Challenging the Tourist Gaze?

2022 ◽  
pp. 226-246
Author(s):  
Phoebe Maares ◽  
Folker Hanusch
Keyword(s):  
2019 ◽  
Vol 5 (3) ◽  
pp. 338-353
Author(s):  
Raphaël Pieroni ◽  
Patrick James Naef

Purpose The purpose of this paper is to analyse urban transformation as a tourism resource. Tourism is undeniably a powerful motor for urban transformation but in return, urban transformation can represent a resource for actors related to tourism. More precisely this paper focuses on one major transformation of modern cities: gentrification. Design/methodology/approach The central hypothesis of this paper is that gentrification accompanies tourism, but that gentrification itself may also become an object of the tourist gaze. The paper focuses on local guides and small touristic entrepreneurs in order to identify the tensions that might arise. The presentation of two guided tours – “Subculture Brixton Nightlife Tour” and “Where Brooklyn At?” – will enable us to explore how the gentrification of Brixton (London) and Brooklyn (New York) may be used as a tourism resource for local private entrepreneurs. Findings Results presented here are based on ethnographic methods such as observation as well as content analysis and semi-directive interviews. Mobilising the historical concept of “slumming”, this paper proposes an extended conceptual framework, “neo-slumming”, to analyse evolving tourism practices in modern cities, practices that are considered here as tourism’s new frontiers. Originality/value However, as tourism transforms cities, the process itself is now of interest to tourists and thus becomes a resource for sector businesses (Naef, 2018). Yet studies about the touristification of urban transformation are still quite rare. This analysis aims to fill this gap by looking at the way a process, such as some spectacular, rapid or radical transformation of the urban fabric, can become a touristic resource associated with specific narratives and representations. In this context, the tourist gaze (Urry, 2002) is directed on a resource characterised by its ongoing change.


1994 ◽  
Vol 83 (8) ◽  
pp. 41 ◽  
Author(s):  
Dennis J. Sumara

2021 ◽  
Vol 50 (1) ◽  
pp. 17-33
Author(s):  
Jan Gerstner

Abstract This article examines the structural analogy between the literary idyll and tourism that lies in the specific difference between idyllic and touristic spaces on the one hand and those of a modern, functionally differentiated, and rational everyday life on the other. The peak in the production of literary idylls as well as the onset of tourism in the late 18th and early 19th century can thus be conceptualized as a reaction to experiences of alienation due to emerging processes of modernization. An analysis of Goethe’s Der Wandrer shows however how literary idylls not only helped to shape the tourist gaze, but also reflected on the touristic and idyllic experience as an experience between foreignness, alienation and belonging.


2019 ◽  
Vol 23 (20) ◽  
pp. 2555-2571 ◽  
Author(s):  
Jane Godfrey ◽  
Stephen L. Wearing ◽  
Nico Schulenkorf ◽  
Simone Grabowski
Keyword(s):  

Societies ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 106
Author(s):  
Mauro Sarrica ◽  
Isabella Rega ◽  
Alessandro Inversini ◽  
Laura Soledad Norton

Slum tourism is a hotly debated genre of travel. While it may foster intercultural encounters with marginalised “others”, it is also accused of reinforcing stereotypes and exploitation. Both aspects are amplified by the communication through social media of the slum tourism experience, that contribute to challenge or confirm stigmatizing representations of slums and their inhabitants. Based on the theoretical constructs of the tourist gaze and of social representations, this article addresses this particular type of digital contact. A lexicometric approach was used to analyse an extensive corpus of reviews on TripAdvisor (N = 8126). The findings not only confirm common themes already identified by the literature: the eye-opening component of touring poverty and the gatekeeping function of guides; but also show the emergence of context-dependent specificities, such as a hedonistic feature in the Cape Town region; or the integration of favelas within the representations of the city of Rio de Janeiro. Furthermore, the results show the tension between the “othering” and the “sameing” mechanisms, making this tourism practice a space in which shallow and deep tourist gazes interact and co-exist, and are crucially mediated by the gatekeeper of the tours: the guide.


2020 ◽  
Vol 11 (1) ◽  
pp. 1-18
Author(s):  
Arvind Dahal

 This research explores the shifts and continuities of representing Kathmandu City in Western cinematic and musical creations since 1970s. My research concerns with the representations of Kathmandu in the popular culture intends to explore the imagination of Kathmandu as a touristic place and how they represent the city and produce images in the popular culture which expands far beyond the visual apprehension and enjoyment of a landscape. While doing so my research first explores the representations, practices and processes of identity formation and cultural negotiations that are brought about in the city by tourism and secondly, it analyses the content and the visual representations of the movies and songs relying primarily on the theoretical tools of Popular Culture and secondarily the image production of the landscape in terms of Tourist gaze.


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