweig of Zionism. Viewed retrospectively, both appear as idealistic German intellectuals whose eagerness to reform society in 1910 led them in very different directions due to their individual experiences especially in and after the Second World War.


2017 ◽  
Vol 14 (2) ◽  
pp. 245-270 ◽  
Author(s):  
KATE GUTHRIE

AbstractBy the outbreak of the Second World War in Britain, critics had spent several decades negotiating the supposed distinctions between highbrow and lowbrow culture, as recent scholarship has shown. What has received comparatively little attention is how the demands of wartime living changed the stakes of the debate. This article addresses this lacuna, exploring how war invited a reassessment of the relative merits of art and popular music. Perhaps the most iconic British singer of the period, Vera Lynn provides a case study. Focusing on her first film vehicle,We'll Meet Again(1942), I explore how Lynn's character mediated the highbrow/lowbrow conflict – for example, by presenting popular music as a site of community, while disparaging art music for its minority appeal. In so doing, I argue, the film not only promoted Lynn's star persona, but also intervened in a broader debate about the value of entertainment for a nation at war.


2018 ◽  
Vol 30 (3) ◽  
pp. 472-487 ◽  
Author(s):  
Juan J. Díaz Benítez

The secret supply of the German Navy during the Second World War has scarcely been studied until now. The goal of this article is to study one of the more active supply areas of the Etappendienst at the beginning of the war, the one known as Etappe Kanaren, as part of the Grossetappe Spanien-Portugal. In this research primary sources from German Naval War Command have been consulted. Among the main conclusions, it should be pointed out, on the one hand, the intense activity to support the Kriegsmarine during the first years of the war, despite the distance from mainland Spain and the British pressure, which finally stopped the supply operations. On the other hand, we have confirmed the active role of the Spanish government in relation to the Etappendienst: Spanish authorities allowed the supply operations, but pressure from the Allies forced the Spanish government to impede these activities.


2018 ◽  
pp. 162-182
Author(s):  
Samantha Caslin

This chapter focuses on the LVA’s efforts to engage with Irish women in Liverpool during the Second World War and post-war years. Despite a reduction in Irish immigration during the war, which saw the LVA’s staff reduced, the organisation was quick to raise concerns about the moral wellbeing of Irish young women once peace was resumed. As such, the LVA continued, throughout the 1950s and into the 1960s, to provoke concerns about the supposed moral vulnerability of Irish young women in Liverpool in a bid to generate support for their patrols.


Author(s):  
Karen Davies ◽  
Caroline Ritchie

The founding philosophy of many cultural events established after the Second World War was to enhance the dynamics of peace through supporting and developing multicultural understanding. Over 50 years after their establishment, this chapter investigates the potential of such iconic events to achieve this aim and contribute to the concept of peace through tourism, based on a longitudinal ethnographic case study of Llangollen International Musical Eisteddfod. The results show that this aim can be achieved by such events if they provide enough time and space for participants (performers and audiences) to interact. However, the study also identifies current cultural, political, and fiscal challenges in providing these temporal and physical spaces.


2021 ◽  
pp. 141-159
Author(s):  
Uta Andrea Balbier

Anti-Communism constituted a core feature of Billy Graham’s preaching in the 1950s. In Graham’s sermons Communism did not just stand for the anti-religious thread of an atheistic ideology, as it was traditionally used in Protestant Fundamentalist circles, but also for its opposition to American freedom and Free Market Capitalism. This article argues that the term Communism took on significantly new meaning in the evangelical milieu after the Second World War, indicating the new evangelicals’ ambition to restore, defend, and strengthen Christianity by linking it into the discourse on American Cold War patriotism. This article will contrast the anti-Communist rhetoric of Billy Graham and other leading evangelical figures of the 1950s, such as Harold Ockenga, with the anti-Communist rhetoric used by early Fundamentalists in the 1910s and 1920s. Back then, Communism was predominantly interpreted as a genuine threat to Christianity. The term also made appearances in eschatological interpretations regarding the imminent end-times. The more secular interpretation of Communism as a political and economic counter-offer by evangelical preachers such as Billy Graham will be discussed as an important indicator of the politicization and implied secularization of the evangelical milieu after the Second World War.


Author(s):  
Peter Roderick

Bruno Maderna was an Italian composer and conductor, who made his name internationally at the Darmstadt Summer Courses in the 1950s and 60s. A musical prodigy, Maderna toured around Veneto with his family as young as age ten, amazing audiences with his violin virtuosity and intuitive conducting skills. His early life was unstable—his paternity was questioned and he lived with several guardians—and was further disrupted by the Second World War, when he was conscripted. His studies and burgeoning musical friendship with Luigi Nono was temporarily suspended, and a period serving in the Italian army was followed by involvement with the resistenza movement opposing Nazi occupiers in 1944; his membership with the Fronte di Liberazione led to his arrest in February 1945 by the S.S. After escaping the Germans, he joined with the Veronese partisans and fought in the war of liberation in the Po valley.


2008 ◽  
Vol 35 (4) ◽  
pp. 717-746 ◽  
Author(s):  
Akihiko Sato

Scholars have argued that post-World War II domestic disorder in Japan caused a serious methamphetamine problem, which directly led to the establishment of the Stimulant Control Law of 1951. This paper examines the process through which that Law came into effect to argue the central significance of shifting discourses surrounding methamphetamine use, especially by users themselves, and nationalist dialogue concerning secret production and the smuggling of methamphetamine. These factors worked together in the 1950s to transform contemporary understandings of methamphetamine use, and to foster state efforts to regulate it.


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