Staging and Embodiment of the Tragic in Pina Bausch's Orpheus and Eurydice (1975)

2016 ◽  
Vol 2016 ◽  
pp. 191-197
Author(s):  
Nicole Haitzinger
Keyword(s):  
Twentieth Century ◽  
Structure And Function ◽  
Dance Studies ◽  
Central European ◽  
Orpheus And Eurydice ◽  
Mise En Scene ◽  
History Of ◽  
Longue Duree ◽  
Longue Durée ◽  
And Function

This paper is concerned with resonances of the tragic in twentieth-century central-European dance theatet, to be discussed with particular reference to Pina Bausch's 1975 Orpheus and Eurydice. In my study Resonances of the Tragic: Between Event and Affect (2015), I have argued that in terms of a history of the “longue durée,” the evocation of the tragic occurs in a field of tension between technique, the mise-en-scène, and conceptions, as well as procedures and moments of interruption, of suspension, of disruption and of the indeterminable resulting from ecstatic corporeality. Its structure and function can generate an event in the emphatic sense of the term; consequently, it provides a paradigm for recognizing structures of form and of an aesthetic of reception, structures emerging from individual constellations of the fictional and choric, absence and presence. From the perspective of dance studies, the tragic emanates from the representation of horrendous monstrosity testing the limits of what can be imagined by means of the moved body in all senses of the word; but how exactly does Bausch produce the qualities of the ambivalent, ambiguous, and paradoxical—and, consequently, the tragic?

Advocacy, Austerity, and Internationalization in the Anthropology of Dance (Work in Progress)

2016 ◽  
Vol 2016 ◽  
pp. 180-190
Author(s):  
Georgiana Gore ◽  
Andrée Grau ◽  
Maria Koutsouba
Keyword(s):  
Twentieth Century ◽  
Structure And Function ◽  
Dance Studies ◽  
Central European ◽  
Work In Progress ◽  
Orpheus And Eurydice ◽  
Mise En Scene ◽  
History Of ◽  
Longue Duree ◽  
And Function

This paper is concerned with resonances of the tragic in twentieth-century central-European dance theatet, to be discussed with particular reference to Pina Bausch's 1975 Orpheus and Eurydice. In my study Resonances of the Tragic: Between Event and Affect (2015), I have argued that in terms of a history of the “longue durée,” the evocation of the tragic occurs in a field of tension between technique, the mise-en-scène, and conceptions, as well as procedures and moments of interruption, of suspension, of disruption and of the indeterminable resulting from ecstatic corporeality. Its structure and function can generate an event in the emphatic sense of the term; consequently, it provides a paradigm for recognizing structures of form and of an aesthetic of reception, structures emerging from individual constellations of the fictional and choric, absence and presence. From the perspective of dance studies, the tragic emanates from the representation of horrendous monstrosity testing the limits of what can be imagined by means of the moved body in all senses of the word; but how exactly does Bausch produce the qualities of the ambivalent, ambiguous, and paradoxical—and, consequently, the tragic?

Shoreline Thinking

2021 ◽  
Vol 59 (1) ◽  
pp. 146-165
Author(s):  
Laura Winkiel
Keyword(s):  
Twentieth Century ◽  
Art And Literature ◽  
Early Twentieth Century ◽  
History Of ◽  
Longue Duree ◽  
Longue Durée

Abstract This article explores the relation between the dockside denizens of Claude McKay’s Marseille and the violent history of slavery and racism. It takes a longue durée approach to modernism by arguing that the previous five hundred years of colonization and conquest of Black and Indigenous life continue to constrain the possibilities of freedom imagined in the art and literature of the early twentieth century. Using Édouard Glissant’s poetics of relation, it considers how the shoreline in Romance in Marseille provides a fecund location for sifting through the residues of slavery to salvage possibilities for living otherwise than the racist state demands. In so doing, Romance in Marseille goes further than McKay’s other novels in asserting that Black femininity must be central to a Black reinvention of the human.

