Marine and terrestrial investigations in the Norse Eastern Settlement, South Greenland

2001 ◽  
pp. 65-69 ◽  
Author(s):  
Naja Mikkelsen ◽  
Antoon Kuijpers ◽  
Susanne Lassen ◽  
Jesper Vedel
Keyword(s):  
Middle Ages ◽  
Northern Hemisphere ◽  
14Th Century ◽  
Original Series ◽  
Written Sources ◽  
The Middle Ages

NOTE: This article was published in a former series of GEUS Bulletin. Please use the original series name when citing this article, for example: Mikkelsen, N., Kuijpers, A., Lassen, S., & Vedel, J. (2001). Marine and terrestrial investigations in the Norse Eastern Settlement, South Greenland. Geology of Greenland Survey Bulletin, 189, 65-69. https://doi.org/10.34194/ggub.v189.5159 _______________ During the Middle Ages the Norse settlements in Greenland were the most northerly outpost of European Christianity and civilisation in the Northern Hemisphere. The climate was relatively stable and mild around A.D. 985 when Eric the Red founded the Eastern Settlement in the fjords of South Greenland. The Norse lived in Greenland for almost 500 years, but disappeared in the 14th century. Letters in Iceland report on a Norse marriage in A.D. 1408 in Hvalsey church of the Eastern Settlement, but after this account all written sources remain silent. Although there have been numerous studies and much speculation, the fate of the Norse settlements in Greenland remains an essentially unsolved question.

scholarly journals Two names of a city: Strumica - Tiberioupolis

2008 ◽  
pp. 77-87 ◽  
Author(s):  
Irena Stefoska
Keyword(s):  
Middle Ages ◽  
Local Church ◽  
14Th Century ◽  
The City ◽  
The Church ◽  
Written Sources ◽  
The Middle Ages

In medieval sources the name of the contemporary city of Strumica is found in two versions: Strumica or Tiberiupolis. While the Slavic toponym has been well authenticated in the sources, the appearance and the use of the Tiberiupolis as the synonym of Strumica has remained a puzzle for researchers. In her paper the author attempts to discuss the existence of the toponym Tiberiupolis which was first encountered in written sources of the 11th century. Both the Slavic and the Byzantine version of the city name have somewhat been connected with the cult of the Fifteen Holy Martyrs spread and observed in the Strumica region. Regardless of whether Strumica was ever called Tiberiupolis, the city and the episcopacy in several instances, only in local (church) sources, appeared under this name between the 11th and 14th century. The fact that Tiberiupolis was used by the church allows one to assume that due to the symbolism the name entails, best expressed through the cult of the Fifteen Holy Martyrs from Tiberiupolis, it was significant to the local clergy. By supporting and perpetuating the memory of the deeds and suffering of the martyrs, the church performed its mission of spreading Christian values in a predominantly Slavic region as Strumica and its surroundings in the Middle Ages. .

ISLAMIC COINS FROM EASTERN GIZA (EGYPT)

2020 ◽  
pp. 57-62
Author(s):  
E. Yu. Goncharov ◽  
◽  
S. E. Malykh ◽  
Keyword(s):  
Middle Ages ◽  
Human Activity ◽  
The Other ◽  
Dynamic Nature ◽  
14Th Century ◽  
Modern Times ◽  
Ancient Egyptian ◽  
Ancient Rock ◽  
Oriental Studies ◽  
The Middle Ages

The article focuses on the attribution of one gold and two copper coins discovered by the Russian Archaeological Mission of the Institute of Oriental Studies RAS in the ancient Egyptian necropolis of Giza. Coins come from mixed fillings of the burial shafts of the Ancient Egyptian rock-cut tombs of the second half of the 3rd millennium B.C. According to the archaeological context, the coins belong to the stages of the destruction of ancient burials that took place during the Middle Ages and Modern times. One of the coins is a Mamluk fals dating back to the first half of the 14th century A.D., the other two belong to the 1830s — the Ottoman period in Egypt, and are attributed as gold a buchuk hayriye and its copper imitation. Coins are rare for the ancient necropolis and are mainly limited to specimens of the 19th–20th centuries. In general, taking into account the numerous finds of other objects — fragments of ceramic, porcelain and glass utensils, metal ware, glass and copper decorations, we can talk about the dynamic nature of human activity in the ancient Egyptian cemetery in the 2nd millennium A.D. Egyptians and European travelers used the ancient rock-cut tombs as permanent habitats or temporary sites, leaving material traces of their stay.

