Creative Practice of Scene Teaching in Full Disclosure of Construction Drawing

Telling the truth to the terminal-stage cancer patients differs socio-culturally based on the priorities assigned to patients’ autonomy and the principles of beneficence and non-maleficence. After conducting in-depth interviews with 108 terminal-stage adult cancer patients, 306 family members, and 25 physicians, in private and public hospitals in both rural and urban areas, in the state of West Bengal, India it has been found that even though 85.60% of the patients prefer full disclosure, only 22.03% are actually informed. Though demographic characteristics, like age, gender, education etc., have marginal influences over the pattern of truth-telling, the main factor behind non-disclosure is the family members’ preference for principles of beneficence and non-maleficence over patient autonomy. Hence, only 9.32% of those 118 patients’ family members have agreed to full disclosure. Physicians comply with this culture of non-disclosure as family, in India, is the centre of decision-making and acts as the primary unit of care.

You Don’t Fool Me: On Scams, Scambaiting, Deception, and Epistemological Ambiguity at R/scambait on Reddit

Social Media + Society ◽

10.1177/20563051211035698 ◽

2021 ◽

Vol 7 (3) ◽

pp. 205630512110356

Author(s):

Marta Dynel ◽

Andrew S. Ross

Keyword(s):

Grounded Theory ◽

Significant Finding ◽

Potential Shift ◽

Creative Practice ◽

General Plane ◽

Communicative Activities ◽

A Site

With a focus on the online phenomena of scamming and scambaiting, this article explores users’ communicative activities on Reddit’s r/scambait subreddit. Drawing on a representative corpus viewed through grounded theory, we establish the basic categories of posts and then unpack those further to reveal the deceptive practices being undertaken by both scammers and scambaiters, as well as Redditors’ untruthfulness in their fabricated posts. The analysis reveals that the r/scambait subreddit exists as a site of humorous entertainment arising from various forms of deception. Scammers’ deceptive strategies are depicted as amusingly naïve and inefficient, while scambaiters’ deceptive messages targeted at scammers demonstrate great creativity and wittiness. In both cases, scammer-victims are disparaged for being immensely gullible or downright stupid; and Redditors earn online plaudits for submitting the most upvoted posts. Our significant finding is that posts such as those at r/scambait should never be taken at face value due to their inherent epistemological ambiguity, to which the users choose to remain oblivious or indifferent. Furthermore, on a general plane, this study indicates a potential shift in the emic understanding of the concept of “scambaiting” from a punitive measure and an educational instrument to a creative practice geared toward posters’ kudos and users’ joint humorous experience through “baitertainment” and “scamusement.”

Behavioural Economic Influences on Primary Market Disclosure – The Case of the EU Regulation on European Crowdfunding Service Providers

European Company and Financial Law Review ◽

10.1515/ecfr-2021-0020 ◽

2021 ◽

Vol 18 (3) ◽

pp. 428-463

Author(s):

Konstantinos Serdaris

Keyword(s):

Service Providers ◽

Preliminary Evaluation ◽

Full Disclosure ◽

Content Quality ◽

Platform Governance ◽

Capital Markets Union ◽

Alternative Means ◽

High Level ◽

Start Ups ◽

The Eu

Abstract On 5 October 2020, as part of the Capital Markets Union (CMU) project, the European Parliament adopted, in second reading, Regulation (EU) 2020/1503 on European crowdfunding service providers for business (‘ECSP Regulation’). This Regulation, which shall apply as of 10 November 2021, consists of rules which aim at improving access to crowdfunding for EU businesses in need of capital, particularly start-ups, while, at the same time, providing a high level of protection to investors. To attain that it builds on three sets of measures: clear rules on information disclosures for project owners and crowdfunding platforms; rules on platform governance and risk management; and a coherent approach to supervision and enforcement. The focus of this article is on the disclosure-related set of provisions. Its aim is to demonstrate how the new rules embrace a more behavioural approach to primary market disclosure which, in contrast to the paradigm of full disclosure, focuses on the content, quality and framing of disclosure as an alternative means of enabling informed and, thus, allocatively efficient investment decisions. In a second step, it seeks to provide a preliminary evaluation of these measures both from a practical and a normative perspective.

Artist’s statements, ‘how to guides’ and the conceptualisation of creative practice

English for Specific Purposes ◽

10.1016/j.esp.2020.12.006 ◽

2021 ◽

Vol 62 ◽

pp. 103-116

Author(s):

Darryl Hocking

Keyword(s):

Creative Practice

The literature/practice review: use of creative practice during the review period and its potential to reshape research projects

Research in Post-Compulsory Education ◽

10.1080/13596748.2021.1920264 ◽

2021 ◽

Vol 26 (3) ◽

pp. 368-386

Author(s):

Emily Pott

Keyword(s):

Research Projects ◽

Creative Practice ◽

Review Period ◽

Practice Review

Multimodal Word Sense Disambiguation in Creative Practice

2020 19th IEEE International Conference on Machine Learning and Applications (ICMLA) ◽

10.1109/icmla51294.2020.00055 ◽

2020 ◽

Author(s):

Manuel Ladron de Guevara ◽

Christopher George ◽

Akshat Gupta ◽

Daragh Byrne ◽

Ramesh Krishnamurti

Keyword(s):

Word Sense Disambiguation ◽

Word Sense ◽

Creative Practice ◽

Sense Disambiguation

Designing for Transformative Futures: Creative Practice, Social Change and Climate Emergency

Creativity and Cognition ◽

10.1145/3450741.3465242 ◽

2021 ◽

Author(s):

Markéta Dolejšová ◽

Cristina Ampatzidou ◽

Lara Houston ◽

Ann Light ◽

Andrea Botero ◽

...

Keyword(s):

Social Change ◽

Creative Practice

Complexity as Practice: A Reflection on the Creative Outcomes of a Sustained Engagement with Complexity

Leonardo ◽

10.1162/leon_a_00275 ◽

2012 ◽

Vol 45 (2) ◽

pp. 106-112 ◽

Cited By ~ 1

Author(s):

Tom Davis

Keyword(s):

Complexity Theory ◽

Scientific Models ◽

Creative Work ◽

Research Practice ◽

Creative Practice ◽

Conceptual Problems ◽

The Creation ◽

The Relationship

This article presents a reflection on a body of creative work carried out during four years of Ph.D. research that explored the relationship between complexity theory and music. The article highlights conceptual problems that arose during the creation of the work, especially those associated with the exploration of scientific models for the creation of art. The author does not attempt to offer any final solutions but rather presents the journey undertaken through the combined artistic and research practice as a way of documenting the strategies he developed during this period of creative practice.