The Creation of The World, the Origin of the Negritos, the Sun, the Moon, the Rainbow, Rain

2019 ◽  
pp. 159-169
Author(s):  
Ivor H. N. Evans
Keyword(s):  
The Sun ◽  
The Moon ◽  
1771 ◽  
Vol 61 ◽  
pp. 422-432 ◽  
Keyword(s):  
The Sun ◽  
The Moon ◽  

The day of the month is noted according to the nautical account, which therefore in all observations noted P. M. is one day forwarder than the civil account. The latitude in is deduced from the last preceding meridian altitude of the Sun; and the longitude in is corrected by the last observations of the distances of the moon from the Sun and stars.


2020 ◽  
Vol 2 (1) ◽  
pp. 28-72
Author(s):  
Jane Mikkelson

Abstract The phoenix (ʿanqā) appears in the philosophy of Avicenna (d.1037) as his example of a “vain intelligible,” a fictional being that exists in the soul, but not in the world. This remarkable bird is notable (along with the Earth, the moon, the sun, and God) for being a species of one. In this essay, I read the poetry Bedil of Delhi (d.1720) in conversation with the philosophical system of Avicenna, arguing that the phoenix in Bedil’s own philosophical system functions as a key figuration that allows him simultaneously to articulate rigorous impersonal systematic ideas and to document his individual first-personal experiences of those ideas. The phoenix also plays a metaliterary role, allowing Bedil to reflect on this way of doing philosophy in the first person—a method founded on the lyric enrichment of Avicennan rationalism. Paying attention to the adjacencies between poetry and philosophy in Bedil, this essay traces the phoenix’s transformations from a famous philosophical example into one of Bedil’s most striking figurations in his arguments about imagination, mind, and self.


Prospects ◽  
1989 ◽  
Vol 14 ◽  
pp. 1-29
Author(s):  
Ormond Seavey
Keyword(s):  
The Sun ◽  
The Moon ◽  

When Edward Johnson needed to express his deepest hopes about history, he found in the Bible an encoded emblem for the destiny of America. In the proclamation from Christ's herald that begins The Wonder-Working Providence of Sions Saviour in New England, he concludes with an urgent appeal to all believers:Pray, pray, pray, pray continually with the valiant worthy Joshua that the Sun may stand still in Gibeon, and the Moone in the vally of Aijalon, for assuredly although some small battailes may be fought against the enemies of Christ, yet the great day of their finall overthrow shall not come till the bright Sonne of that one cleare truth of Christ, stands still in the Gentile Churches, that those who fight the Lords Battells may plainly discerne his enemies in all places, where they finde them, as also such as will continue fighting must have the World kept low in their eyes, as the Moon in the valley of Aijalon.


1925 ◽  
Vol 18 (5) ◽  
pp. 298-299
Author(s):  
Frank J. McMackin
Keyword(s):  
The Sun ◽  
The Moon ◽  

On the morning of Saturday, January 24th, 1925, there occurred a spectacle in the Heavens which few men are fortunate enough to experience even once in a lifetime. I was one of the elect on this occasion. The world awoke that morning a stage perfectly set for the wonderful sight nature had arranged. The atmosphere was absolutely clear, no trace of a cloud was visible anywhere and the sun seemed to he unusually bright—flushed with excitement over the performance it and the moon were to enact that day.


Author(s):  
Sandhya Gangarade

The creator, the Creator, the creator, by whatever name, calls the ultimate power that colors the sky blue, the earth green, the sun gold and the moon silver. The colors of Pushpavali in the forest division are countless and the colors of water creatures in the ocean are amazing. Colorless water is also the miracle of the same and the white, black and red color of Ganga, Yamuna and Saraswati is also an expression of the same. Some also create 'Kavirmanishi Paribhu Swayambhu', the poet of the world of life, nature's colors with full sensibility Does. In poetry, there are mainly three basic colors - white, black, white, black and red. सृष्टा, रचेता, विधाता जिस भी नाम से पुकारें उस परम शक्ति को जो आकाश को नीला, धरती को हरा, सूरज को स्वर्ण और चाँद को रजत रंग में रंग देता है। वन प्रान्तर में पुष्पावलि के रंग अनगिनत है और सागर में जल-जीवों के रंग अद्भुत। रंगहीन जल भी उसी का चमत्कार है और गंगा, यमुना और सरस्वती का श्वेत, श्याम और लाल रंग भी उसी की अभिव्यक्ति है।कवि भी रचेता है ‘कविर्मनीषी परिभू स्वयंभू’ जीवन के जगत के, प्रकृति के रंगो को कवि पूरी संवेदन शीलता से संयोजित करता है। काव्य में मुख्य रूप से तीन रंग आधारभूत रंग है- श्वेत, श्याम, रतनान-सफेद, काला और लाल।


