scholarly journals Figuring Ambivalence, Capturing the Political

2014 ◽  
pp. 191-214
Author(s):  
Brigitte Bargetz
Keyword(s):  

The notion of ambivalence currently seems to be an invigorating figure with heuristic potential in political, social, and art theory. It refers to a plurality of possibilities, a paradoxical multiplicity, and a complex relationality. It foregrounds thinking in terms of indeterminacy and incommensurability, as well as in terms of the possible. Ambivalence has been deployed in positive ways, as offering political promise, while, at the same time, being regarded with suspicion.

Arts ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Daniel Neofetou

Day-to-day art criticism and art theory are qualitatively distinct. Whereas the best art criticism entails a closeness to its objects which is attuned to particularity, art theory inherently makes generalized claims, whether these claims are extrapolated from the process of art criticism or not. However, this article argues that these dynamics are effectively reversed if we consider the disparity between the criticism of so-called political art and attempts over the last century to elaborate theory which accounts for the political in art qua art. Art theory has located the political force of art precisely in the way that its particularity opposes or resists the status quo. Art criticism, on the other hand, tends to treat artwork as a text to be interpreted whose particularity may as well dissolve when translated into discourse. Drawing from the work of Theodor W. Adorno, this article argues that political art theory calls for art criticism more attuned to experience if it is to elucidate art’s critical valence.


2013 ◽  
Vol 5 (4) ◽  
pp. 621-637
Author(s):  
Georg Spitaler

In recent decades, debates on the relationship between pop culture and the political have transgressed academia and have even been prominent in pop (media) discourses and texts, including pop literature. Amongst the contributions at the intersection of art, theory and entertainment are the novels and essays by the German author Dietmar Dath. Taking the example of his novel Für immer in Honig (Berlin 2005/2008), it will be discussed how the book reloads and theorizes pop culture, and how a common cultural-theoretical narrative of de-politicized pop is challenged by the imaginative narratives of the novel. It will be argued that Dath’s references to affective ‘mattering maps’ of pop culture, that on the one hand tend to fall into the pitfalls of exclusive ‘pop sophistication’, nevertheless play a key role for his aesthetical/theoretical project of political emancipation, and that these references can be viewed as examples of why popular passions matter for the formation of political identities/subjectivities as well as for the production and reading of political theory.


Art Journal ◽  
1991 ◽  
Vol 50 (2) ◽  
pp. 14
Author(s):  
Thomasine H. Bradford ◽  
Lynda Idleman

1959 ◽  
Vol 9 ◽  
pp. 51-79
Author(s):  
K. Edwards

During the last twenty or twenty-five years medieval historians have been much interested in the composition of the English episcopate. A number of studies of it have been published on periods ranging from the eleventh to the fifteenth and early sixteenth centuries. A further paper might well seem superfluous. My reason for offering one is that most previous writers have concentrated on analysing the professional circles from which the bishops were drawn, and suggesting the influences which their early careers as royal clerks, university masters and students, secular or regular clergy, may have had on their later work as bishops. They have shown comparatively little interest in their social background and provenance, except for those bishops who belonged to magnate families. Some years ago, when working on the political activities of Edward II's bishops, it seemed to me that social origins, family connexions and provenance might in a number of cases have had at least as much influence on a bishop's attitude to politics as his early career. I there fore collected information about the origins and provenance of these bishops. I now think that a rather more careful and complete study of this subject might throw further light not only on the political history of the reign, but on other problems connected with the character and work of the English episcopate. There is a general impression that in England in the later middle ages the bishops' ties with their dioceses were becoming less close, and that they were normally spending less time in diocesan work than their predecessors in the thirteenth century.


1999 ◽  
Vol 27 (1) ◽  
pp. 29-33
Author(s):  
Darren Kew

In many respects, the least important part of the 1999 elections were the elections themselves. From the beginning of General Abdusalam Abubakar’s transition program in mid-1998, most Nigerians who were not part of the wealthy “political class” of elites—which is to say, most Nigerians— adopted their usual politically savvy perspective of siddon look (sit and look). They waited with cautious optimism to see what sort of new arrangement the military would allow the civilian politicians to struggle over, and what in turn the civilians would offer the public. No one had any illusions that anything but high-stakes bargaining within the military and the political class would determine the structures of power in the civilian government. Elections would influence this process to the extent that the crowd influences a soccer match.


Sign in / Sign up

Export Citation Format

Share Document