The Pitfalls of Memory: Cross-Cultural Discourse and Autobiographical Form in Olaudah Equiano's Interesting Narrative

2003 ◽  
pp. 9-21
Author(s):  
Klaus Benesch
Keyword(s):  
Cross Cultural ◽  
Cultural Discourse

God in Translation. Deities in Cross-Cultural Discourse in the Biblical World

2016 ◽  
Vol 81 (1) ◽  
pp. 108
Author(s):  
Melanie Köhlmoos
Keyword(s):  
Cross Cultural ◽  
Cultural Discourse

Natsume Soseki and Laurence Sterne: Cross-Cultural Discourse on Literary Linearity

1998 ◽  
Vol 50 (3) ◽  
pp. 193 ◽  
Author(s):  
Inger Sigrun Brodey
Keyword(s):  
Laurence Sterne ◽  
Cross Cultural ◽  
Cultural Discourse ◽  
Natsume Soseki

scholarly journals New trends in cross-cultural research and publication activity of scientists: International scientific interdisciplinary conference “Functional aspects of intercultural communication. Translation and interpreting issues”, November 2020

2020 ◽  
Vol 2 (4) ◽  
pp. 109-112
Author(s):  
V. L. Malakhova
Keyword(s):  
Intercultural Communication ◽  
Cross Cultural ◽  
Publication Activity ◽  
Cultural Discourse ◽  
Cultural Research ◽  
Functional Aspects ◽  
Cross Cultural Research ◽  
The Usa ◽  
The Uk

This paper gives a brief summary of the work of the 7 th International Scientific Interdisciplinary Conference on Research and Methodology “Functional Aspects of Intercultural Communication. Translation and Interpreting Issues” held by RUDN University on November 20, 2020. Representatives of different countries took part in the conference: Russia, the UK, the USA, Germany, Belgium, Sweden, Spain, Paraguay, and Tunisia. The conference aims to reveal the diversity of functional aspects of intercultural communication within the process of world education integration, focusing on translation and interpreting issues in today’s society. The theoretical and applied problems raised at the conference are pressing and relevant to the study of modern professional cross-cultural discourse.

Translating the ‘heart of darkness’ cross‐cultural discourse in the contemporary Congo book

2002 ◽  
Vol 14 (2) ◽  
pp. 103-117 ◽  
Author(s):  
J U Jacobs
Keyword(s):  
Cross Cultural ◽  
Cultural Discourse ◽  
Heart Of Darkness

scholarly journals Framing similar issues differently: a cross-cultural discourse analysis of news images

2021 ◽  
pp. 1-24
Author(s):  
Afrooz Rafiee ◽  
Wilbert Spooren ◽  
José Sanders
Keyword(s):  
Discourse Analysis ◽  
Cross Cultural ◽  
Cultural Discourse ◽  
Cultural Discourse Analysis

scholarly journals D. H. Lawrence’s Etruscan Places. A Modernist Revaluation of Temporality

2021 ◽  
Vol 10 (2) ◽  
pp. 35-47
Author(s):  
Camelia Anghel
Keyword(s):  
Twentieth Century ◽  
Historical Perspective ◽  
Literary Tradition ◽  
Cross Cultural ◽  
Cultural Discourse ◽  
Art Of Living ◽  
The Past ◽  
Ancient People ◽  
Exploratory Technique ◽  
Personal Engagement

The article deals with the literary modes of constructing temporality in D. H. Lawrence’s Etruscan Places (1932), a travel book written in 1927 and published posthumously. Typically for the first decades of the twentieth century, the work reflects the writer’s anxieties about war force, scientific discoveries and cultural exhaustion in a series of interrelated essays on the remnants of ancient Etruria and the powerful memory of Etruscan civilization. In this article, Etruscan Places is read like a subjective re-creation of a lost civilization; it is interpreted as the writing of an imaginary philosophy attributed to an ancient people and modelled on Lawrence’s personal engagement with the renewal of life potentialities. Patterning his book on the past-present opposition, the author recuperates the Etruscan past within the mythical framework of modernist coherence. The repeated movements between the lost Etruscan world and the writer’s mostly disappointing contemporary age reveal the possibility of establishing continuities not only on an anthropological plane, but also on a philosophical-aesthetic one. The Etruscans’ narrative of death brings to light an art of living; the historical perspective blends with existential and artistic considerations. Lawrence’s exploratory technique is based on similitudes and antitheses, being literarily rendered by a cross-cultural discourse that combines the factual with the fictional, and the epic with the lyric. The British author’s style puts forward repetition as a modernist rhetorical achievement that indirectly questions the validity of literary tradition. Furthermore, the explicit intertextuality of the book completes the writer’s modernist perspective, authenticating the cultural substance of the temporal links that Lawrence seeks to uncover.

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