scholarly journals Viking Age - Comments on the Development of Archaeology in Sweden from 1986 to 1990 based on "Nordic Archaeological Abstracts"

1995 ◽  
Vol 3 (1) ◽  
pp. 67-83
Author(s):  
Ola Kyhlberg
Keyword(s):  
Twentieth Century ◽  
Statistical Study ◽  
Viking Age ◽  
Longue Duree ◽  
Longue Durée

The development of Viking Age archaeology in Sweden is briefly discussed on the basis of a bibliographical and statistical study of the period from 1986 to 1990, The study reveals that Swedish archaeology has undergone two separate and now concluded "waves of evolution” during the twentieth century. The current tradition can be traced back to the 1970s. The developement can be described as that of a longue durée including some very swift changes (events), especially around 1987/88. This hermeneutic spiral seems to move from the artefacts to the contexts.

Heroic Aesthetics and Modernist Critique: Extrapolations from Bakhtin's Author and Hero in Aesthetic Activity

Slavic Review ◽  
2008 ◽  
Vol 67 (3) ◽  
pp. 551-566 ◽  
Author(s):  
Ilya Kliger
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Aesthetic Experience ◽  
Literary Analysis ◽  
Modernist Literature ◽  
The Status ◽  
Longue Duree ◽  
The Subject ◽  
Longue Durée ◽  
Modernist Discourse

Ilya Kliger addresses the question of Mikhail Bakhtin's intervention in modernist discourse by taking a step back from Bakhtin's views on modernist literature and outlining instead a more general Bakhtinian conception of the modernist condition as characterized by what Kliger calls “a crisis of authorship.” The article focuses on Bakhtin's early work in narratological aesthetics and situates it within the longue durée context of debates about the status of the subject of aesthetic experience and, more generally, of knowledge, debates that can provisionally be seen as originating at the end of the eighteenth century and coming to a head within the intellectual and creative milieu of twentieth-century modernism. Early Bakhtin helps us formulate a specifically modernist—by contrast with what will be called “transcendental” and “realist“—critique, a critique not limited to the field of literary analysis alone but applying to all forms of thinking that either presuppose abstract subject-object division or rely on modes of synthetic reconciliation.

Staging and Embodiment of the Tragic in Pina Bausch's Orpheus and Eurydice (1975)

2016 ◽  
Vol 2016 ◽  
pp. 191-197
Author(s):  
Nicole Haitzinger
Keyword(s):  
Twentieth Century ◽  
Structure And Function ◽  
Dance Studies ◽  
Central European ◽  
Orpheus And Eurydice ◽  
Mise En Scene ◽  
History Of ◽  
Longue Duree ◽  
Longue Durée ◽  
And Function

This paper is concerned with resonances of the tragic in twentieth-century central-European dance theatet, to be discussed with particular reference to Pina Bausch's 1975 Orpheus and Eurydice. In my study Resonances of the Tragic: Between Event and Affect (2015), I have argued that in terms of a history of the “longue durée,” the evocation of the tragic occurs in a field of tension between technique, the mise-en-scène, and conceptions, as well as procedures and moments of interruption, of suspension, of disruption and of the indeterminable resulting from ecstatic corporeality. Its structure and function can generate an event in the emphatic sense of the term; consequently, it provides a paradigm for recognizing structures of form and of an aesthetic of reception, structures emerging from individual constellations of the fictional and choric, absence and presence. From the perspective of dance studies, the tragic emanates from the representation of horrendous monstrosity testing the limits of what can be imagined by means of the moved body in all senses of the word; but how exactly does Bausch produce the qualities of the ambivalent, ambiguous, and paradoxical—and, consequently, the tragic?

In pursuit of non-Western deep secularities: selfhood and the “Westphalia moment” in Turkish literary milieux

2017 ◽  
Vol 56 ◽  
pp. 3-32
Author(s):  
Barış Büyükokutan
Keyword(s):  
Twentieth Century ◽  
Network Analysis ◽  
Learning Process ◽  
Religious Conflict ◽  
The West ◽  
Long Period ◽  
Longue Duree ◽  
Longue Durée ◽  
Secular Age ◽  
Cross Fertilization

AbstractThis article traces Charles Taylor’s “secularity three” outside the West, finding that it was present among poets but not among novelists in twentieth-century Turkey. It explains this contrast between these two very similar groups by using network analysis, highlighting the greater availability, in poetry networks, of nonpious gatekeepers to aspiring pious actors, following an initial long period of religious conflict. In order to benefit from association with these gatekeepers, pious actors learned to split their selves into two, committing themselves simultaneously to their absolutist faith and to its practical impossibility in a secular age. If and when the prospect of cross-fertilization waned, however, they would effortlessly switch back to their earlier subjectivity. Pious novelists, by contrast, underwent no such learning process. Based on these findings, I argue, first, that the study of the secular must pay greater attention to religious conflict and the ways in which it is resolved, and second, that it must consider balancing itslongue-duréeapproach with an eventful focus.

