Socially Constructed Ethnic Identities: A Need for Identity Management?

2018 ◽  
pp. 125-144
Author(s):  
Tarja Väyrynen
Author(s):  
Gabrielle Lynch

Among today’s scholars there is a near consensus that precolonial African identities were relatively fluid, permeable, overlapping, and complex; that ethnic identities are socially constructed; and that a colonial order of delineated control encouraged Africans to rethink group identities and heightened a sense of socioeconomic and political competition along ethnic lines. There is also growing consensus that ethnic identities are nevertheless the subject of ongoing (re)negotiation and that, to find resonance, the politicization of ethnicity, while instrumental in motivation and opportunistic in character, must be rooted in linguistic, cultural, and socioeconomic similarities and communal experiences of marginalization, neglect, injustice, and achievement. Many scholars also emphasize how the realities of ethnically delineated political support reflect pragmatism and expectations of patronage in the context of difficult and unequal socioeconomic contexts, as well as the significance of remembered pasts and associated narratives of justice and strategies of acquisition. Such realities and discursive repertoires provide a list of grievances that elites can use to foster a sense of difference and mobilize local support bases, but that also provide nonelites with a means to question and counter intra- and intercommunal differences and thus social and spatial inequalities. Ethnic support then strengthened by a reinforcing cycle of ethnic bias and expectations of greater levels of assistance from co-ethnics. According to such arguments, ethnic identification and political support are rational, but not for the simple reasons that classic primordial, instrumental or neo-patrimonial accounts suggest.


2000 ◽  
Vol 54 (4) ◽  
pp. 845-877 ◽  
Author(s):  
James D. Fearon ◽  
David D. Laitin

We examine the theoretical implications of the observation that ethnic identities are socially constructed for explaining ethnic violence, distinguishing between two classes of mechanisms. If individuals are viewed as the agents who construct identities, then constructivist explanations for ethnic violence tend to merge with analyses that stress strategic action by both elites and mass publics. In contrast, if discursive formations are the agents that construct ethnic identities, then constructivist explanations tend to merge with accounts that stress internal logics of specific cultures. Using the books under review as a “sample,” we find considerable evidence linking strategic aspects of ethnic identity construction to violence and more limited evidence implicating discursive systems. The most common narrative in these texts has largescale ethnic violence provoked by elites, often motivated by intra-ethnic conflicts. Followers follow, despite the costs, out of increased fear of thugs and armies “let go” by elites (both the other side's and their “own”) and often in pursuit of local grievances that may have little ethnic component. Several other mechanisms are also discussed, including the role of discursive systems in conditioning publics for violence and the role of violent efforts to enforce “everyday primordialism” by policing supposedly primordial ethnic boundaries.


This comprehensive study brings together leading international scholars in a variety of disciplines to both revisit the Spaghetti Western genre's cultural significance and consider its ongoing influence on international film industries. The book provides a range of innovative perspectives on this discrete and perennially popular topic. The book consists of four sections: Trans-Genre Roots; Ethnic Identities, Transnational Politics; Asian Crossovers; and Routes of Relocation, Transition, and Appropriation. Its rigorous historical, cultural, and political enquiry engages with current scholarly trends and balances specialized contextual knowledge with recognition of the instability of national/local identities. The book provides fresh interrogations of the myriad ways in which the Spaghetti Western has influenced contemporary filmmaking practice across national industries.


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