Lejárraga, María de la O (1874–1974)

Author(s):  
Rebecca Bender

María de la O Lejárraga was a Spanish playwright, novelist, essayist, and feminist intellectual of the early twentieth century. She published under her married name, María Martínez Sierra, and also pseudonymously under the full name of her husband, the modernist writer, theater artist, and publisher Gregorio Martínez Sierra. Scholars have recently shown that many works originally attributed to him were actually penned by Lejárraga. She was a strong and unique feminist voice in literary circles and the burgeoning women’s movement in early twentieth-century Spain.

2014 ◽  
Vol 44 (2) ◽  
pp. 357-380
Author(s):  
Ríona Nic Congáil

Séamus Ó Grianna and Éilís Ní Dhuibhne, whose lifespans overlapped only briefly, rank among the most prolific Irish writers of the twentieth century. Their bilingualism, moreover, offers them access to two languages, cultures, and viewpoints. Their shared interest in the Donegal Gaeltacht during the revivalist period, and their use of fiction to explore and represent it, provide their readers with a remarkable insight into the changing ideologies of twentieth-century Ireland, and particularly Irish-Ireland, touching on broad issues that are linguistic, cultural, political, gendered, and spatial. This essay begins by analyzing the narrative similarities between Ó Grianna's Mo Dhá Róisín and Ní Dhuibhne's Hiring Fair Trilogy, and proceeds to examine how both writers negotiate historical fact, the Irish language, the performance of Gaelic culture, the burgeoning women's movement, and the chasm between rural and urban Ireland of the revival. Through this approach, the essay demonstrates that the fictions of these two writers reveal as much about their own agendas and the dominant ideas of the epoch in which they were writing, as they do about life in the Donegal Gaeltacht in the early twentieth century.


Author(s):  
Kirsten Leng

The Introduction makes a case for gendering the history of sexology; specifically it argues that focusing on women’s ideas facilitates a more complex understanding of sexology as a form of knowledge and power. It begins by introducing the key figures and exploring the kinds of political promise they saw in scientific knowledge. It then challenges the limits of Foucault’s highly influential analysis of sexology by contextualizing sexology’s emergence within the rise of the women’s movement in the later nineteenth and early twentieth century. Moreover, the Introduction draws on the sociology of science to reframe sexology as a field, and thus to argue that sexology was built and animated by a diverse range of actors with disparate investments in the creation of this knowledge. Finally, it discusses the limitations of women’s sexual scientific work and the ambivalent legacy it bequeathed.


Author(s):  
Rebecca Bender

Gregorio Martínez Sierra was a Spanish poet, playwright, and theater director who played a key role in the Spanish theatrical avant-garde and the development of art theater during the early twentieth century. He operated the publishing house Renacimiento, which was responsible for disseminating modernist literature and foreign playwrights throughout Spain. He was married to María de la O Lejárraga (María Martínez Sierra), who was apparently the true author of much of the literature that bears Gregorio’s name. Gregorio Martínez Sierra was born in Madrid in 1881. He briefly studied law and then philology before abandoning the university to dedicate himself to poetry and theater. In 1900 he married María de la O Lejárraga, a teacher and writer from Spain’s La Rioja region. The pair immediately began to collaborate in the writing and publishing of short novels and plays that today carry the name of Gregorio Martínez Sierra. Recent scholarship as well as Lejárraga’s memoirs, however, have shown that María was in fact the main author of the majority of the literature that bears her husband’s name. In 1906 Martínez Sierra fell in love with a young actress in his theater, Catalina Bárcena, though both his marriage and literary collaboration with Lejárraga would continue until Bárcena gave birth to his daughter in 1922. Despite their separation, Lejárraga continued publishing essays and novels pseudonymously under her estranged husband’s name, and curiously no new theatrical plays by "Gregorio Martínez Sierra" would premièr after 1922.


Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.


2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor

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