scholarly journals Considerazioni su arte francese e arte italiana: da Luigi XII e Francesco I alla Maison de Gondi di Saint-Cloud e agli Orléans

2020 ◽  
pp. 269-285
Author(s):  
Medardo Pelliciari
Keyword(s):  
18Th Century ◽  
French Art ◽  
French Court ◽  
The Relationship ◽  
Early 18Th Century

The paper retraces the relationship between Italian and French art from the late 15th to the early 18th century, by focusing on some relevant episodes related especially to the Pio di Savoia and the Medici families and their connections with members of the French court.

scholarly journals Los vaivenes del canon Traducción y puesta en escena de la comedia áurea en Rusia

2020 ◽  
Author(s):  
Veronika Ryjik
Keyword(s):  
18Th Century ◽  
Special Focus ◽  
Performance History ◽  
The Past ◽  
History Of ◽  
And Performance ◽  
The Relationship ◽  
Golden Age Spanish Theatre ◽  
Early 18Th Century ◽  
Past 300 Years

This chapter surveys the history of Russian translations of Golden Age Spanish theatre from the early 18th century until now, with a special focus on the relationship between translation trends and performance history. Our main goal is not only to document all known Russian translations of Spanish classical plays completed in the past 300 years, but also to elucidate the processes by which translation took part in the development and transformation of a specifically Russian comedia canon.

scholarly journals “A Quarter of an Hour before his Death, He Was Still Alive”: The Literary Character Image of La Palice and the Phenomenon of Nizy Style

2021 ◽  
Vol 6 (3) ◽  
pp. 72-95
Author(s):  
Konstantin V. Dushenko
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Special Kind ◽  
17Th Century ◽  
Original Text ◽  
Literary Character ◽  
The 19Th Century ◽  
The Relationship ◽  
Early 18Th Century

La Palis is a literary character that appeared in anonymous couplets The Death of La Palis published in the early 18th century. The image of La Palis in songs is ambiguous: he is both a naive simpleton and a parodic counterpart of the panegyric image of Marshal Jacques de La Palice (1470–1525). The irony of these early verses about La Palis is usually explained by the simplicity of the soldiers who allegedly composed them in 1525 or by the further distortion of the original text. In reality, this irony bears the imprint of the 17th century burlesque poetry. In 1715, the literary image of La Palis was canonized by Bernard La Monnoy, the author of the term nizy style. The nizy style, also called the Lapalissade, is a special kind of tautology that, as Clement Rosset aptly put it, “for a moment causes a hallucination of difference.” In the 19th century, the typically Lapalissian formula “if they did not die, then they are still alive” is recorded in the tales of various peoples of Europe; the relationship between these national formulas remains unclear. The article also examines the mastering the nizy style by O. Goldsmith and Russian translators from the 18th century to the present day.

scholarly journals Operationalising the Sublime: Remediation of the Horokiwi Quarry

2021 ◽  
Author(s):  
Shaun Rosier
Keyword(s):  
Design Research ◽  
Aesthetic Experience ◽  
18Th Century ◽  
Architectural Discourse ◽  
Dominant Form ◽  
The Sublime ◽  
Spatio Temporal ◽  
The Aesthetic ◽  
The Relationship ◽  
Early 18Th Century

