scholarly journals Whose Reparation Claims Count? Gender, History and (In)justice

Author(s):  
Natalia Gerodetti
Keyword(s):  
Author(s):  
Annamaria Motrescu-Mayes ◽  
Heather Norris Nicholson

In the rapidly growing study of amateur film, this groundbreaking book addresses the development of British women's amateur visual practice. Drawing upon social and visual anthropology, imperial and postcolonial studies and British, Commonwealth and gender history, the authors explore how women in Britain and overseas, used the evolving technologies of moving imagery to create visual stories about their lives and times. Locating the making, watching and sharing of women's recreational film-making against wider societal, technological and ideological changes, British Women Amateur Filmmakers discloses how women from varied backgrounds negotiated changing lifestyles, attitudes and opportunities as they created first personal visual narratives about themselves and the world around them. Using non-fictional films and animations, the authors invite readers to view films through different interpretative lens and provide detailed contexts for their case-studies and survey of over forty women amateur filmmakers. Whether in remote communities, suburban homes, castles, missionary or diplomatic enclaves, or simply travelling as intrepid sightseers, women filmed their companions, other people and their surroundings, not only as observers but often displaying agency, autonomy and aesthetic judgment during decades when careers, particularly after marriage, were often denied in film and other professions. Research across Britain on films in private hands and specialist archives, interviews and extensive study of the Institute of Amateur Cinematographers (IAC's) collections enable the authors to reposition an activity once thought of as overwhelmingly male and middle class.


The Oxford Handbook of American Women’s and Gender History boldly interprets the history of diverse women and how ideas about gender shaped their access to political and cultural power in North America over six centuries. In twenty-nine chapters, the Handbook showcases women’s and gender history as an integrated field with its own interpretation of the past, focused on how gender influenced people’s lives as they participated in migration, colonialism, trade, warfare, artistic production, and community building. Organized chronologically and thematically, the Handbook’s six sections allow readers to consider historical continuities of gendered power as well as individual innovations and ruptures in gender systems. Theoretically cutting edge, each chapter bursts with fascinating historical characters, from young Chicanas transforming urban culture, to free women of color forging abolitionist doctrines, to Asian migrant women defending the legitimacy of their marriages, to working-class activists mobilizing international movements, to transwomen fleeing incarceration. Together, their lives constitute the history of a continent. Leading scholars from multiple generations demonstrate the power of innovative research to excavate a history hidden in plain sight. Scrutinizing silences in the historical record, from the inattention to enslaved women’s opinions to the suppression of Indian women’s involvement in border diplomacy, the authors challenge the nature of historical evidence and remap what counts in our interpretation of the past. They demonstrate a way to extend this more capacious vision of history forward, setting an intellectual agenda informed by intersectionality and transnationalism, and new understandings of sexuality.


2015 ◽  
Vol 24 (1) ◽  
pp. 127-137
Author(s):  
MARTI LYBECK

After a drought of more than a decade, a substantial group of recent works has begun revisiting Weimar gender history. The fields of Weimar and Nazi gender history have been closely linked since the field was defined thirty years ago by the appearance of the anthologyWhen Biology Became Destiny: Women in Weimar and Nazi Germany. Following a flurry of pioneering work in the 1980s and early 1990s, few new monographs were dedicated to investigating the questions posed in that formative moment of gender history. Kathleen Canning, the current main commentator on Weimar gender historiography, in an essay first published shortly before the works under review, found that up to that point the ‘gender scholarship on the high-stakes histories of Weimar and Nazi Germany has not fundamentally challenged categories or temporalities’. Weimar gender, meanwhile, has been intensively analysed in the fields of cultural, film, and literary studies. The six books discussed in this essay reverse these trends, picking up on the central question of how gender contributed to the end of the Weimar Republic and the rise to power of National Socialism. In addition, four of the books concentrate solely on reconstructing the dynamics of gender relations during the Weimar period itself in their discussions of prostitution, abortion and representations of femininity and masculinity. Is emerging gender scholarship now shaping larger questions of German early twentieth-century history? How are new scholars revising our view of the role of gender in this tumultuous time?


2012 ◽  
Vol 71 (4) ◽  
pp. 975-990 ◽  
Author(s):  
Rachel Leow

Gail Hershatter's presidential addressat the March 2012 Annual Conference of the Association for Asian Studies (AAS) encouraged historians to regard gender as a tool with which one navigates a messy, fragmented historical terrain, rather than an enclosed house in which one can “sit back and enjoy the view from a single well-appointed location.” The paper that follows can be regarded as an enthusiastic endorsement. Gender history has made enormous inroads into mainstream academia; “gender is everywhere in the scholarship.” But, as Hershatter observes, “it is not the self-same thing wherever it is to be found.” Each of the stories she told illustrated a complex landscape of political change that was only partially visible or legible from inside the “house of gender,” hard-won though it has been. “Perhaps,” she commented wryly, “we need to get out of the house.” For Chinese historians, “disquiet in the house of gender” promises to be immensely productive, offering fresh views of the junctures in Chinese history in which large political projects affect changes in the smaller projects of everyday life, to arrive at an expanded notion of political change and a more complex understanding of what the revolution meant for Chinese women.


2010 ◽  
Vol 40 (4) ◽  
pp. 685-700
Author(s):  
Jitka Malečková

Gender is a good place from which to start reflections on European history: gender history deliberately transcends borders and, at the same time, demonstrates the difficulties of writing European, or transnational, history. Focusing on recent syntheses of modern European history, both general works and those specifically devoted to gender, the article asks what kind of Europe emerges from the encounter between gender and history. It suggests that the writing of European history includes either Eastern Europe (and, sometimes, the Ottoman Empire) or a gender perspective, but seldom both. Thus, the projects of integrating a European dimension into gender history and gender into European history remain unfinished. The result is a history of a rather ‘small Europe’.


NAN Nü ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 337-346
Author(s):  
Bret Hinsch
Keyword(s):  

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