scholarly journals The Vedic Agni and Scandinavian Fire Rituals: A Possible Connection

2021 ◽  
Vol 13 (1) ◽  
pp. 77-97
Author(s):  
Anders Kaliff

To use ethnographic analogies is not the same as picking up ready-made interpretations from one cultural context and importing them into another. On the contrary, analogies are a powerful and necessary tool for any archaeological interpretation. If we as scientists are not aware of this we will most certainly use our own time and culture as an unconscious analogy: it is not possible to make interpretations, or even to think, without references outside oneself, and such references are nothing but analogies. l will put forward the hypothesis that the Late Bronze Age society of Scandinavia had rituals resembling, and probably related to, the Vedic tradition. As in Vedic tradition, fire sacrifice seems to have been an important ritual practice in Scandinavia. The Vedic fire altars are built as a symbolic microcosmos, repeating the creation of the world, and the fire (Agni) is seen as a link between earth and the heavenly fire —the sun.


Antiquity ◽  
2011 ◽  
Vol 85 (330) ◽  
pp. 1298-1311 ◽  
Author(s):  
Viktoria Fischer

The famous lakeside sites of Switzerland have long been known for their pile dwellings and their massive quantities of Late Bronze Age metalwork. On the most recent excavations, the bronzes have been mapped in situ, allowing comparison with assemblages from dryland sites and rivers, as well as providing a context for the nineteenth-century collections. The pile dwellings emerge as special places where depositions of selected bronze objects in groups or as single discards, comparable to those usually found in dryland deposits or in rivers, accumulated in the shallow water during a unique 250-year spell of ritual practice.





2021 ◽  
Vol 18 (1) ◽  
pp. 79-103
Author(s):  
Richard Bradley ◽  
Peter Skoglund ◽  
Joakim Wehlin

The paper compares the Bronze Age ship settings of Gotland with the vessels portrayed in rock carvings on the Scandinavian mainland. It also makes comparisons with the drawings of vessels on decorated metalwork of the same period. It considers their interpretation in relation to two approaches taken to the depictions of ships in other media. One concerns the use of boats to transport the sun, while the other emphasises the close relationship between seagoing vessels and the dead. A third possibility concerns the distinctive organisation of prehistoric communities on Gotland. It seems possible that the largest of the ship settings were equivalent to the Bronze Age cult houses found on the mainland and that they may even have represented the island itself.



Author(s):  
Gísli Sigurðsson

The eddas and sagas are literary works written in Iceland in the 13th and 14th centuries but incorporating memories preserved orally from preliterate times of (a) Norse myths, in prose and verse form, (b) heroic lays with common Germanic roots, (c) raiding and trading voyages of the Viking Age (800–1030 CE), and (d) the settlement of Iceland from Norway, Britain, and Ireland starting from the 870s and of life in the new country up to and beyond the conversion to Christianity in the year 1000. In their writing, these works show the influence of the learning and literature introduced to Iceland from the 11th century on through the educational system of the medieval Church. During these centuries, the Icelanders translated the lives of the principal saints, produced saga biographies of their own bishops, and recorded accounts of events and conflicts contemporary with their authors. They also produced conventional chronicles on European models of the kings of Norway and Denmark and large quantities of works, both translated and original, in the spirit of medieval chivalry. The eddas and sagas, however, reflect a unique and original departure that has no direct analogue in mainland Europe—the creation of new works and genres rooted in the secular tradition of oral learning and storytelling. This tradition encompassed the Icelanders’ worldview in the 12th, 13th and 14th centuries and their understanding of events, people, and chronology going back to the 9th century, and their experience of an environment that extended over the parts of the world known to the Norsemen of the Viking Age, both on earth and in heaven. The infrastructure that underlay this system of learning was a knowledge of the regnal years of kings who employed court poets to memorialize their lives, and stories that were told in connection with what people observed in the heavens and on earth, near and far, by linking the stories with individual journeys, dwellings, and the genealogies of the leading protagonists. In this world, people here on earth envisaged the gods as having their halls and dwellings in the sky among the stars and the sun, while beyond the ocean and beneath the furthest horizon lay the world of the giants. In Viking times, this furthest horizon shifted little by little westwards, from the seas around Norway and Britain to the Faroes, Iceland, Greenland, and eventually still farther south and west to previously unknown lands that people in Iceland retained memories of the ancestors having discovered and explored around the year 1000—Helluland, Markland, and Vínland—where they came into contact with the native inhabitants of the continent known as North America.



2013 ◽  
Vol 56 (1) ◽  
pp. 1-25 ◽  
Author(s):  
ELLEN ADAMS

Abstract This paper explores how the human form is depicted, objectified and contextualized, in order to clarify the complex relationship between ‘representation’ and ‘reality’, and to investigate the various ways the body is bounded. Part one argues that objectification is not always a passive process, but that the body is deliberately presented to the world to be observed and evaluated. Part two focuses on the configuration of bodily boundaries, and how the body is framed, for example, by clothing, architecture and the mortuary context. The wealth and range of evidence (wall paintings, seals and sealings, figurines, stone vases and burials) render Knossos an excellent case study for this approach. This paper asks not who the Knossians were, in terms of identity and ethnicity, but rather how they wanted to be presented to the world and each other.







2012 ◽  
Vol 12 (2) ◽  
pp. 237-251 ◽  
Author(s):  
Peter James ◽  
Marinus Anthony van der Sluijs

Abstract It is proposed that the story of the Hurrian deity ‘Silver’, as portrayed in the Late Bronze Age Song of Silver, is a plausible precursor to the classical myth of Phaethon. Shared motifs include the teasing of the young hero, the revelation by his mother of his father’s divine identity, a temporary assumption of power in heaven, a clash with the god of thunder, a disastrous episode involving the Sun and the Moon, and an etymology meaning ‘radiance’. As the Phaethon myth also seems to contain Semitic elements, it is argued that the source of the classical story was the region of northern Phoenicia to Cilicia, or Cyprus.



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