>The New Work at Old St Paul's Cathedral and its Place in English Thirteenth-Century Architecture

2022 ◽  
pp. 74-100
Author(s):  
Richard K. Morris
Keyword(s):  
Thirteenth Century ◽  
New Work

Housing and Honouring the Saints: English Medieval Architecture and the Cult of Relics

2020 ◽  
Vol 50 (1) ◽  
pp. 22-39
Author(s):  
John Maddison
Keyword(s):  
Thirteenth Century ◽  
New Work ◽  
Early Medieval ◽  
Medieval Architecture ◽  
Architectural Language ◽  
Cult Of Saints ◽  
Symbolic Content ◽  
Architectural Detail ◽  
Access Security

This article considers the architecture of English medieval churches and how it was affected by its function as a setting for the cult of saints. It looks at the impression which the patrons of medieval buildings were hoping to make on the minds and spirits of those who visited them. It is not concerned so much with the functional planning issues surrounding access, security, and the management of pilgrims as it is with the symbolic content of those larger spaces within which the shrine and its immediate surroundings are contained and visually celebrated. Plans, forms, and decoration carrying specific associations with prestigious buildings in Rome are considered in relation to some early medieval buildings. The new work at Canterbury, following the fire of 1174, created a new and influential architectural language adopted by other cathedrals in which aspects of the saint could be signaled by architectural detail and decoration. The article ends with the thirteenth-century Chapel of the Nine Altars at Durham as a setting for the shrine of Cuthbert.

„New Work“: Arbeitsfähigkeit neu definiert?

2019 ◽  
Vol 16 (2) ◽  
pp. 103
Author(s):  
M. Ben Larbi
Keyword(s):  
New Work

Engaging the White Possessive

2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Aileen Moreton-Robinson
Keyword(s):  
Native American ◽  
National Identity ◽  
Identity Politics ◽  
New Work ◽  
White People ◽  
Indigenous Identity ◽  
Identity Fraud ◽  
Power Property ◽  
Genetic Science ◽  
Drag Queens

In this issue of Kalfou, my book The White Possessive: Power, Property, and Indigenous Sovereignty receives attention from three scholars whose work I admire and respect. George Lipsitz’s The Possessive Investment in Whiteness: How White People Profit from Identity Politics was seminal in conceptualizing the possessive logics of patriarchal white sovereignty, while Fiona Nicoll’s From Diggers to Drag Queens: Configurations of Australian National Identity heavily influenced my work on the formation of white national identity. Kim TallBear’s Native American DNA: Tribal Belonging and the False Promise of Genetic Science has been instructive in shaping my new work on the possessive racial logics of Indigenous identity fraud. I am honored they ha

Relation of the Saccasa?khepa??k? Called S?ratthas?lin? to the Vinayavinicchaya??k? Called Vinayas?ratthasand?pan?

2018 ◽  
Vol 35 (1-2) ◽  
pp. 189-223
Author(s):  
Petra Kieffer-Pülz
Keyword(s):  
Thirteenth Century ◽  
Present Contribution ◽  
The Common ◽  
Literary Histories ◽  
High Degree ◽  
Parallel Texts

The present contribution suggests the common authorship of three P?li commentaries of the twelfth/thirteenth centuries CE, namely the Vinayavinicchaya??k? called Vinayas?ratthasand?pan? (less probably Vinayatthas?rasand?pan?), the Uttaravinicchaya??k? called L?natthappak?san?, and the Saccasa?khepa??k? called S?ratthas?lin?. The information collected from these three commentaries themselves and from P?li literary histories concerning these three texts leads to the second quarter of the thirteenth century CE as the period of their origination. The data from parallel texts explicitly stated to having been written by V?cissara Thera in the texts themselves render it possible to establish with a high degree of probability V?cissara Thera as their author.

‘Langen Katresnan’ Video Animasi dengan Tema Ramayana Episode Penculikan Shinta

2014 ◽  
Author(s):  
Ika Yulianti
Keyword(s):  
Performing Arts ◽  
New Work ◽  
Two Dimensional ◽  
The Public ◽  
The Creation

Ramayana story has been widely known in Indonesian society since centuries ago. This story has been disseminated from generation to generation. The story is familiar to the public in the form of this kakawin often staged in the form of performing arts, dramatari, puppet performances, as well as in the form of puppet or sculpture. Ramayana story has a lot of episodes, but in the creation of this animated video work taking Shinta kidnapping episode. This animated video works explored the form of characters and stories, as well as collaborate with dance, heater and musical arts. Kidnapping of Shinta’s story became the basis of the principal narrative in the creation of animated video with the theme of Ramayana episode kidnapping Shinta ‘Langen Katresnan’ which then developed in accordance with the ideas and concepts. It also supports the creation of new work that promotes originality of the work. This animated video works using two-dimensional techniques. This is actually a reference to that puppet animation that was first recognized by earlier ancestors.Keywords: puppet, Ramayana, animation

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