The Subaltern Critique of Dominant Historiography and a Case for Retrieving a Historiography of Dalit Literary Traditions in India

2021 ◽  
Vol 7 (1) ◽  
pp. 7-15
Author(s):  
Vandana
Keyword(s):  
Literary History ◽  
Historical Analysis ◽  
History Writing ◽  
Literary Traditions ◽  
Literary Historiography ◽  
History Of ◽  
Longue Duree ◽  
Longue Durée ◽  
And Shifts ◽  
The Third World

In order to retrieve literary history in India, teleology operates on three levels: ancient, medieval and modern. As per the longue duree approach to the study of history, history is not an event or an object, but like the concept of time, is a configuration and a process. The history of the longue duree gives priority to long-term monumental historic patterns, moments and shifts in society, that is, the slow-paced structural processes which tend to have strong historical consequences. Similarly, languages and literatures, too, marked by historical catastrophes, undergo a process of sedimentation. For this reason, instead of a single literary history of South Asia, Sheldon Pollock proposes the concept of ‘literary cultures’ which allows room for ‘historical individuation’ of each culture rather than homogenising them merely for the sake of historical analysis. The basic questions that I have tried to look into through this study include: Why is it problematic to retrieve literary history in India? Why is it essential to have an alternative literary historiography of Dalit literature? How does Dalit subalternity differ from colonial subalternity? How the Dalit voice is disintegrated from within because of the prevalence of graded inequality? What constitutes the politics of history writing and canon formation in the third world countries like India where retrieving subaltern literary trends remain a problematic discourse?

scholarly journals “Journeys are Meaningful” (Travelling, Travellers, Literary Periods, Literary Journeys)

2015 ◽  
Vol 7 (1) ◽  
pp. 7-19
Author(s):  
István Fried
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Close Connection ◽  
Continuous Processes ◽  
New Era ◽  
Mise En Scene ◽  
History Of ◽  
The Relationship ◽  
Educational Journeys ◽  
The Middle Ages

Abstract If the changes of the “discourse networks” (Aufschreibesysteme) from 1800 to 1900 model the relations pertaining to the personality, to the cultural determinedness of technology and personality as well as to their interconnections (Kittler 1995), especially having in view the literary mise en scène, it applies all the more to travelling - setting out on a journey, heading towards a destination, pilgrimage and/or wandering as well as the relationship between transport technology and personality. The changes taking place in “transport” are partly of technological, partly (in close connection with the former) indicative of individual and collective claims. The diplomatic, religious, commercial and educational journeys essentially belong to the continuous processes of European centuries; however, the appearance of the railway starts a new era at least to the same extent as the car and the airplane in the twentieth century. The journeys becoming systematic and perhaps most tightly connected to pilgrimages from the Middle Ages on assured the “transfer” of ideas, attitudes and cultural materials in the widest sense; the journeys and personal encounters (of course, taking place, in part, through correspondence) of the more cultured layers mainly, are to be highly appreciated from the viewpoint of the history of mentalities and society.

scholarly journals The plant circadian clock influences rhizosphere community structure and function

2017 ◽  
Author(s):  
Charley J. Hubbard ◽  
Marcus T. Brock ◽  
Linda T.A. van Diepen ◽  
Loïs Maignien ◽  
Brent E. Ewers ◽  
...  
Keyword(s):  
Community Structure ◽  
Microbial Community ◽  
Circadian Clock ◽  
Structure And Function ◽  
Plant Performance ◽  
Wild Type ◽  
Night Time ◽  
History Of ◽  
And Function ◽  
Rhizosphere Community

AbstractPlants alter chemical and physical properties of soil, and thereby influence rhizosphere microbial community structure. The structure of microbial communities may in turn affect plant performance. Yet, outside of simple systems with pairwise interacting partners, the plant genetic pathways that influence microbial community structure remain largely unknown, as are the performance feedbacks of microbial communities selected by the host plant genotype. We investigated the role of the plant circadian clock in shaping rhizosphere community structure and function. We performed 16S rRNA gene sequencing to characterize rhizosphere bacterial communities of Arabidopsis thaliana between day and night time points, and tested for differences in community structure between wild-type (Ws) vs. clock mutant (toc1-21, ztl-30) genotypes. We then characterized microbial community function, by growing wild-type plants in soils with an overstory history of Ws, toc1-21 or ztl-30 and measuring plant performance. We observed that rhizosphere community structure varied between day and night time points, and clock misfunction significantly altered rhizosphere communities. Finally, wild-type plants germinated earlier and were larger when inoculated with soils having an overstory history of wild-type in comparison to clock mutant genotypes. Our findings suggest the circadian clock of the plant host influences rhizosphere community structure and function.

