scholarly journals GOTTFRIED KELLER ABOUT HEINRICH HEINE (PHARMACIST OF CHAMOUNIX)

Author(s):  
A.S. Bakalov ◽  

The article gives an idea of ambivalent relation of Swizz writer Gottfried Keller to Heinrich Heine as person and poet. The object of the analyzes is Keller’s big poem “Der Apotheker von Chamounix”, containing both parody on the habits and features of Heine’s artificial world and respect to his person and sympathy for his suffering as well. The matter of satiric derisions is in Keller’s poem the last cycle of Heine’s ballades “Romancero”, whose poetic world gave G.Keller reasons for the parody against some features of Heine’s artificial world. Keller’s satiric poem is divided into two parts with different functions and unlike plots. In the first of them is presented the love triangle between inhabitants of a Swiss settlement Chamounix, everybody of which perished in an implausible death with following transition into the life beyond the grave. The main character of the second part of Keller’s poem are the poet H.Heine himself and figures of his dead literary teachers and opponents, whom Heine encounters during his visit in the paradise. In contradiction to Heine’s antagonists Platen and Börne, both great educators Goethe and Lessing show their sympathy to “Romancero”’s author. The poet Keller mocks over Heine as a figure and the author, but sympathizes with him as a great poet and estimated person. The second part of the poem is connected with the first one only by the figure of the girl Klara from Chamounix, who became in the second part free from her lover sins and left now her place in the purgatory for the “catholic” poet H.Heine.

2014 ◽  
Author(s):  
Gottfried Willems

Leitfaden durch die Geschichte der deutschen Literatur Der vierte Band dieser auf fünf Bände angelegten deutschen Literaturgeschichte lädt dazu ein, sich in die Welt des 19. Jahrhunderts einzulesen und die Modernisierungstendenzen im Vormärz und Realismus nachzuvollziehen. Das Spektrum der vorgestellten Autoren reicht von Karl Immermann über Karl Gutzkow und Heinrich Heine bis hin zu Georg Büchner und Gottfried Keller. Besonderes Augenmerk gilt dabei der Entwicklung der Idee einer deutschen Nationalliteratur. Durch die Einbettung der Texte in ihren kultur- und ideengeschichtlichen Kontext und die schrittweise Analyse der Werke werden die Studierenden zu eigenständiger Lektüre angeregt und befähigt.  Nach "Humanismus und Barock" (UTB 3653), "Aufklärung" (UTB 3654) und "Goethezeit" (UTB 3734) legt Gottfried Willems nun auch diese grundlegende und anregende Einführung in die deutsche Literatur des Vormärz und Realismus vor.


2020 ◽  
Vol 22 (4 (202)) ◽  
pp. 224-237
Author(s):  
Natalia V. Prashcheruk ◽  

This article examines Ivan Bunin’s early work Attraction (1897), whose complete version was first published in 2019. The author demonstrates that the story features a number of attributes related to the portrayal of characters, plot organisation, chronotope, narration, and intertextuality, all of which help compare the young writer’s style with his later works, understand the patterns of his style’s evolution, and trace the genesis of Bunin’s original artistic philosophy and writing manner. The first chapter is a classical exposition and not only is it an example of well-learned lessons of Russian literature, but it also unveils the author’s creative search. It is characterised by compositional completeness, contains a prequel of the main story and a description of the main character, and sets the main plot lines. The first chapter is already indicative of the writer’s style / narrative strategy, which unites lyrical and epic aspects on the one hand and has features of a unique identity on the other. From there on, the writer builds his narrative based on the “manor text” of Russian literature, focuses his attention on the most important features of the text (such as the motif of silence), complementing them with new tonal and semantic shades, and an emphasised and even excessive substantivity of description. The characters’ psychological attributes are original too. Their system and order are akin to the traditional love triangle pattern complicated, however, by depicting the lead character surrounded by female characters, which, aside from the “manor text”, connects this story with Natalie. A wide variety of literary sources as well as the inaccuracy of citation show the future writer’s tendency to “rewriting” quotes, which was to become an important factor of conceptualisation of the author’s thought in Bunin’s creative work. The analysis of the story also shows that the aspiring writer felt free and organically fit the world of Russian literature.


Author(s):  
Berit Balzer

Este artículo estudia el prólogo del destacado poeta y ensayista alemán Heinrich Heine a una nueva edición del Quijote en Alemania, aparecida en el año 1837. Se analizan los comentarios personales que hace Heine sobre la reacción que en su infancia le causó la primera lectura de la obra, así como el debate artístico interno que mantuvo con Cervantes a lo largo de su vida. El interés de dicho prólogo – cuyo carácter confesional aporta unos datos más bien subjetivos a los estudios cervantinos– estriba, sin embargo, en las personalísimas valoraciones de un genio del verso acerca del prototipo de novela moderna, ya que arrojan una nueva luz sobre la recepción de ésta en prominentes escritores. This article deals with the foreword by the renowned German poet and essayist Heinrich Heine to a new German edition of Don Quixote, published in 1837. We analyze Heine’s personal comments on his reaction when he first read this work as a child, as well as the internal artistic debate he sustained with Cervantes throughout his life. The special interest of this foreword –its confessional character contributes rather subjective data to Cervantes’ studies– nevertheless consists in some very relevant judgements made by a great poet on the prototype of the modern novel, as they shed a new light on its reception by outstanding writers.