<p>Landscape designers have been fixated on the aesthetic category of the sublime ever since its emergence in the early 18th century, yet the concept has tended to escape the grasp of many of those who have grappled with its complexities. The capacity of the sublime to overwhelm a body is attractive to designers but tends to be seen as difficult to represent, and therefore design with. This thesis examines the sublime as an aesthetic experience that is fundamental to how landscape designers engage with their medium. It traces the relationship between the sublime and the discipline from the 18th-century to the dominant form of contemporary systems-based designing. The challenge of engaging with the pre-existing is central to landscape design practices yet has received little attention throughout the past two decades. Responding to this deferral from aesthetics by contemporary landscape architectural discourse and practice, the thesis unpacks the works of several designer-thinkers who establish a community of practice for exploring the aesthetic relationship to the pre-existing landscape. In order to operationalise the sublime, the thesis proposes a design model based on Gilles Deleuze’s notions of intensity, problematics, affects, and assemblage – one that is closer to the 18th century theorists – as a productive means through which designers both represent and adjust its operations. This model is explored through a practice-led design research project. The Horokiwi Quarry in Wellington, New Zealand acts as a testbed for developing and documenting design techniques suited to the sublime. This study seeks to give expression – re-present and experience – the affectual dimensions of sublime encounters discovered within the Horokiwi Quarry. In this, drawings and other forms of representation are required to explicate and later modify the spatio-temporal relations that give rise to the sublime.</p>

scholarly journals Operationalising the Sublime: Remediation of the Horokiwi Quarry

2021 ◽  
Author(s):  
Shaun Rosier
Keyword(s):  
Design Research ◽  
Aesthetic Experience ◽  
18Th Century ◽  
Architectural Discourse ◽  
Dominant Form ◽  
The Sublime ◽  
Spatio Temporal ◽  
The Aesthetic ◽  
The Relationship ◽  
Early 18Th Century

<p>Landscape designers have been fixated on the aesthetic category of the sublime ever since its emergence in the early 18th century, yet the concept has tended to escape the grasp of many of those who have grappled with its complexities. The capacity of the sublime to overwhelm a body is attractive to designers but tends to be seen as difficult to represent, and therefore design with. This thesis examines the sublime as an aesthetic experience that is fundamental to how landscape designers engage with their medium. It traces the relationship between the sublime and the discipline from the 18th-century to the dominant form of contemporary systems-based designing. The challenge of engaging with the pre-existing is central to landscape design practices yet has received little attention throughout the past two decades. Responding to this deferral from aesthetics by contemporary landscape architectural discourse and practice, the thesis unpacks the works of several designer-thinkers who establish a community of practice for exploring the aesthetic relationship to the pre-existing landscape. In order to operationalise the sublime, the thesis proposes a design model based on Gilles Deleuze’s notions of intensity, problematics, affects, and assemblage – one that is closer to the 18th century theorists – as a productive means through which designers both represent and adjust its operations. This model is explored through a practice-led design research project. The Horokiwi Quarry in Wellington, New Zealand acts as a testbed for developing and documenting design techniques suited to the sublime. This study seeks to give expression – re-present and experience – the affectual dimensions of sublime encounters discovered within the Horokiwi Quarry. In this, drawings and other forms of representation are required to explicate and later modify the spatio-temporal relations that give rise to the sublime.</p>

Excavations at Basing Grange, Basing House, Hampshire, 1999–2006

2020 ◽  
Vol 75 (1) ◽  
pp. 323-378
Author(s):  
David Allen ◽  
Briony A. Lalor ◽  
Ginny Pringle
Keyword(s):  
Civil War ◽  
18Th Century ◽  
English Civil War ◽  
Historical Society ◽  
Tobacco Pipes ◽  
House Site ◽  
Early 18Th Century

This report describes excavations at Basing Grange, Basing House, Hampshire, between 1999 and 2006. It embraces the 'Time Team' investigations in Grange Field, adjacent to the Great Barn, which were superseded and amplified by the work of the Basingstoke Archaeological & Historical Society, supervised by David Allen. This revealed the foundations of a 'hunting lodge' or mansion built in the 1670s and demolished, and effectively 'lost', in the mid-18th century. Beneath this residence were the remains of agricultural buildings, earlier than and contemporary with the nearby Great Barn, which were destroyed during the English Civil War. The report contains a detailed appraisal of the pottery, glass and clay tobacco pipes from the site and draws attention to the remarkable window leads that provide a clue to the mansion's date of construction. It also explores a probable link with what was taking place on the Basing House site in the late 17th and early 18th century.