Mass Extinctions and the Structure and Function of Ecosystems

2013 ◽  
Vol 19 ◽  
pp. 115-156 ◽  
Author(s):  
Pincelli M. Hull ◽  
Simon A. F. Darroch
Keyword(s):  
Biodiversity Loss ◽  
Structure And Function ◽  
Ecosystem Change ◽  
Mass Extinctions ◽  
General Introduction ◽  
Biodiversity Crisis ◽  
Ecosystem Effects ◽  
History Of ◽  
Research Questions ◽  
And Function

Mass extinctions shape the history of life and can be used to inform understanding of the current biodiversity crisis. In this paper, a general introduction is provided to the methods used to investigate the ecosystem effects of mass extinctions (Part I) and to explore major patterns and outstanding research questions in the field (Part II). The five largest mass extinctions of the Phanerozoic had profoundly different effects on the structure and function of ecosystems, although the causes of these differences are currently unclear. Outstanding questions and knowledge gaps are identified that need to be addressed if the fossil record is to be used as a means of informing the dynamics of future biodiversity loss and ecosystem change.

POVERTY'S PASTS: A CASE FORLONGUE DURÉESTUDIES

2018 ◽  
Vol 59 (3) ◽  
pp. 399-409 ◽  
Author(s):  
RHIANNON STEPHENS
Keyword(s):  
Nineteenth Century ◽  
Comparative Studies ◽  
Quantitative Data ◽  
Economic Inequality ◽  
Colonial Rule ◽  
Internal Dynamics ◽  
Class Difference ◽  
History Of ◽  
Longue Duree ◽  
Longue Durée

AbstractThis article examines how historians have approached the history of poverty in Africa before European colonisation. From an earlier focus on the emergence of class difference to more recent studies on the emergence of poverty, scholars have demonstrated the longevity of economic inequality in Africa. This historiography counters a linear view of the growth of economic inequality and the idea that poverty is a necessary corollary of wealth. The article then considers how historians have studied the meanings of poverty within particular societies to the nineteenth century allowing us to move beyond the inadequacy of quantitative data. It ends by arguing for morelongue duréestudies of poverty in Africa with a focus on the qualitative and on the internal dynamics of particular societies. This will improve our knowledge about how colonial rule changed the experience and reality of poverty for people across the continent and form a basis for comparative studies.

Heroic Aesthetics and Modernist Critique: Extrapolations from Bakhtin's Author and Hero in Aesthetic Activity

Slavic Review ◽  
2008 ◽  
Vol 67 (3) ◽  
pp. 551-566 ◽  
Author(s):  
Ilya Kliger
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Aesthetic Experience ◽  
Literary Analysis ◽  
Modernist Literature ◽  
The Status ◽  
Longue Duree ◽  
The Subject ◽  
Longue Durée ◽  
Modernist Discourse

Ilya Kliger addresses the question of Mikhail Bakhtin's intervention in modernist discourse by taking a step back from Bakhtin's views on modernist literature and outlining instead a more general Bakhtinian conception of the modernist condition as characterized by what Kliger calls “a crisis of authorship.” The article focuses on Bakhtin's early work in narratological aesthetics and situates it within the longue durée context of debates about the status of the subject of aesthetic experience and, more generally, of knowledge, debates that can provisionally be seen as originating at the end of the eighteenth century and coming to a head within the intellectual and creative milieu of twentieth-century modernism. Early Bakhtin helps us formulate a specifically modernist—by contrast with what will be called “transcendental” and “realist“—critique, a critique not limited to the field of literary analysis alone but applying to all forms of thinking that either presuppose abstract subject-object division or rely on modes of synthetic reconciliation.

Sign in / Sign up

Export Citation Format

Share Document