scholarly journals Ecce Homo—Behold the Human! Reading Life-Narratives in Times of Colonial Modernity

Religions ◽  
2020 ◽  
Vol 11 (6) ◽  
pp. 300
Author(s):  
Nandini Bhattacharya

The essay explores Bankimchandra Chatterjee’s Krishnacaritra—published in 1886—the life of a humanised god, as engaged in cross cultural dialogues with John Robert Seeley’s Ecce Homo, Natural Religion, and The Expansion of England in particular, and the broader European tendency of naturalising religions in general. It contends that the rise of historicised life writing genres in Europe was organically related to the demythologised, verifiable god-lives writing project. Bankimchandra’s Krishnacarita is embedded within a dense matrix of nineteenth century Indian secular life writing projects and its projection of Krishna as a cultural icon within an incipient nationalist imagining. The essay while exploring such fraught writing projects in Victorian England and nineteenth century colonial Bengal, concludes that ‘secularism’ arrives as not as religion’s Other but as its camouflaging in ethico-cultural guise. Secularism rides on the backs of such demystified god life narratives to rationalise ethico-culturally informed global empires.

2021 ◽  
Vol 20 (1-2) ◽  
pp. 54-62 ◽  
Author(s):  
Mona B Livholts

Exhaustion is not about being tired. It is an intense feeling of restlessness, of insomnia, and awakening when I ask myself: have I exhausted all that is possible? Such a state of restlessness and wakefulness represents a turning point for having enough, and opens for new possibilities to act for social change. This reflexive essay departs from the notion that the language of exhaustion offers a wor(l)dly possibility for social work(ers) to engage in critical analytical reflexivity about our locations of power from the outset of our (g)local environment worlds. The aim is to trace the transformative possibilities of social change in social work practice through the literature of exhaustion (eg. Frichot, 2019 ; Spooner, 2011 ). The methodology is based on uses of narrative life writing genres such as poetry, written and photographic diary entrances between the 4th of April and 4th of June. The essay shows how tracing exhaustion during the pandemic, visualises a multiplicity of forms of oppression and privilege, an increasing attention and relationship to things, and border movements and languages. I suggest that social work replace the often-used terminology of social problems with exhaustive lists to address structural forms of racism, sexism, ableism, ageism, which has been further visualized through death, illness, violence, and poverty during the pandemic. I argue that the language of exhaustion is useful for reflexivity and action in social work practice through the way it contributes to intensified awareness, attention, engagement, listening, and agency to create social justice.


2007 ◽  
Vol 3 (2 (4)) ◽  
pp. 78-92
Author(s):  
Elena Xeni

The article discusses a number of issues contributing to the efficient teaching of a foreign language. Studying Diary Writing as a unique literary genre (a text disclosing the self of the author) the author of the article believes it is very important that students should have diaries since such an assignment highly contributes to the improvement of a written language.


Romanticism ◽  
2018 ◽  
Vol 24 (2) ◽  
pp. 191-202
Author(s):  
Susan Civale

The posthumously published Memoirs of the Late Mrs. Robinson (1801) has been read as a final – but flawed – attempt to defend the conduct and rescue the reputation of the notorious actress, poet, and one-time royal mistress, Mary Darby Robinson (1758–1800). Narrating her life as a pathetic tale of transgression and suffering, the Memoirs seems destabilised by inconsistencies in structure and gaps in content which are often discussed by modern critics as shortcomings: evidence of self-censorship, ‘confused’ intentions, or an inability to fashion an acceptable feminine persona. However, these so-called shortcomings may comprise a nuanced strategy of self-presentation designed to evoke curiosity and sympathy. Robinson's Memoirs was reprinted throughout the nineteenth century, spurring numerous novels, mini-biographies, and periodical articles. By examining nineteenth-century responses to the Memoirs, this essay argues for Robinson's life writing as innovative and influential, and gestures to the benefits of extending the traditional ‘edges’ of Romanticism in terms of both genre and period.


2014 ◽  
Vol 90 (1) ◽  
pp. 287-303 ◽  
Author(s):  
Judith Richards

Although the reputation of Englands first queen regnant, Mary Tudor (died 1558) had remained substantially unchanged in the intervening centuries, there were always some defenders of that Catholic queen among the historians of Victorian England. It is worth noting, however, that such revisionism made little if any impact on the schoolroom history textbooks, where Marys reputation remained much as John Foxe had defined it. Such anxiety as there was about attempts to restore something of Marys reputation were made more problematic by the increasing number and increasingly visible presence of a comprehensive Catholic hierarchy in the nineteenth century, and by high-profile converts to the Catholic faith and papal authority. The pre-eminent historians of the later Victorian era consistently remained more favourable to the reign of Elizabeth, seen as the destroyer,of an effective Catholic church in England.


Author(s):  
Andrew O. Winckles

Chapter Four examines women’s life-writing and the formation of an “erotic imagination” within life-writing as a genre. It begins by examining the Account of the Experience of Hester Ann Rogers (1793), one of the most influential works of Methodist life-writing, and reads it as against her earlier manuscript versions of the work. This reading reveals some of the ways and reasons Methodist women navigated different publication platforms and life-writing genres (private diary, semi-public scribal publication, print publication) in order to reach different audiences. Specifically, it examines Rogers’ status as a Methodist “mystic” who, in her diaries and manuscript works, represents a deeply erotic female mysticism that is edited out of her print publications. The chapter then turns to Rogers’ contemporary, Mary Wollstonecraft, to consider how both women use the life-writing genre to re-write the terms and conditions of female desire while textually re-orienting this desire away from the male gaze.


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