Perichoresis ◽  
2021 ◽  
Vol 19 (4) ◽  
pp. 3-20
Author(s):  
Annelien Rabie-Boshof

Abstract This article explores a probable motivation for the insertion of the Pericope Adulterae (John 7:53–8:11) in the Gospel of John in consideration of the motive of ‘living/life’ used by the gospel writer. Using John 8:12 as the starting point of this investigation, the article focuses on the warning to the Israelites against idolatry with specific attention to the warning against worshiping the sun, the moon, and the stars (Deuteronomy 4:15–20). It also deals with the Feast of Tabernacles, which is the direct context in which Jesus declared that he is the light of the world. The water ceremony also plays a central role in understanding the bigger picture that unfolds, as well as the Early Church’s struggle against heretical Christological teachings of who Jesus was with regard to his human nature and his divine nature.


Author(s):  
Gísli Sigurðsson

The eddas and sagas are literary works written in Iceland in the 13th and 14th centuries but incorporating memories preserved orally from preliterate times of (a) Norse myths, in prose and verse form, (b) heroic lays with common Germanic roots, (c) raiding and trading voyages of the Viking Age (800–1030 CE), and (d) the settlement of Iceland from Norway, Britain, and Ireland starting from the 870s and of life in the new country up to and beyond the conversion to Christianity in the year 1000. In their writing, these works show the influence of the learning and literature introduced to Iceland from the 11th century on through the educational system of the medieval Church. During these centuries, the Icelanders translated the lives of the principal saints, produced saga biographies of their own bishops, and recorded accounts of events and conflicts contemporary with their authors. They also produced conventional chronicles on European models of the kings of Norway and Denmark and large quantities of works, both translated and original, in the spirit of medieval chivalry. The eddas and sagas, however, reflect a unique and original departure that has no direct analogue in mainland Europe—the creation of new works and genres rooted in the secular tradition of oral learning and storytelling. This tradition encompassed the Icelanders’ worldview in the 12th, 13th and 14th centuries and their understanding of events, people, and chronology going back to the 9th century, and their experience of an environment that extended over the parts of the world known to the Norsemen of the Viking Age, both on earth and in heaven. The infrastructure that underlay this system of learning was a knowledge of the regnal years of kings who employed court poets to memorialize their lives, and stories that were told in connection with what people observed in the heavens and on earth, near and far, by linking the stories with individual journeys, dwellings, and the genealogies of the leading protagonists. In this world, people here on earth envisaged the gods as having their halls and dwellings in the sky among the stars and the sun, while beyond the ocean and beneath the furthest horizon lay the world of the giants. In Viking times, this furthest horizon shifted little by little westwards, from the seas around Norway and Britain to the Faroes, Iceland, Greenland, and eventually still farther south and west to previously unknown lands that people in Iceland retained memories of the ancestors having discovered and explored around the year 1000—Helluland, Markland, and Vínland—where they came into contact with the native inhabitants of the continent known as North America.


1949 ◽  
Vol 69 ◽  
pp. 48-69
Author(s):  
Stefan Weinstock

Lunar mansions are twenty-eight constellations or single stars on the route of the Moon during the twenty-eight nights of its visibility. As a mere astronomical curiosity they could neither attract nor reward much attention. Accordingly learned discussions have been limited to descriptions, to controversies where and when they were first established, in Babylonia, India, or China, or to catalogues of the medieval evidence. But if it is realised that they were not observed for their own sake but because the revolution of the Moon was the basis of early time-reckoning which led to the creation of the first calendar, conclusions of more than limited interest can be produced by relating astronomical to religious problems. And this interest will be further increased by the realisation that our zodiac is nothing but the successor of the mansions as it served first the lunisolar, and then the solar, year, of which the former was a device to bring the monthly revolutions of the Moon into harmony with the annual revolution of the Sun, and the latter was based on the revolution of the Sun alone.But how can we find material to reconstruct a system which was superseded in the remote past, seeing that even the victorious system remains in important respects mysterious, e.g. the reasons for the strange selection of the signs and the presence among them of animal and human figures? We are helped by two circumstances. One is the natural conservatism of our calendars, astrological prognostics, and magical texts: these often preserve traces of earlier stages of human thought. The second circumstance is less natural.


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