scholarly journals MEANS OF FORMING ARCHITECTURAL AND ARTISTIC EXPRESSION OF MODERN PUBLIC-BUSINESS CENTERS

2019 ◽  
pp. 79-83
Author(s):  
А. Федоров ◽  
A. Fedorov ◽  
А. Скопинцев ◽  
A. Skopintsev
Keyword(s):  
Positive Contrast ◽  
Business Environment ◽  
Town Planning ◽  
Scenario Modeling ◽  
High Rise ◽  
Interior Spaces ◽  
Location Class ◽  
The Aesthetic ◽  
Aesthetic Characteristics ◽  
Tools And Techniques

The article describes the features of the organization of expressive architectural and artistic decisions of the exterior and interior spaces of business centers. Various approaches to the aesthetic formation of the business environment are proposed, based on the specifics of the town-planning location, class, and functional-typological classification of buildings of business centers. A number of composite tools for constructing the architectural appearance for three types of high-rise buildings of social and business centers are presented: multifunctional, specialized and universal. These means include: a) receiving form detail at the level of the building volume, architectural details, texture; b) the methods of combining the “architectural themes” of various functional planning, volumetric, and engineering technical components of the business center, including their consistent development, combinatorics, positive contrast, conscious emphasis and integration with the context; c) methods of identifying the high-altitude composition of a business building based on its vertical zoning. An arsenal of tools and techniques for designing an aesthetically appealing internal environment and comfortable interior spaces of business and office buildings has been developed. These techniques are based on enhancing the business environment by including internal public and collective spaces, by identifying and emphasizing communication areas and technical devices, scenario modeling of office-business and communication spaces, non-traditional tracing of communication flows. The application of the developed methodological tools will improve consumer and architectural and artistic qualities of buildings of public business centers, as well as ensure their comfort, commercial efficiency and aesthetic characteristics of the business environment.

scholarly journals Decoding the Visual Characteristics of Chinese Painting Strokes-A Study on Gao Gu You Si Stroke

2021 ◽  
Vol 236 ◽  
pp. 05093
Author(s):  
Xue Hu ◽  
Eakachat Joneurairatana ◽  
Sone Simatrang
Keyword(s):  
Visual Culture ◽  
Le Corbusier ◽  
Visual Design ◽  
Chinese Painting ◽  
Cultural Characteristics ◽  
Local Characteristics ◽  
Visual Characteristics ◽  
The Aesthetic ◽  
The One ◽  
Aesthetic Characteristics

The architect Le Corbusier once said this theory: Design has local characteristics and universal characteristics. Local characteristics are greatly influenced by culture. The strokes are the one essence of Chinese painting that characteristics of the strokes are unique to Chinese visual culture. Among Chinese painting strokes, Eighteen Strokes are the typical representative of the aesthetics of Chinese visual culture. However, the current research on the cultural characteristics of Eighteen Strokes is insufficient. The objective of this article is taking Xie He’s Six Canons as the theory to decode the content of the aesthetic characteristics of the Gao Gu You Si Stroke (one of the Eighteen Strokes), then to get the visual cultural characteristics of Chinese painting strokes and the fundamental perspective characteristics of the inheritance visual cultural. Based on this, this article will use the Content Analysis Approach to conduct research, by decoding the aesthetic content of the Chinese painting strokes to construct the personality and characteristics required by Chinese visual design.

scholarly journals [DESIGN INDEPENDENCE A COMPLEMENTARY PRINCIPLE IN THE DESIGN OF INTERIOR SPACES OF MALAYSIAN MOSQUE CASE STUDY] الاستقلالية التصميمية مبدأ تكميلي في تصاميم الفضاءات الداخلية للمساجد الماليزية دراسة حالة

2020 ◽  
Vol 4 (2) ◽  
pp. 94-125
Author(s):  
Mohammed Jarallah Tewfik ◽  
Ahmed Mohammed Yahya Al-Abbasi
Keyword(s):  
Interior Design ◽  
Research Study ◽  
Research Problem ◽  
Design System ◽  
Interior Spaces ◽  
Design Creativity ◽  
The Aesthetic ◽  
Relationship Of ◽  
The Relationship

The interior design of Malaysian Islamic mosques is a vivid example of further innovation and innovation based on design creativity in design relationships.As a result of the interaction of this level, the design process shows a clear independence as a result of the interaction of the subjective capabilities factor of the interior designer based on the study of the specificity of the objective capabilities that govern the processes of drafting innovative decorative arts.Therefore, it was necessary to study this issue by identifying the research problem, which is summarized by: showing the features of design independence as a complementary principle in the designs of the interior spaces of Malaysian mosques,While the aim of the research focuses on identifying the features of design independence that are adopted as a complementary principle in the designs of the interior spaces of Malaysian mosques,While the importance of research is evident in presenting a clear picture of the concept of design independence, as it represents the theoretical base that can be used in practical application in designs of interior spaces for the chapel of the Malaysian Islamic mosques,The research study also includes both (research limits, theoretical framework, as well as research procedures based on the descriptive analytical approach (content analysis - case study)) leading to the results of the research study, which was among the most important: 1- Design configurations of all kinds and design configurations emerged within the designs of the internal determinants, based on the study of the interior designer, to the aesthetic independence of the division of space and size as a complementary principle within the internal determinants of the mosque of the two mosques. 2- The relationship of the principle of the independence of convergence as a complementary principle contributed to determining the distances between shapes, which can be perceived as a unified whole, through the distribution of units and shapes within a consecutive visual design system. While the most important recommendations emerged through the necessity of studying the choice of levels of internal determinants of the chapel of the Malaysian Islamic mosques.With the demonstration of the expressive characteristic of civilization development through design recruitment of appropriate vocabulary and design units with a careful selection of modern materials and materials in line with the innovative design path to achieve the requirements of design independence within the chapel of the Malaysian Islamic mosques.

The Sounds of Zombie Media

2021 ◽  
pp. 229-252
Author(s):  
Lauren Flood
Keyword(s):  
New York ◽  
Electronic Waste ◽  
Experimental Music ◽  
Sound Art ◽  
Cultural Value ◽  
Multimedia Art ◽  
Material Goods ◽  
Do It Yourself ◽  
The Aesthetic ◽  
Tools And Techniques

This chapter investigates how do-it-yourself (DIY) cultures in New York City and Berlin make sound and music with “zombie media,” or physical materials rescued from obsolescence that are recycled, repurposed, and reanimated. In situating DIY repurposing practices within a context of conspicuous production, or the tendency to obsess over constant invention and fabrication, it explores zombie media as experimental instrument building, sound art, and multimedia art. Through solo tinkering, group workshops, concerts, and exhibits, participants employ the DIY ethos present in underground and experimental music and art scenes, as well as maker and hacker cultures, to explore the aesthetic, material, and cultural value of electronics at various life stages and afterlives. Some of their tools and techniques of repurposing include: circuit bending, hardware hacking, scavenging electronic waste, and repairing broken audio equipment. Drawing on discussions of the zombie, ranging from its original Haitian context to its widespread use as a symbol for the anxieties of late capitalism and overconsumption, the chapter shows how participants engage infrastructures of waste through an ethic of aversion, cultivating sustainability skills that demonstrate “productive” uses of time and materials, but which nevertheless embody conspicuous production. The lure of zombie media is its reanimating power—a resourcefulness-through-resistance that operates via sincerely held beliefs about labor, frugality, and conserving material goods.

Sign in / Sign up

Export Citation Format

Share Document