2006 ◽  
Vol 3 (2) ◽  
pp. 3-32 ◽  
Author(s):  
Susan Youens

Anyone who ventures into the vastness of German song territory encounters a juggernaut almost immediately. Over and over again, the supplier of the words is identified as Heinrich Heine - a very great poet, to be sure, but other great poets did not leave the same mammoth imprint on the history of song as this man. Günter Metzner's catalogue,Heine in der Musik(Heine in Music), consumes twelve oversize volumes, and both Peter Shea and I have found settings that are not cited in this Herculean source. Those who peruse Ernst Challier'sGrosser Lieder-Katalog(Great Song Catalogue) of 1884 discover that nineteenth-century composers frequently chose Heine for their op. 1 entrée onto the scene, as if setting Heine to music was a rite of passage, a guarantee that attention would be paid.


Author(s):  
Nathan Walter ◽  
Yariv Tsfati

Abstract. This study examines the effect of interactivity on the attribution of responsibility for the character’s actions in a violent video game. Through an experiment, we tested the hypothesis that identification with the main character in Grand Theft Auto IV mediates the effect of interactivity on attributions of responsibility for the main character’s antisocial behavior. Using the framework of the fundamental attribution error, we demonstrated that those who actually played the game, as opposed to those who simply watched someone else playing it, identified with the main character. In accordance with the theoretical expectation, those who played the game and came to identify with the main character attributed the responsibility for his actions to external factors such as “living in a violent society.” By contrast, those who did not interact with the game attributed responsibility for the character’s actions to his personality traits. These findings could be viewed as contrasting with psychological research suggesting that respondents should have distanced themselves from the violent protagonist rather than identifying with him, and with Iyengar’s (1991) expectation that more personalized episodic framing would be associated with attributing responsibility to the protagonist.


PsycCRITIQUES ◽  
2011 ◽  
Vol 56 (20) ◽  
Author(s):  
C. Albert Bardi
Keyword(s):  

2020 ◽  
Vol 82 (12) ◽  
pp. 992-997
Author(s):  
Oliver Rudolf Herber ◽  
Stefan Wilm ◽  
Annett Fiege ◽  
Nicole Ernstmann ◽  
Holger Pfaff ◽  
...  

ZusammenfassungDie vierte Nachwuchsakademie „Versorgungsforschung“ wurde 2017 erneut von der Deutschen Forschungsgemeinschaft (DFG) finanziell gefördert. Initiator war das Centre for Health and Society (chs) der Heinrich-Heine-Universität in Düsseldorf unter Beteiligung des Zentrums für Versorgungsforschung Köln (ZVFK), der Forschungsstelle für Gesundheitskommunikation und Versorgungsforschung (CHSR) der Klinik und Poliklinik für Psychosomatische Medizin und Psychotherapie des Universitätsklinikums Bonn, des Interdisziplinären Zentrums für Versorgungsforschung im Gesundheitswesen (IZVF) in Witten und des Instituts für Versorgungsforschung und Klinische Epidemiologie (IVE) der Universität Marburg. Ziele der Nachwuchsakademie umfassen die Vermittlung von Kompetenzen im Entwickeln und Ausarbeiten von innovativen Projektideen, die Erhöhung der Anzahl der Anträge aus dem Bereich der Versorgungsforschung an die DFG, die Stärkung der Grundlagenforschung innerhalb der Versorgungsforschung in Deutschland und die Vernetzung der wissenschaftlichen Community. Nachwuchswissenschaftlerinnen und -wissenschaftler aus dem gesamten Bundesgebiet konnten sich mit einem Antragsexposé um die Teilnahme an der Nachwuchsakademie bewerben. Aus den insgesamt 83 eingegangenen Bewerbungsanträgen wurden in einem 2-stufigen Begutachtungsprozess die 21 aussichtsreichsten BewerberInnen (14 Frauen und 7 Männer) ausgewählt, von denen 20 die Nachwuchsakademie durchliefen. Nach einem eintägigen Vorbereitungs-Workshop, der Erstellung und Begutachtung eines Probeantrags, einer Akademie-Woche sowie einer Finalisierungsphase wurden alle Anträge fristgerecht bei der DFG eingereicht. Von diesen Anträgen werden 9 von der DFG gefördert. Im Juli 2019 fand das erste Alumnitreffen in Düsseldorf statt.


Author(s):  
Alistair Fox

Through a comparison with Janet Frame’s Autobiography, from which it is adapted, this chapter analyses Jane Campion’s An Angel at My Table as the first New Zealand film to present all three of the main maturational phases characteristic of the coming-of-age genre, but as experienced by a Pākehā girl. Identifying the effects of a repressive environment as the source of the emotional stresses that lead the main character, Janet, to be institutionalized for schizophrenia, the discussion shows how she finds respite in fictive creativity and a world of the imagination. It also shows Campion’s personal investment in the story as a displaced representation of her own mother’s fight with mental illness.


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