Working with stone, working with psyche: the role of reverie in the process of making art and working with patients

2018 ◽  
pp. 145-160
Author(s):  
Shierry Weber Nicholsen
Keyword(s):  
Mindfulness ◽  
2020 ◽  
Vol 11 (11) ◽  
pp. 2604-2612
Author(s):  
Darya L. Zabelina ◽  
Rebecca A. White ◽  
Amanda Tobin ◽  
Laura Thompson
Keyword(s):  

2017 ◽  
Vol 40 ◽  
Author(s):  
Kirill Fayn ◽  
Peter Kuppens

AbstractWe elaborate on the role of individual differences in the processing mechanisms outlined by the Distancing-Embracing model. The role of openness is apparent in appreciating meaning-making art that elicits interest, feeling moved, and mixed emotions. The influence of sensation seeking is likely to manifest in thrill-chasing art that draws on the arousing interplay of positive and negative emotions.


2014 ◽  
Vol 39 (2) ◽  
pp. 10-13
Author(s):  
Biljana Ciric

An understanding of the museum as an exhibiting space, rather than as a research-based organisation, has led to the current lack in China of institutions tasked with archiving and making art documentation public. A number of projects organised by the author in Shanghai and elsewhere, including History in the Making: Shanghai 1979-2009 and From a History of Exhibitions towards a Future of Exhibition-Making, have addressed the role of archives in exhibition making, while developing new documentary resources for curatorial and art historical research.


2020 ◽  
Author(s):  
Darya Zabelina ◽  
Rebecca A. White ◽  
Amanda Tobin ◽  
Laura Thompson

Objectives. Mindfulness training has been shown to have robust attentional and cognitivebenefits. However, little is known about its effects on viewing and making art. Here, we exploredthe effects of mindfulness-based manipulation in art viewing and art making in two studies.Methods. In Study 1, elementary school children (N = 59) participated in an art tour of theKidspace gallery at the Massachusetts Museum of Contemporary Art (MASS MoCA), andviewed and made artworks either with or without mindfulness manipulation. In Study 2university students (N = 193) were randomly assigned to either the mindfulness or the controlcondition, and also viewed and made artworks. Results. In Study 1, elementary students whoreceived mindfulness induction (vs. control) reported larger difference in excitement levelsbetween the previously seen versus new artworks, expressing more excitement about the old vs.new artworks. Further, the artworks created by children in the mindfulness (vs. control)condition were rated by independent judges as more creative and more complex. In Study 2,university students who received the mindfulness (vs. control) induction reported better memoryfor previously seen vs. new artworks. Their own artworks were rated by independent judges asmore creative, abstract, and expressive compared to the participants in the control condition.Conclusions. Together, results suggest that mindfulness-based practices may result in a deeperart viewing experience, and in personal art that is more creative and expressive in both childrenand adults.


1986 ◽  
Vol 11 (3) ◽  
pp. 16-19
Author(s):  
Benedicte Bojesen

A number of public libraries in Denmark have acquired original prints or other works of art since the Danish Library Act of 1964, but only some lend pictures to individuals. Special art departments, bringing together literature, pictures, and other material, have been created in a few major libraries. Art exhibitions are an important activity undertaken by libraries as part of their role of making art accessible to the public. (Originally published in Scandinavian Public Library Quarterly, v. 18 n.4 1985).


JAMA ◽  
1966 ◽  
Vol 195 (12) ◽  
pp. 1005-1009 ◽  
Author(s):  
D. J. Fernbach
Keyword(s):  

JAMA ◽  
1966 ◽  
Vol 195 (3) ◽  
pp. 167-172 ◽  
Author(s):  
T. E. Van Metre

2018 ◽  
Vol 41 ◽  
Author(s):  
Winnifred R. Louis ◽  
Craig McGarty ◽  
Emma F. Thomas ◽  
Catherine E. Amiot ◽  
Fathali M. Moghaddam

AbstractWhitehouse adapts insights from evolutionary anthropology to interpret extreme self-sacrifice through the concept of identity fusion. The model neglects the role of normative systems in shaping behaviors, especially in relation to violent extremism. In peaceful groups, increasing fusion will actually decrease extremism. Groups collectively appraise threats and opportunities, actively debate action options, and rarely choose violence toward self or others.


2018 ◽  
Vol 41 ◽  
Author(s):  
Kevin Arceneaux

AbstractIntuitions guide decision-making, and looking to the evolutionary history of humans illuminates why some behavioral responses are more intuitive than others. Yet a place remains for cognitive processes to second-guess intuitive responses – that is, to be reflective – and individual differences abound in automatic, intuitive processing as well.


2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.


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