The Cult of St Edmund, King and Martyr in Medieval Ireland

2018 ◽  
Vol 136 (4) ◽  
pp. 223-238 ◽  
Author(s):  
Francis Young
Keyword(s):  
Middle Ages ◽  
Anglo Saxon ◽  
Norman Conquest ◽  
14Th Century ◽  
Patron Saint ◽  
12Th Century ◽  
Anglo Norman ◽  
Christ Church ◽  
Medieval Ireland ◽  
The Middle Ages

St Edmund, king and martyr (an Anglo-Saxon king martyred by the Vikings in 869) was one of the most venerated English saints in Ireland from the 12th century. In Dublin, St Edmund had his own chapel in Christ Church Cathedral and a guild, while Athassel Priory in County Tipperary claimed to possess a miraculous image of the saint. In the late 14th century the coat of arms ascribed to St Edmund became the emblem of the king of England’s lordship of Ireland, and the name Edmund (or its Irish equivalent Éamon) was widespread in the country by the end of the Middle Ages. This article argues that the cult of St Edmund, the traditional patron saint of the English people, served to reassure the English of Ireland of their Englishness, and challenges the idea that St Edmund was introduced to Ireland as a heavenly patron of the Anglo-Norman conquest.

scholarly journals The Danse Macabre of the Beram Frescoes in the Chapel of sv. Marija na Škrilinah

2018 ◽  
Vol 73. (3) ◽  
pp. 409-410
Author(s):  
Mirela Lenković
Keyword(s):  
Cultural Heritage ◽  
Middle Ages ◽  
Illuminated Manuscripts ◽  
Ordinary People ◽  
14Th Century ◽  
Late Middle Ages ◽  
Legenda Aurea ◽  
Artistic Heritage ◽  
The Middle Ages

The Danse Macabre as an iconographic theme appears in the Middle Ages across all of Europe carrying within it a message of the equality among people regardless of their station in life. Medieval artists used the various templates available to them: Biblia pauperum, Meditationes Vitae Christi, Legenda aurea, artistic templates, woodcuts, illuminated manuscripts, and the like. Scenes of the dying and death of ordinary people were not a theme of iconographic content prior to the Late Middle Ages, but rather begin to appear in the 14th century. There emerge at that time several categories of iconographic deaths. The Danse Macabre of the Beram frescoes (in the Chapel of sv. Marija na Škrilinah, 1474) contributes immeasurably to the artistic heritage of the Middle Ages as well as to Croatian cultural heritage.

scholarly journals Mobility, mortality, and the middle ages: Identification of migrant individuals in a 14th century black death cemetery population

2012 ◽  
Vol 150 (2) ◽  
pp. 210-222 ◽  
Author(s):  
E.J. Kendall ◽  
J. Montgomery ◽  
J.A. Evans ◽  
C. Stantis ◽  
V. Mueller
Keyword(s):  
Middle Ages ◽  
Black Death ◽  
14Th Century ◽  
The Middle Ages

scholarly journals Medieval Shiloh—Continuity and Renewal

Religions ◽  
2020 ◽  
Vol 11 (10) ◽  
pp. 493
Author(s):  
Amichay Shcwartz ◽  
Abraham Ofir Shemesh
Keyword(s):  
Middle Ages ◽  
12Th Century ◽  
Byzantine Period ◽  
The Relationship ◽  
Written Sources ◽  
The Middle Ages

The present paper deals with the development of cult in Shiloh during the Middle Ages. After the Byzantine period, when Shiloh was an important Christian cult place, it disappeared from the written sources and started to be identified with Nebi Samwil. In the 12th century Shiloh reappeared in the travelogues of Muslims, and shortly thereafter, in ones by Jews. Although most of the traditions had to do with the Tabernacle, some traditions started to identify Shiloh with the tomb of Eli and his family. The present study looks at the relationship between the practice of ziyara (“visit” in Arabic), which was characterized by the veneration of tombs, and the cult in Shiloh. The paper also surveys archeological finds in Shiloh that attest to a medieval cult and compares them with the written sources. In addition, it presents testimonies by Christians about Jewish cultic practices, along with testimonies about the cult place shared by Muslims and Jews in Shiloh. Examination of the medieval cult in Shiloh provides a broader perspective on an uninstitutionalized regional cult.

scholarly journals Die Benennung und Bestimmung der Räume im südlichen Repräsentativteil des Geschosses des zweiten „Hochmeisterpalastes“ auf der Marienburg im Mittelalter im Lichte der Schriftquellen

