scholarly journals Między zamknięciem i otwarciem… Interpretacja wiersza Tadeusza Różewicza „Syn marnotrawny (z Hieronima Boscha)”

Author(s):  
Anna Janek

The aim of the article is to interpret a poem by Tadeusz Różewicz, Syn marnotrawny (z obrazu Hieronima Boscha) [The Prodigal Son (from the painting of Hieronymus Bosch)], from the volume Srebrny kłos [The Silver Ear of Corn] (1955). The poem is subjected to intertextual reading, which included strongly sketched autobiographical allusions, ecstatic descriptions of Bosch’s paintings and contextual references to the biblical parable of the prodigal son. Confronting the situation of the lyrical hero with the theological interpretation of the parable and reaching for the concept of reading the play proposed by Mieke Bal, ultimately reveals the kerygmatic meaning of the piece. 

2007 ◽  
pp. 76-85
Author(s):  
Yuliya Kostantynivna Nedzelska

The concept of "personality" is multifaceted and multifaceted in its basis, and therefore, in science has always been a great difficulty in determining its essence and content. For example, in Antiquity, "personality" as such, dissolves in the concept of "society". There is no "human" yet, but there is a genus, a community, a people that are only quantitatively formed from the mass of different individuals, governed and subordinated to any one idea (custom, tribal or ethno-religious) espoused by this society. In other words, in such societies, the individual was not unique and unique; his personality (we understand - personality) was limited to the general, the collective. This is confirmed by the Jewish and early Christian texts.


2020 ◽  
Author(s):  
Andy Boyd
Keyword(s):  

Author(s):  
Jens Zimmermann

Based on a comprehensive reading of his entire work, in this book Jens Zimmermann presents Bonhoeffer’s theological ethos as a Christian humanism, that is, as an understanding of the gospel rooted in apostolic and patristic writers who believed God to have renewed humanity in the incarnation. The heartbeat of Bonhoeffer’s Christianity that unifies and motivates his theological writing, his preaching, and his political convictions, including his opposition to the Nazi regime, is the conviction that Christianity as participation in the new humanity established by Christ is about becoming fully human by becoming Christlike. In eight chapters, the author details Bonhoeffer’s humanistic theology following from this incarnational starting point: a Christ-centered anthropology that shows a deep kinship with patristic Christology, a hermeneutically structured theology, an ethic focused on Christ-formation, a biblical hermeneutic centered on God’s transforming presence, and a theological politics aimed at human flourishing. In offering a comprehensive reading of his theology as Christian humanism, Zimmermann not only places Bonhoeffer in the context of the patristic and greater Christian tradition but also makes apparent the relevance of Bonhoeffer’s thought for a number of contemporary concerns: hermeneutic theory, the theological interpretation of the Bible, the relation of reason to faith, the importance of natural law, and the significance of religion for secular societies. Bonhoeffer turns out to be a Christian humanist and a modern theologian who models the deeply orthodox and yet ecumenical, expansive Christianity demanded by our time.


Pro Ecclesia ◽  
2021 ◽  
pp. 106385122199391
Author(s):  
James B. Prothro

The doctrine of inspiration grounds Christian use and interpretation of Scripture, making this doctrine at once theoretical and practical. Many theoretical accounts, however, restrict the “inspired” status of biblical texts to a single text-form, which introduces problems for the practical use of Scripture in view of the texts’ historical multiformity. This article argues that such restrictions of inspiration are theologically problematic and unnecessary. Contextualizing inspiration within the divine revelatory economy, this article argues that the Spirit’s same goals and varied activities in the texts’ composition obtain also in their preservation, so that we can consider multiple forms of a text to be inspired while acknowledging that not all forms are inspired to equal ends in the history and life of the church. The article concludes with hermeneutical reflections affirming that we, today, can read the “word of the Lord” while also affirming the place of textual criticism in theological interpretation.


Author(s):  
Cornell Collin

Is God perfect? The recent volume entitled The Question of God’s Perfection stages a conversation on that topic between mostly Jewish philosophers, theologians, and scholars of rabbinic literature. Although it is neither a work of biblical theology nor a contribution to the theological interpretation of scripture, The Question of God’s Perfection yields stimulating results for these other, intersecting projects. After briefly describing the volume’s central question and contents, the present essay situates the volume’s offerings within the state of the biblical-theological and theological-interpretive fields. In its next section, it considers—and compares— The Question of God’s Perfection with one twentieth-century theological antecedent, the Dutch theologian K.H. Miskotte. In closing, it poses questions for ongoing discussion. The Question of God’s Perfection: Jewish and Christian Essays on the God of the Bible and Talmud, edited by Yoram Hazony & Dru Johnson. Philosophy of Religion – World Religions 8. Leiden, The Netherlands: Brill, 2019. ISBN 9789004387959


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