scholarly journals Kirchhoff elastic rods in higher-dimensional space forms

2011 ◽  
Vol 87 (1) ◽  
pp. 5-9 ◽  
Author(s):  
Satoshi Kawakubo
Keyword(s):  
Dimensional Space ◽  
Elastic Rods ◽  
Space Forms ◽  
Higher Dimensional

Celestial Tapestry

2020 ◽  
Author(s):  
Nicholas Mee
Keyword(s):  
Mathematics Curriculum ◽  
Dimensional Space ◽  
Golden Section ◽  
Single Point ◽  
Historical Context ◽  
Computer Art ◽  
Lightning Strike ◽  
Secret Message ◽  
Axiomatic Method ◽  
Higher Dimensional

Celestial Tapestry places mathematics within a vibrant cultural and historical context, highlighting links to the visual arts and design, and broader areas of artistic creativity. Threads are woven together telling of surprising influences that have passed between the arts and mathematics. The story involves many intriguing characters: Gaston Julia, who laid the foundations for fractals and computer art while recovering in hospital after suffering serious injury in the First World War; Charles Howard, Hinton who was imprisoned for bigamy but whose books had a huge influence on twentieth-century art; Michael Scott, the Scottish necromancer who was the dedicatee of Fibonacci’s Book of Calculation, the most important medieval book of mathematics; Richard of Wallingford, the pioneer clockmaker who suffered from leprosy and who never recovered from a lightning strike on his bedchamber; Alicia Stott Boole, the Victorian housewife who amazed mathematicians with her intuition for higher-dimensional space. The book includes more than 200 colour illustrations, puzzles to engage the reader, and many remarkable tales: the secret message in Hans Holbein’s The Ambassadors; the link between Viking runes, a Milanese banking dynasty, and modern sculpture; the connection between astrology, religion, and the Apocalypse; binary numbers and the I Ching. It also explains topics on the school mathematics curriculum: algorithms; arithmetic progressions; combinations and permutations; number sequences; the axiomatic method; geometrical proof; tessellations and polyhedra, as well as many essential topics for arts and humanities students: single-point perspective; fractals; computer art; the golden section; the higher-dimensional inspiration behind modern art.

Triharmonic Riemannian submersions from 3-dimensional space forms

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Tomoya Miura ◽  
Shun Maeta
Keyword(s):  
Existence Theorem ◽  
Space Form ◽  
Dimensional Space ◽  
Riemannian Submersion ◽  
Partial Answer ◽  
Riemannian Submersions ◽  
Space Forms ◽  
3 Dimensional

Abstract We show that any triharmonic Riemannian submersion from a 3-dimensional space form into a surface is harmonic. This is an affirmative partial answer to the submersion version of the generalized Chen conjecture. Moreover, a non-existence theorem for f -biharmonic Riemannian submersions is also presented.

scholarly journals Aperiodic Crystals

2014 ◽  
Vol 70 (a1) ◽  
pp. C1-C1 ◽  
Author(s):  
Ted Janssen ◽  
Aloysio Janner
Keyword(s):  
Physical Properties ◽  
Dimensional Space ◽  
X Rays ◽  
New Techniques ◽  
New Family ◽  
Modulated Phases ◽  
Open Questions ◽  
Higher Dimensional ◽  
Lattice Periodicity ◽  
Aperiodic Crystals

2014 is the International Year of Crystallography. During at least fifty years after the discovery of diffraction of X-rays by crystals, it was believed that crystals have lattice periodicity, and crystals were defined by this property. Now it has become clear that there is a large class of compounds with interesting properties that should be called crystals as well, but are not lattice periodic. A method has been developed to describe and analyze these aperiodic crystals, using a higher-dimensional space. In this lecture the discovery of aperiodic crystals and the development of the formalism of the so-called superspace will be described. There are several classes of such materials. After the incommensurate modulated phases, incommensurate magnetic crystals, incommensurate composites and quasicrystals were discovered. They could all be studied using the same technique. Their main properties of these classes and the ways to characterize them will be discussed. The new family of aperiodic crystals has led also to new physical properties, to new techniques in crystallography and to interesting mathematical questions. Much has been done in the last fifty years by hundreds of crystallographers, crystal growers, physicists, chemists, mineralogists and mathematicians. Many new insights have been obtained. But there are still many questions, also of fundamental nature, to be answered. We end with a discussion of these open questions.

scholarly journals BIMINIMAL CURVES IN 2-DIMENSIONAL SPACE FORMS

2012 ◽  
Vol 27 (4) ◽  
pp. 771-780 ◽  
Author(s):  
Jun-Ichi Inoguchi ◽  
Ji-Eun Lee
Keyword(s):  
Dimensional Space ◽  
Space Forms

scholarly journals Celestial Spheres

2018 ◽  
Vol 2 (2) ◽  
pp. 168-186
Author(s):  
Austin M. Freeman
Keyword(s):  
Dimensional Space ◽  
Three Dimensional ◽  
Good Evidence ◽  
Medieval Period ◽  
The Bible ◽  
Higher Dimensional ◽  
Spatial Dimensions ◽  
Modern Physics ◽  
The Subject ◽  
Three Dimensional Space

Angels probably have bodies. There is no good evidence (biblical, philosophical, or historical) to argue against their bodiliness; there is an abundance of evidence (biblical, philosophical, historical) that makes the case for angelic bodies. After surveying biblical texts alleged to demonstrate angelic incorporeality, the discussion moves to examine patristic, medieval, and some modern figures on the subject. In short, before the High Medieval period belief in angelic bodies was the norm, and afterwards it is the exception. A brief foray into modern physics and higher spatial dimensions (termed “hyperspace”), coupled with an analogical use of Edwin Abbott’s Flatland, serves to explain the way in which appealing to higher-dimensional angelic bodies matches the record of angelic activity in the Bible remarkably well. This position also cuts through a historical equivocation on the question of angelic embodiment. Angels do have bodies, but they are bodies very unlike our own. They do not have bodies in any three-dimensional space we can observe, but are nevertheless embodied beings.

scholarly journals Visualising higher-dimensional space-time and space-scale objects as projections to ℝ3

2017 ◽  
Vol 3 ◽  
pp. e123 ◽  
Author(s):  
Ken Arroyo Ohori ◽  
Hugo Ledoux ◽  
Jantien Stoter
Keyword(s):  
Dimensional Space ◽  
Space Time ◽  
Three Dimensions ◽  
Time And Space ◽  
3D Objects ◽  
Levels Of Detail ◽  
Higher Dimensional Space Time ◽  
Space Scale ◽  
Higher Dimensional ◽  
Dimensional Space Time

Objects of more than three dimensions can be used to model geographic phenomena that occur in space, time and scale. For instance, a single 4D object can be used to represent the changes in a 3D object’s shape across time or all its optimal representations at various levels of detail. In this paper, we look at how such higher-dimensional space-time and space-scale objects can be visualised as projections from ℝ4to ℝ3. We present three projections that we believe are particularly intuitive for this purpose: (i) a simple ‘long axis’ projection that puts 3D objects side by side; (ii) the well-known orthographic and perspective projections; and (iii) a projection to a 3-sphere (S3) followed by a stereographic projection to ℝ3, which results in an inwards-outwards fourth axis. Our focus is in using these projections from ℝ4to ℝ3, but they are formulated from ℝnto ℝn−1so as to be easily extensible and to incorporate other non-spatial characteristics. We present a prototype interactive visualiser that applies these projections from 4D to 3D in real-time using the programmable pipeline and compute shaders of the Metal graphics API.

Sign in / Sign up

Export Citation Format

Share Document