Shoreline Thinking

2021 ◽  
Vol 59 (1) ◽  
pp. 146-165
Author(s):  
Laura Winkiel
Keyword(s):  
Twentieth Century ◽  
Art And Literature ◽  
Early Twentieth Century ◽  
History Of ◽  
Longue Duree ◽  
Longue Durée

Abstract This article explores the relation between the dockside denizens of Claude McKay’s Marseille and the violent history of slavery and racism. It takes a longue durée approach to modernism by arguing that the previous five hundred years of colonization and conquest of Black and Indigenous life continue to constrain the possibilities of freedom imagined in the art and literature of the early twentieth century. Using Édouard Glissant’s poetics of relation, it considers how the shoreline in Romance in Marseille provides a fecund location for sifting through the residues of slavery to salvage possibilities for living otherwise than the racist state demands. In so doing, Romance in Marseille goes further than McKay’s other novels in asserting that Black femininity must be central to a Black reinvention of the human.

Apprehension of Colonial Modernity: Radwa Ashour’sGranada Trilogyand the Retrieval of Past Hope

2018 ◽  
Vol 5 (3) ◽  
pp. 387-405
Author(s):  
Adam Spanos
Keyword(s):  
Twentieth Century ◽  
Spanish Inquisition ◽  
Colonial Modernity ◽  
Longue Duree ◽  
Longue Durée ◽  
Chronological Time

This essay studies theGranada Trilogyby Egyptian writer Radwa Ashour, a novel that tells of the growing constraints on and eventual expulsion of the Arabs during the Spanish Inquisition across five generations of an Andalusian family. In linking this story to that of the Palestinians in the twentieth century and beyond, Ashour ascertains a logic of modernity in which thelongue duréegoverns the experience of time’s passage, and peoples disconnected by long intervals of chronological time bear an intimate affinity by virtue of their common subjugation. Far from being merely a reflection of her despondency over the inability to change this historical dynamic, theGranada Trilogysuggests that the hopefulness animating these refugees is a revolutionary resource with which to apprise present actors of the multiple possible futures that remain alive in the present.

Santé des voyageurs sur des vols aériens de longue durée. Rôle du médecin traitant

2010 ◽  
Vol 194 (6) ◽  
pp. 1045-1069 ◽  
Author(s):  
Jacques Bazex ◽  
Emmanuel Alain Cabanis ◽  
Mmes Brugère-Picoux ◽  
Moneret-Vautrin ◽  
M.M. Ardaillou ◽  
...  
Keyword(s):  
Longue Duree ◽  
Longue Durée ◽  
Médecin Traitant

Synthèse bibliographique : étude des propriétés physico-chimiques du phosphogypse Marocain

2020 ◽  
Vol 108 (2) ◽  
pp. 207
Author(s):  
Yassine Ennaciri ◽  
Mohammed Bettach ◽  
Ayoub Cherrat ◽  
Ilham Zdah ◽  
Hanan El Alaoui-Belghiti
Keyword(s):  
Longue Duree ◽  
Longue Durée

La production de l’acide phosphorique au monde engendre l’accumulation d’une grande quantité d’un sous-produit acide appelé phosphogypse (PG). La grande partie de ce PG est rejetée sans aucun traitement dans l’environnement, ce qui forme une source significative de contamination à longue durée. Le PG Marocain est principalement formé par le sulfate de calcium, à côté de diverses impuretés telles que les phosphates, les fluorures, les matières organiques, les métaux lourds et les éléments radioactifs. Cet article détaille en particulier les différentes propriétés physico-chimiques du PG Marocain. La compréhension de ces propriétés permet en générale d’identifier les différents agents de contamination de l’environnement contenus dans ce résidu. De plus, les facteurs affectant la présence des différentes sortes d’impuretés dans le PG sont aussi discutés.

Modifications des propriétés d’abondance bactériennes des eaux souterraines en réponse à une longue durée de stockage dans les récipients à domicile à Yaoundé (Cameroun)

2010 ◽  
Vol 41 (2) ◽  
pp. 131-143 ◽  
Author(s):  
Moussa Djaouda ◽  
Moïse Nola ◽  
Serge H. Zébazé Togouet ◽  
Mireille E. Nougang ◽  
Michel Djah ◽  
...  
Keyword(s):  
Longue Duree ◽  
Longue Durée ◽  
Eaux Souterraines
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