2021 ◽  
Vol 26 ◽  
pp. 315-340
Author(s):  
Sławomir Jóźwiak ◽  
Janusz Trupinda
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Late Middle Ages ◽  
Intended Use ◽  
Written Sources ◽  
The Middle Ages

Nomenclature and intended use of the rooms of the southern (representative) part of the upper floor of the “palace” of Grand Masters in the Marienburg Castle in the Middle Ages on the basis of written sources   The analyses carried out in this article concerning the southern part of  the upper floor of the new (second) “palace” of the Teutonic Order’s superiors in the late Middle Ages allow to formulate several important conclusions. First of all, the building certainly existed before 11 September 1392, but it cannot be ruled out that it was erected at the beginning of the 1370s. In the fifteenth-century sources, its entire southern representative part (looking from the so-called Low and High Halls) along with five rooms of different sizes located there, were referred to as the “Summer (or, less often, Winter) chamber (gemach)”. This name comes from the most characteristic interiors located there: the “Summer Refectory” / “Great Summer Hall” in the western part and the Winter Refectory in the central part. The thorough analysis of medieval written sources carried out in this article allows for the formulation of the thesis that the chamber located in the easternmost part of the southern part of the “palace”, supported by two columns, should be  identified as the “Minor Summer Hall” (aula minor estivalis), which was recorded in the transumpt of 14 May 1456. Thus, all the suggestions concerning this interior and its supposed intended use in the discussed period, hitherto put forward by the researchers who have so far formulated their conclusions in isolation from the written accounts of the period, should be rejected. This name comes from the most characteristic interiors located there: the "Summer Refectory" / "Great Summer Hall" in the western part and the Winter Refectory in the central part. The thorough analysis of medieval written sources carried out in this article allowed for the formulation of the thesis that the chamber located in the easternmost part of the southern part of the "palace", supported by two columns, should be  identified as the "Minor Summer Hall" (aula minor estivalis), which was recorded in the transumpt of 14 May 1456. Thus, all the suggestions concerning this interior and its supposed intended use in the discussed period,  hitherto put forward by the researchers who have so far formulated their conclusions in isolation from the written accounts of the period, should be rejected.

scholarly journals WOOD SPECIES AND THE QUESTION OF ORIGIN: REASSESSING THE SCULPTURE PRODUCTION IN THE DIOCESE OF TURKU (ÅBO) DURING THE 14TH CENTURY

2019 ◽  
Vol 18 ◽  
pp. 75-104 ◽  
Author(s):  
Katri Vuola
Keyword(s):  
Middle Ages ◽  
Wood Species ◽  
14Th Century ◽  
Microscopy Analysis ◽  
The Middle Ages

This paper deals with choices of wood species in the 14th centurypolychrome sculptures in the diocese of Turku (Åbo), Finland, theeasternmost part of the Swedish Realm in the Middle Ages. The aim ofthe article is to draw an overall picture of the wood use in sculptureand discuss the emergence of the local workshops in the diocese.This is done by presenting new wood definitions and by taking theseinto account the when analysing the sculptures’ style and form.The emphasis on the research is on sculptures previously definedas carved from birch and which thus are determined as Finnish orNordic of their origin. The methods for defining the wood specieshave been ocular observation and microscopy analysis. The choiceof wood is approached from the perspective of the wood speciesavailability in the area and suitability for carving. The results of theinvestigation indicate that in addition to oak, and instead of birch,particularly alder (Alnus) was used in the locally manufactured sacralsculptures, and in some cases using oak sculptures as models. Alderwas possibly favored due to its good availability and inexpensivenessas well as workability. It can, however not be ruled out, that sculpturesof alder may have been imported to the bishopric as well.

scholarly journals On the Albanian ethnonym in the middle ages

2021 ◽  
pp. 23-38
Author(s):  
Predrag Komatina
Keyword(s):  
Middle Ages ◽  
Balkan Peninsula ◽  
The South ◽  
Historical Sources ◽  
14Th Century ◽  
The Middle Ages

The paper discusses the issue of the Albanian ethnonym in the Middle Ages, starting from the fact that today they use the ethnonym Shqipetar for themselves and that other peoples know them as Albanians. It first points out the possibility that the former name was in use among the Albanians already in the 14th century, and then discusses the use of the ethnonym Albanians in the historical sources from the 11th to the 14th century. Since it originated from the geographical term Arbanum and was conditioned by it, the question arises ?f how the ancestors of the Albanians were called before they came to Arbanum. Finally, the paper suggests a possible connection between them and the Vlach groups in the south of the Balkan Peninsula.

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