TEISMINIŲ DOKUMENTŲ ĮVARDIJIMAI TREČIAJAME LIETUVOS STATUTE IR JŲ RAIDOS BRUOŽAI

2018 ◽  
Vol 2018/2 ◽  
pp. 31-53
Keyword(s):  
18Th Century ◽  
Open Letter ◽  
Power Of Attorney ◽  
The Third ◽  
Judicial Practice ◽  
Long Run ◽  
Single Term ◽  
Rapid Changes ◽  
Judicial Procedures ◽  
Early 18Th Century

DESIGNATION OF JUDICIAL DOCUMENTS IN THE THIRD STATUTE OF LITHUANIA AND THE ATTRIBUTES OF THEIR EVOLUTION ADAM STANKEVIČ The author of the article analyses the designation of documents drawn up and issued by the court, their conception, field of application, and place in the court procedure as presented in the Third Statute of Lithuania (TSL). In addition, an attempt is made to exhibit the changes that such documents and their designations underwent in later centuries (until the end of the 18th c.) by means of the example of the Lithuanian Tribunal. The research revealed that documents which in the sources from different periods were referred to by the same name meant different things or were simultaneously attributed several meanings. In the 17th-18th century, only part of the terms featured in the Third Statute of Lithuania were used in the judicial practice of the Lithuanian Tribunal, and with time some of them were replaced with other terms. Several terms denoting summonses (pozew, mandat, zakaz) can be identified in the TSL, and all of them were in use until the very end of the 18th century. However, a single term – dekret / decretum – was used to designate the judgement (actually, for some time there was a differentiation between the court judgement and its procedural summary, but later the generalized term for the judgement prevailed). A number of documents in the TSL are referred to as the “open letter”, however, later some of them acquired specialised names (e.g. the power of attorney). With time, there were certain changes in the context in which some of the terms were used (e.g. the term “cedule” which in the 18th century was already consistently used exceptionally in a particular situation, namely when a litigant refused to obey the order of the court and informed in writing a judicial officer of such refusal) or the terms themselves underwent certain changes (in the 18th century the term membran was substituted with the term blankiet). Part of the judicial documents mentioned in the TSL disappeared in the long run or there was a certain decrease in their significance (this is true of the reminder and adjournment documents as well as glejt (protection letter)). The examples above suggest that the Lithuanian Tribunal would sometimes issue reminders and guarantee documents, though legal acts did not explicitly provide for that. The TSL offered a number of terms hardly related with the investigation of a case, therefore in the early 18th century, with the improvement of judicial procedures, they underwent rapid changes. The procedure of the implementation of a court ruling, which underwent significant changes, is accountable for the introduction of new terms, for example, with time several terms pertaining to the notification of the litigants were used simultaneously (obwieszczenie, innotescencyja, list tradycyjny). Most probably due to the unification processes observed in the Polish-Lithuanian Commonwealth in the 18th century, a number of Latin origin terms were introduced in the judicial practice of the GDL, e.g. cytacyja, decyzyja, innotestencyja, plenipotencyja, obdukcyja, wizyja, inkwizycyja, weryfikacyja, kalkulacyja, tradycyja (all of them had been used in Poland but were not featured in the TSL).

The Starry Universe of Jacques Cassini: Century-old Echoes of Kepler

2021 ◽  
Vol 52 (2) ◽  
pp. 147-167
Author(s):  
Christopher M. Graney
Keyword(s):  
18Th Century ◽  
The Sun ◽  
Johannes Kepler ◽  
Apparent Diameter ◽  
Early 18Th Century ◽  
Made In

This paper discusses measurements of the apparent diameter and parallax of the star Sirius, made in the early 18th century by Jacques Cassini, and how those measurements were discussed by other writers. Of particular interest is how other writers accepted Cassini’s measurements, but then discussed Sirius and other stars as though they were all the same size as the sun. Cassini’s measurements, by contrast, required Sirius and other stars to dwarf the sun—something Cassini explicitly noted, and something that echoed the ideas of Johannes Kepler more than a century earlier.

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