scholarly journals Imaginary Vessels in the Late Bronze Age of Gotland and South Scandinavia: Ship Settings, Rock Carvings and Decorated Metalwork

2021 ◽  
Vol 18 (1) ◽  
pp. 79-103
Author(s):  
Richard Bradley ◽  
Peter Skoglund ◽  
Joakim Wehlin
Keyword(s):  
Bronze Age ◽  
The Other ◽  
Late Bronze Age ◽  
The Sun ◽  
Close Relationship ◽  
The Dead ◽  
The Bronze Age

The paper compares the Bronze Age ship settings of Gotland with the vessels portrayed in rock carvings on the Scandinavian mainland. It also makes comparisons with the drawings of vessels on decorated metalwork of the same period. It considers their interpretation in relation to two approaches taken to the depictions of ships in other media. One concerns the use of boats to transport the sun, while the other emphasises the close relationship between seagoing vessels and the dead. A third possibility concerns the distinctive organisation of prehistoric communities on Gotland. It seems possible that the largest of the ship settings were equivalent to the Bronze Age cult houses found on the mainland and that they may even have represented the island itself.

Ironworking in the Bronze Age? Evidence from a 10th CenturyBCSettlement at Hartshill Copse, Upper Bucklebury, West Berkshire

2006 ◽  
Vol 72 ◽  
pp. 367-421 ◽  
Author(s):  
Mark Collard ◽  
Timothy Darvill ◽  
Martin Watts ◽  
Alex Bayliss ◽  
Mark Brett ◽  
...  
Keyword(s):  
Spatial Distribution ◽  
Detailed Analysis ◽  
Bronze Age ◽  
Conclusive Evidence ◽  
Late Bronze Age ◽  
European Context ◽  
Close Relationship ◽  
Interpretative Model ◽  
The Bronze Age ◽  
Comprehensive Discussion

Excavations at Hartshill Copse in 2003 uncovered evidence for Late Bronze Age settlement, securely dated to the 10th centuryBC, associated with long alignments of closely set posts: prehistoric landscape features with few known parallels. Extensive sampling of the settlement remains yielded quantities of burnt flint and plain Post Deverel-Rimbury potsherds, and, quite unexpectedly, a substantial quantity of iron hammerscale. This paper presents the excavation data, with supporting dating evidence, and the results of detailed analysis of the metallurgical residues. It explores the spatial distribution of artefact types within the settlement, and presents an interpretative model for settlement use. The nature of the settlement, with its carefully planned use of space and close relationship with the post alignments, is then discussed. Together, all this provides conclusive evidence for the earliest ironworking site yet recognised in Britain. The paper concludes with a comprehensive discussion of early ironworking in its British and European context.

Irish Bronze Age Horns and their relations with Northern Europe

1963 ◽  
Vol 29 ◽  
pp. 326-356 ◽  
Author(s):  
John M. Coles
Keyword(s):  
Bronze Age ◽  
The Other ◽  
Northern Europe ◽  
Wind Instruments ◽  
Late Bronze Age ◽  
The North ◽  
Actual Production ◽  
First Time ◽  
The Bronze Age

One of the features of the Irish Late Bronze Age is the appearance of wind instruments, commonly called ‘Trumpets’, often found in groups and only rarely in association with other material. Being conical and curved, these are therefore members of the horn family, to which the other large musical group of the Bronze Age, the north Europeanlurer, also belong.The Irish horns have attracted the attention of antiquarians for over 100 years, with the principal collection and listing of these beginning in 1860. Evans devoted a section of his 1881 book to the ‘trumpets’, and was followed by Day, Allen and Coffey. The latest treatment, which brought together most of the previous lists of horns, was by MacWhite in 1945. All of these later works were primarily concerned with the typology of the horns, and attention was paid neither to their actual production nor to their music. In the present study, all previously published horns have been examined where possible, as well as a number of unpublished finds, and an attempt will be made not only (i) to describe the typological variations and dating of the horns, but also (ii) to discuss their production as objects from Late Bronze Age workshops and (iii) to consider for the first time their musical potential.

A Circular Debate: Rock Carvings at Knarrbyn, Dalsland, Sweden

2010 ◽  
Vol 76 ◽  
pp. 1-29
Author(s):  
John Coles
Keyword(s):  
Bronze Age ◽  
Landscape Assessment ◽  
The Sun ◽  
Late Prehistoric ◽  
Alternative Concept ◽  
Southern Scandinavia ◽  
Close Relationship ◽  
General Opinion ◽  
The Bronze Age

The rock carvings at Knarrbyn in Dalsland, Sweden, lie high on a rocky ridge and consist almost entirely of multiple circles in various groups. In both location and imagery the panels at Knarrbyn provide a contrast with the varied figurative images on a majority of large rock carving sites of the Bronze Age in southern Scandinavia, which are mostly set low and near the contemporary seas. The paper aims to explore both shape and place of the Knarrbyn discs, with new recordings and landscape assessment. In contrast to the general opinion that Bronze Age carvings of circles had some close relationship to concepts of the sun, the Knarrbyn discs, by their unusual internal shaping and their position here on the high rocks, offer an alternative concept, that these particular carvings had close physical and ideological relationships with Bronze Age burial cairns in this isolated part of Dalsland. These and other late prehistoric monuments are mapped in the paper and include several previously unrecorded sites on the Knarrbyn ridge. The precise landscape location of the carving sites suggests they were part of a sacred passage in the Bronze Age, leading southwards to the major cemetery and rock carving sites at Tisselskog; such a passage may have foreshadowed and influenced the emergence and orientation of thePilgrimsledenthat traversed the same landscape some 2000 years later.

