‘Silver’: A Hurrian Phaethon

2012 ◽  
Vol 12 (2) ◽  
pp. 237-251 ◽  
Author(s):  
Peter James ◽  
Marinus Anthony van der Sluijs

Abstract It is proposed that the story of the Hurrian deity ‘Silver’, as portrayed in the Late Bronze Age Song of Silver, is a plausible precursor to the classical myth of Phaethon. Shared motifs include the teasing of the young hero, the revelation by his mother of his father’s divine identity, a temporary assumption of power in heaven, a clash with the god of thunder, a disastrous episode involving the Sun and the Moon, and an etymology meaning ‘radiance’. As the Phaethon myth also seems to contain Semitic elements, it is argued that the source of the classical story was the region of northern Phoenicia to Cilicia, or Cyprus.

2021 ◽  
Vol 18 (1) ◽  
pp. 79-103
Author(s):  
Richard Bradley ◽  
Peter Skoglund ◽  
Joakim Wehlin

The paper compares the Bronze Age ship settings of Gotland with the vessels portrayed in rock carvings on the Scandinavian mainland. It also makes comparisons with the drawings of vessels on decorated metalwork of the same period. It considers their interpretation in relation to two approaches taken to the depictions of ships in other media. One concerns the use of boats to transport the sun, while the other emphasises the close relationship between seagoing vessels and the dead. A third possibility concerns the distinctive organisation of prehistoric communities on Gotland. It seems possible that the largest of the ship settings were equivalent to the Bronze Age cult houses found on the mainland and that they may even have represented the island itself.


Author(s):  
Robert Hannah

While the moon naturally featured in Mediterranean cultures from time immemorial, principally noted in the earliest literature as a marker of time, time-dependent constructs such as the calendar, and time-related activities, awareness and recognition of the five visible planets came relatively late to the Greeks and thence to the Romans. The moon underlies the local calendars of the Greeks, with documentary and literary evidence from the Late Bronze Age through the Imperial Roman period, and there are signs that the earliest Roman calendar also paid homage to the moon in its divisions of the month. However, although Homer in the 8th century BCE knows of a Morning and an Evening Star, he shows no indication of realizing that these are one and the same, the planet Venus. That particular identification may have come in the 6th century BCE, and it appears to have been not until the 4th century BCE that the Greeks recognized the other four planets visible to the naked eye—Saturn, Jupiter, Mars, and Mercury. This awareness probably came via contact with Babylonian astronomy and astrology, where identification and observations of the planets had figured from the 2nd millennium BCE and served as a basis for astrological prognostications. But it is time, not astrology, that lies at the heart of Greek and Roman concerns with the moon and the planets. Indeed, the need to tell time accurately has been regarded as the fundamental motivation of Greek astronomy. A major cultural issue that long engaged the Greeks was how to synchronize the incommensurate cycles of the moon and the sun for calendrical purposes. Given the apparent irregularities of their cycles, the planets might seem to offer no obvious help with regard to time measurement. Nonetheless they were included by Plato in the 4th century BCE in his cosmology, along with the sun and moon, as heavenly bodies created specifically to compute time. Astrology then provided a useful framework in which the sun, moon, planets, and stars all combined to enable the interpretation and forecasting of life events. It became necessary for the Greeks, and their successors the Romans, to be able to calculate as accurately as possible the positions of the heavenly bodies in order to determine readings of the past, present, and future. Greek astronomy had always had a speculative aspect, as philosophers strove to make sense of the visible cosmos. A deep-seated assumption held by Greek astronomers, that the heavenly bodies moved in uniform, circular orbits, lead to a desire over the centuries to account for or explain away the observed irregularities of planetary motions with their stations and retrogradations. This intention “to save the phenomena,”— that is, to preserve the fundamental circularity—was said to have originated with Plato. While arithmetical schemes had sufficed in Babylonia for such calculation, it was a Greek innovation to devise increasingly complex geometric theories of circular motions (eccentrics and epicycles) in an effort to understand how the sun, moon, and planets moved, so as to place them more precisely in time and space.


2006 ◽  
Vol 16 (2) ◽  
pp. 191-207 ◽  
Author(s):  
Lionel Sims

Recent archaeological research now views the northwest European Neolithic and Early Bronze Age as a period of separation from a resilient complex of traditions of Mesolithic and even Palaeolithic origin. Extending this insight to recent findings in archaeoastronomy, this article treats the sarsen monument at Stonehenge as one among a number of monuments with lunar–solar alignments which privileged night over day, winter over summer, dark moon over full. The aim of the monument builders was to juxtapose, replicate and reverse certain key horizon properties of the sun and the moon, apparently with the intention of investing the sun with the moon's former religious significance. This model is consistent with both current archaeological interpretations of burial practices associated with the monument, and with recent anthropological modelling of hunter-gatherer cultural origins.


2021 ◽  
Vol 13 (1) ◽  
pp. 77-97
Author(s):  
Anders Kaliff

To use ethnographic analogies is not the same as picking up ready-made interpretations from one cultural context and importing them into another. On the contrary, analogies are a powerful and necessary tool for any archaeological interpretation. If we as scientists are not aware of this we will most certainly use our own time and culture as an unconscious analogy: it is not possible to make interpretations, or even to think, without references outside oneself, and such references are nothing but analogies. l will put forward the hypothesis that the Late Bronze Age society of Scandinavia had rituals resembling, and probably related to, the Vedic tradition. As in Vedic tradition, fire sacrifice seems to have been an important ritual practice in Scandinavia. The Vedic fire altars are built as a symbolic microcosmos, repeating the creation of the world, and the fire (Agni) is seen as a link between earth and the heavenly fire —the sun.


