Entre Macacos e Anjos (2019), a utopia do 17º filme brasileiro
The intention of the text that follows seeks to reflect on the self-explanatory desires of the artistic direction of the Brazilian film, recently made by Elizeu Ewald, Entre Macacos e anjos (2019) and the results obtained by his edited images, under the different optics, of the diegétic dialectic to the merely dramatic, in terms of common narrative, in challenging the viewer to demystify the kinetic text.
1992 ◽
Vol 50
(1)
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pp. 712-713
2012 ◽
Vol 21
(4)
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pp. 136-143
2017 ◽
Vol 2
(9)
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pp. 3-9
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Career Exploration With Women Using the Non-Sexist Vocational Card Sort and the Self-Directed Search
1979 ◽
Vol 12
(2)
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pp. 87-97
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