Flint Use in England after the Bronze Age: Time for a Re-evaluation?

1999 ◽  
Vol 65 ◽  
pp. 231-242 ◽  
Author(s):  
R. Young ◽  
J. Humphrey
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Morphological Features ◽  
The Other ◽  
Late Bronze Age ◽  
Lithic Assemblages ◽  
The Bronze Age

Lithic assemblages from a variety of English later Bronze and Iron Age contexts are examined here in an effort to stimulate debate about the later prehistoric exploitation of flint. It is suggested that a variety of technological and morphological features, supporting the idea of discrete later industries, can be identified. A special plea is made to excavators of Late Bronze Age and Iron Age settlement sites to pay greater attention to the contexts of deposition (and to the other artefactual associations), of recovered lithic material. Flint finds should not automatically be written off as residual from earlier activity on settlements.

scholarly journals Establishing the Middle Sea: The Late Bronze Age of Mediterranean Europe (1700–900 BC)

2021 ◽  
Author(s):  
Francesco Iacono ◽  
Elisabetta Borgna ◽  
Maurizio Cattani ◽  
Claudio Cavazzuti ◽  
Helen Dawson ◽  
...  
Keyword(s):  
Social Organization ◽  
Bronze Age ◽  
Long Range ◽  
Human Mobility ◽  
Late Bronze Age ◽  
Archaeological Record ◽  
Mediterranean Europe ◽  
Northern Shore ◽  
Comparative Survey ◽  
The Bronze Age

AbstractThe Late Bronze Age (1700–900 BC) represents an extremely dynamic period for Mediterranean Europe. Here, we provide a comparative survey of the archaeological record of over half a millennium within the entire northern littoral of the Mediterranean, from Greece to Iberia, incorporating archaeological, archaeometric, and bioarchaeological evidence. The picture that emerges, while certainly fragmented and not displaying a unique trajectory, reveals a number of broad trends in aspects as different as social organization, trade, transcultural phenomena, and human mobility. The contribution of such trends to the processes that caused the end of the Bronze Age is also examined. Taken together, they illustrate how networks of interaction, ranging from the short to the long range, became a defining aspect of the “Middle Sea” during this time, influencing the lives of the communities that inhabited its northern shore. They also highlight the importance of research that crosses modern boundaries for gaining a better understanding of broad comparable dynamics.

A gold diadem from Aegina

1987 ◽  
Vol 107 ◽  
pp. 182-182
Author(s):  
Reynold Higgins
Keyword(s):  
Bronze Age ◽  
British Museum ◽  
The South ◽  
North West ◽  
The North ◽  
The Dead ◽  
Middle Helladic ◽  
Dead Man ◽  
The Bronze Age ◽  
Grave Goods

A recent discovery on the island of Aegina by Professor H. Walter (University of Salzburg) throws a new light on the origins of the so-called Aegina Treasure in the British Museum.In 1982 the Austrians were excavating the Bronze Age settlement on Cape Kolonna, to the north-west of Aegina town. Immediately to the east of the ruined Temple of Apollo, and close to the South Gate of the prehistoric Lower Town, they found an unrobbed shaft grave containing the burial of a warrior. The gravegoods (now exhibited in the splendid new Museum on the Kolonna site) included a bronze sword with a gold and ivory hilt, three bronze daggers, one with gold fittings, a bronze spear-head, arrowheads of obsidian, boar's tusks from a helmet, and fragments of a gold diadem (plate Va). The grave also contained Middle Minoan, Middle Cycladic, and Middle Helladic (Mattpainted) pottery. The pottery and the location of the grave in association with the ‘Ninth City’ combine to give a date for the burial of about 1700 BC; and the richness of the grave-goods would suggest that the dead man was a king.

