Forum Theatre: Doubts and Certainties

2021 ◽  
pp. 253-276
Author(s):  
Augusto Boal ◽  
Adrian Jackson
Keyword(s):  
2012 ◽  
Vol 12 (3) ◽  
pp. 139-142 ◽  
Author(s):  
Yvonne Middlewick ◽  
Trevor J. Kettle ◽  
James J. Wilson

Modern Drama ◽  
2011 ◽  
Vol 54 (3) ◽  
pp. 393-395
Author(s):  
Sharon L. Green
Keyword(s):  

2017 ◽  
Vol 23 ◽  
pp. 4574-4578 ◽  
Author(s):  
Alice Corsaro ◽  
Andrea Poscia ◽  
Chiara de Waure ◽  
Concetta De Meo ◽  
Filippo Berloco ◽  
...  

2016 ◽  
Vol 10 (2) ◽  
pp. 238-260 ◽  
Author(s):  
Esther Ignagni ◽  
Ann Fudge Schormans

At the heart of this paper is a collaboratively created script representing a line of analysis from the Reimagining Parenting Possibilities Project. The script is performed as a forum theatre scene used to disseminate findings from this ongoing research project. Forum theatre, an exemplar of Augusto Boal’s “theatre of the oppressed,” invites audience members into a scene, inventing through embodied performance and improvisation analyses and interventions in shared social dilemmas (Boal, 2006). The project rests upon our joint investments in exploring how the denial and containment of parenthood for people labeled with intellectual and developmental disabilities stems from enduring ableist views as to who is deemed “fit” to raise future citizens, and related efforts to erase disability. We introduce this work with a prologue – offering context for the ableist dynamic and intimate injustices that unfold in the scene. We also provide some background on how we developed the scene, attending to the democratizing and transformative potential of our methodology. Finally, by way of an epilogue, we sketch a number of questions about the scene’s potential to promote intimate and disability justice.


2021 ◽  
Vol 66 (Special Issue) ◽  
pp. 88-88
Author(s):  
Kenji Hattori ◽  
◽  

"We examine the significance and necessity of introducing applied drama into clinical ethics education to build ethics competency. Case-based clinical ethics, distant from abstract theory-based discursive ethics, pays close attention to emotions of persons involved in a given case, and of participants in deliberation. Some authors have sensibly emphasized this point. For example, CURA, a reflective method puts forward the crucial step to become aware of own emotions and physical reactions to each difficult situation. These suggest that we should not stay just in rational reasoning to resolve moral problems in clinical settings. Such a stream seems to lead us to the next stage of clinical ethics education. Applied drama is an umbrella term for the various ways to use theatrical elements, outside of theaters, in educational settings. The basic conception is playing. It includes two meanings: gaming and acting. Generally, we stop playing when we grow up. Applied drama encourages us to play again. Playing promotes communications in verbal and physical. In acting like an acting person, we are to put ourselves in another person’s standpoint. Through acting a role, we may live her life and feel vividly his emotion but by imagination. Thus, applied drama has great potentiality to change the mode of discussion – or deliberation-based clinical ethics. As applied drama comprises various ways such as improvisation, forum theatre, and so on. We will explore their features and application in actual teaching settings. "


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