Antiquity ◽  
1979 ◽  
Vol 53 (208) ◽  
pp. 124-129 ◽  
Author(s):  
Gordon Moir

In 1966 [Sir] Fred Hoyle published two papers on the possible use of Stonehenge as an eclipse predictor (1966a,b). He has now (Hoyle, 1977) returned to this theme with a very clearly written and well-illustrated book that is essentially an expansion of the material in the two 1966 papers. In brief, Hoyle proposes that the extant features of Stonehenge I provide the necessary means systematically to observe the sun and moon and to keep track of the nodes of the lunar orbit. This would provide sufficient information to allow eclipses of the moon to be predicted. He also proposes that by the time of Stonehenge III this method was superseded by the use of the Saros cycle of 18 years 11 days to predict eclipses. This last method almost certainly implies that written records of events at full moon were kept. Since there is no evidence from the British Late Neolithic or Early Bronze Age of writing or numeracy this proposal is purely speculative.


Author(s):  
Emilia Pásztor

Depending on the geographical position of the observer, several atmospheric phenomena can be seen quite often in the sky. The visibility of the sun and the moon, and the phenomena generated by their light, might also have attracted the attention of peoples in Bronze Age Europe, as many artefacts decorated with celestial symbols (luxury items in particular) attest. I posit that the depiction of different atmospheric phenomena can be found among the abstract symbols that flooded most of Europe, especially the Scandinavian and Carpathian regions, in the second half of the Bronze Age (from c.1600 bce onwards). I further argue that various symbols generally considered as solar differ from each other, as they either represent the sun with various accompanying atmospheric phenomena or it is likely that some of them are actually lunar rather than solar symbols.


2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Luca Amendola

Four conical golden hats of the Late Bronze Age were discovered in southern Germany and western France in the nineteenth and twentieth centuries. Their users were probably members of a caste of priests or priestesses performing ceremonies linked to astronomical/calendrical knowledge. Another find discovered in central Germany, the Nebra bronze-gold disk, predates the golden hats by two to six centuries and has also been interpreted as an astronomical/calendrical ceremonial tool. From the burial location of the Nebra disk the Sun sets on the highest mountain of the Harz range, the Brocken, on the summer solstice. Here we investigate whether the burial location of the Schifferstadt golden hat also had an astronomical meaning. Our results make it possible to hypothesise that the Schifferstadt location was a natural astronomical/calendrical viewing place with the same function as several prehistoric circular enclosures, but where the natural hilly horizon of the Odenwald and the Palatinate Forest replaced the artificial horizon of the enclosures.


2021 ◽  
Vol 6 (2) ◽  
Author(s):  
Marc Eduard Frincu ◽  
Raul Perez-Enriquez ◽  
Levon Aghikyan

The Armenian highlands contain numerous remote sites featuring petroglyphs. Many of these rock carvings are pastoral depictions of animals, while others are abstract and complex, and one example of the latter, believed by archaeologists to date back to the Late Bronze Age (LBA), is found on an isolated site on Sevsar Mountain at an altitude of about 2700 m. The most accepted theory about the significance of these carvings dates back to the 1980s and suggests that they were representative of a lunisolar calendar. During our two recent expeditions to the site in 2017 and 2019, we noticed a cup mark in the largest circular petroglyph, deep enough to hold a vertical wooden pole, and from this we inferred a more extensive astronomical function for the carvings. In particular, the petroglyph’s intricate design of a radiating spiral and three concentric circles placed at non-equidistant radii from the centre made us consider its possible use as a sundial, with the inscribed circles representing the noon shadow lengths on solstices and equinoxes. We measured the radii of the circles north–south and the orientation of the main landscape features using a Suunto clinometer and compass. Our analysis shows that the dimensions of the petroglyph closely match actual shadow lengths in the LBA, and that the petroglyph can be reconstructed to high accuracy from theoretical ellipses. Additionally, the remote location of this site further suggests that the movement of the Sun was important to the builders, as the site may have also served as a ritualistic and initiation destination.


2016 ◽  
Vol 15 (2) ◽  
pp. 143-202 ◽  
Author(s):  
Nur Masalha

The Concept of Palestine is deeply rooted in the collective consciousness of the indigenous people of Palestine and the multicultural ancient past. The name Palestine is the most commonly used from the Late Bronze Age (from 1300 BCE) onwards. The name Palestine is evident in countless histories, inscriptions, maps and coins from antiquity, medieval and modern Palestine. From the Late Bronze Age onwards the names used for the region, such as Djahi, Retenu and Cana'an, all gave way to the name Palestine. Throughout Classical Antiquity the name Palestine remained the most common and during the Roman, Byzantine and Islamic periods the concept and political geography of Palestine acquired official administrative status. This article sets out to explain the historical origins of the concept of Palestine and the evolving political geography of the country. It will seek to demonstrate how the name ‘Palestine’ (rather than the term ‘Cana'an’) was most commonly and formally used in ancient history. It argues that the legend of the ‘Israelites’ conquest of Cana'an’ and other master narratives of the Bible evolved across many centuries; they are myth-narratives, not evidence-based accurate history. It further argues that academic and school history curricula should be based on historical facts/empirical evidence/archaeological discoveries – not on master narratives or Old Testament sacred-history and religio-ideological constructs.


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