Cosmic Deer as an Archaic Symbol in the Narratives and Rituals of the Tungus-Manchus

2020 ◽  
pp. 112-121
Author(s):  
Татьяна Юрьевна Сем
Keyword(s):  
Bronze Age ◽  
The Sun ◽  
Time Model ◽  
Space And Time ◽  
The Earth ◽  
Cosmic Scale ◽  
First Time ◽  
The Universe ◽  
The Bronze Age

Статья посвящена мифологическому образу космического оленя в традиционной культуре тунгусо-маньчжуров. В работе рассматриваются материалы фольклора, шаманства, промысловых и календарных ритуалов, а также искусства. Впервые систематизированы материалы по всем тунгусо-маньчжурским народам. Образ космического оленя в фольклоре эвенов имеет наиболее близкие аналогии с амурскими народами, которые представляют его с рогами до небес. Он сохранился в сказочном фольклоре с мифологическими и эпическими элементами. В эвенском мифе образ оленя имеет космические масштабы: из тела его происходит земля и всё живущее на ней. У народов Амура образ оленя нашел отражение в космогенезе, отделении неба от земли. Своеобразие сюжета космической охоты характеризует общесибирскую мифологию, относящуюся к ранней истории. В ней наиболее ярко проявляется мотив смены старого и нового солнца, хода времени, смены времен года, календарь тунгусо-маньчжуров. В результате анализа автор пришел к выводу, что олень в тунгусо-маньчжурской традиции моделирует пространство и время Вселенной, характеризует образ солнца и хода времени. Космический олень является архетипичным символом культуры тунгусо-маньчжуров, сохранившим свое значение до настоящего времени в художественной культуре This article is devoted to the mythological image of cosmic deer in traditional Tungus-Manchu culture. It examines materials of folklore, shamanism, trade and calendar rituals as well as art and for the first time systematizes materials from all of the Tungus-Manchu peoples. The image of cosmic deer in the folklore of the Evens has its closest analogy in that of the Amur peoples, reflected in the image of a deer with horns reaching up to the sky. This image is preserved in fairytales with mythological and epic elements. In the Even myth, the image of a deer is on a cosmic scale, as the cosmos issues from its body. Among the Amur peoples, the image of a deer is also related to cosmogenesis, to the separation of the earth from the sky. The plot of a cosmic hunt is reflected in pan-Siberian mythology, dating back to the Bronze Age. It clearly illustrates the motif of the change of the old and new sun, the passage of time, the change of seasons, the Tungus-Manchu calendar. The author comes to the conclusion that deer in the Tungus-Manchu tradition, in depicting the image of the sun and the passage of time, model the space and time of the Universe. The cosmic deer is an archetypal symbol of Tungus-Manchu culture, which has retained its significance in artistic culture to the present day.

Bronze Age Mongolia

2016 ◽  
Author(s):  
Jean-Luc Houle
Keyword(s):  
Social Organization ◽  
Bronze Age ◽  
Animal Husbandry ◽  
Late Bronze Age ◽  
Critical Issues ◽  
The Bronze Age

This article discusses the Bronze Age in Mongolia, a period when pastoralism, mobility, and interaction between regional communities increased dramatically. It also corresponds to the heyday of monumental construction and to the development of societal complexity in this region. After briefly discussing the local Bronze Age chronology, the discussion then turns to the topic of the transition to animal husbandry and to the development of mobile, equestrian pastoralism in particular—a phenomenon that seems to have taken place during the Late Bronze Age. Following this, I examine the monumental landscape as well as what is known from “settlements” before discussing the nature of Late Bronze Age social organization and societal complexity. The article ends with a brief exposé on bronze metallurgy before highlighting what are thought to be the critical issues that continue to challenge research on the Bronze Age in the region.

An interpretation of the Nebra disc

Antiquity ◽  
2007 ◽  
Vol 81 (312) ◽  
pp. 267-278 ◽  
Author(s):  
Emília Pásztor ◽  
Curt Roslund
Keyword(s):  
Bronze Age ◽  
The Sun ◽  
The Bronze Age

The Nebra disc is one of the most sensational European discoveries of the decade. It appears to carry symbols of the sun, moon and stars wrought in gold on a flat bronze disc just over a foot across (320mm). It is not only very strange, but, famously, appears to be winking, initially raising the suspicion that it may be a hoax. Scholars have, however, claimed it firmly for the Bronze Age, and the debate now moves to the matter of its meaning. Here the authors offer a subtle interpretation that sees it as the shamanistic device of a local warrior society.

The Boat of the Dead in the Bronze Age

Antiquity ◽  
1941 ◽  
Vol 15 (60) ◽  
pp. 360-370 ◽  
Author(s):  
L. V. Grinsell
Keyword(s):  
Bronze Age ◽  
Pacific Islands ◽  
Ancient Greek ◽  
The Pacific ◽  
The World ◽  
The Dead ◽  
The Bronze Age

In many parts of the world and at many periods the practice has prevailed of depositing boats, or models or other representations of them, with the dead, either as a means of facilitating his supposed voyage to another world, or as a symbol of his maritime activities during his lifetime.That the former is generally the correct explanation of the custom there can be no doubt. This is shown by the evidence of the belief in a voyage to a future world, and the customs to which it has given rise, among living primitive peoples in the Pacific Islands and elsewhere, so well collected and presented by the late Sir J. G. Frazer. It is shown also by traditions such as that of our own king Arthur's journey by barge to ‘the island valley of Avilion, where falls not hail, or rain, or any snow’ It is shown also by the ancient Greek and Roman custom of placing a coin in the mouth of the dead to pay Charon's fee for ferrying him across the Styx.

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