John Keats’ Medical Notebook An Overview

Author(s):  
Hrileena Ghosh

The first chapter offers an overview of Keats’ medical Notebook, discussing its provenance and bibliographic features. It explores Keats’ engagement with his medical studies at the time he took the lecture notes, as evinced by this surviving Notebook, and finds him an attentive and successful student: he took care to keep legible notes and frequently annotated and cross-referenced them, revealing a degree of interest in his medical studies that counters traditional accounts of his indifference or disinterest. The distinctive layout of Keats’s notes is discussed, as well as the likely sources for the notes themselves. Keats’ medical Notebook was a dynamic repository of evolving knowledge to which he returned again and again: the chapter considers the only previous publication of it, as well as its treatment in popular publications including the major Keats biographies.

Romanticism ◽  
2016 ◽  
Vol 22 (2) ◽  
pp. 157-166
Author(s):  
Nikki Hessell

John Keats's medical studies at Guy's Hospital coincided with a boom in interest in both the traditional medicines of the sub-continent and the experiences of British doctors and patients in India. Despite extensive scholarship on the impact of Keats's medical knowledge on his poetry, little consideration has been given to Keats's exposure to Indian medicine. The poetry that followed his time at Guy's contains numerous references to the contemporary state of knowledge about India and its medical practices, both past and present. This essay focuses on Isabella and considers the major sources of information about Indian medicine in the Regency. It proposes that some of Keats's medical imagery might be read as a specific response to the debates about medicine in the sub-continent.


Author(s):  
Hrileena Ghosh

Keats’ medical Notebook is the only autograph manuscript detailing his medical studies during his formative period training at Guy’s Hospital, 1815–17, and this fully annotated edition of it has been newly transcribed and edited from the manuscript. The edition takes care to indicate the distinctive layout of Keats’ medical Notebook, as well as other details of bibliographic interest, offering a faithful reproduction of its contents. Editorial interventions are kept to a minimum, with the bulk of annotation and commentary restricted to the footnotes. The annotations offer contextual information, with the aim of providing sufficient context to make the notes comprehensible for readers without specialized medical knowledge: they are intended as sign-posts to assist understanding, pointing to sources of more detailed information.


IJOHMN ◽  
2015 ◽  
Vol 1 (3) ◽  
pp. 52-68
Author(s):  
Swati Rani Debnath

In literary works, truth and beauty have been expressed in a varied number of ways by authors of all genres. Rabindranath Tagore and John Keats, two prominent writers from two languages have linked beauty and truth in philosophical manners in many of their writings. Beauty and truth are not separate entities; they flow from the same spring. Tagore views beauty as linked to eternal characteristics of nature and truth is associated with it. Keats sees beauty from spiritual perspective and according to him, realization of truth leads to the fulfillment of beauty. Readers of Tagore and Keats get eye-opening insights from the viewpoints that are followed by their expressions in regarding the tenets of truth and beauty. Truth and beauty fulfill each other in their harmonious existence in the universe. The authors make us realize that beauty does not emanate merely from sensual pleasure; it is an abstract idea, a spiritual understanding that originates from rhythmic attachment with truth. This article compares and contrasts philosophies of truth and beauty from the writings of Tagore and Keats. In doing so, the paper investigates the literary works of the two writers and explores how they have philosophized truth and beauty in the domain of human thought as well as in the realm of spiritual discipline.


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