Burgundian clients in the south-western Holy Roman Empire, 1410–1477

Stolen Song ◽  
2020 ◽  
pp. 115-137

This chapter studies Gerbert de Montreuil's Roman de la violette (ca. 1230). Just like Jean Renart's Roman de la Rose, the Violette emphasizes the border to the east of Capetian France (the border with the Empire) rather than the border to the south (with Occitania). This suggests a greater interest on the part of thirteenth-century francophone writers in the Battle of Bouvines than in the Albigensian Crusade. In the Violette, however, the Holy Roman Empire has not been conquered by the “soft power” of francophone artistic traditions. Instead, it is marked as a dangerous space—a valence conveyed in part through the territory's association with hunting birds, especially the eagle, in recognition of the most commonly deployed imperial symbol. The chapter then documents a critical blind spot in Violette criticism: the saturation of imperial symbolism and geography within the romance. It then turns to the text's quotation of troubadour song, which is also placed within an avian typology. If the Empire is characterized mainly by hunting birds, Occitan song is, by contrast, associated with songbirds. Unlike in Jean Renart's Rose, where many grands chants foregrounded birdsong thematically, here this association between human song and birdsong is unique to the Occitan insertions within the romance.


Author(s):  
Duncan Hardy

The Holy Roman Empire, and especially Upper Germany, was notoriously politically fragmented in the fourteenth to sixteenth centuries. A common way to interpret this fragmentation has been to view late medieval lordships, particularly those ruled by princes, as incipient ‘territories’, or even ‘territorial states’. However, this over-simplifies and reifies structures of lordship and administration in this period, which consisted of shifting agglomerations of assets, revenues, and jurisdictions that were dispersed among and governed by interconnected networks of political actors. Seigneurial properties and rights had become separable, commoditized, and highly mobile by the later middle ages, and these included not only fiefs (Lehen) but also loan-based pledges (Pfandschaften) and offices, all of which could be sold, transferred, or even ruled or exercised by multiple parties at once, whether these were princes, nobles, or urban elites. This fostered intensive interaction between formally autonomous political actors, generating frictions and disputes.


Author(s):  
Luca Scholz

Abstract: Borders and Freedom of Movement in the Holy Roman Empire tells the history of free movement in the Holy Roman Empire of the German Nation, one of the most fractured landscapes in human history. The boundaries that divided its hundreds of territories make the Old Reich a uniquely valuable site for studying the ordering of movement. The focus is on safe conduct, an institution that was common throughout the early modern world but became a key framework for negotiating free movement and its restriction in the Old Reich. The book shows that attempts to escort travellers, issue letters of passage, or to criminalize the use of ‘forbidden’ roads served to transform rights of passage into excludable and fiscally exploitable goods. Mobile populations—from emperors to peasants—defied attempts to govern their mobility with actions ranging from formal protest to bloodshed. Newly designed maps show that restrictions upon moving goods and people were rarely concentrated at borders before the mid-eighteenth century, but unevenly distributed along roads and rivers. In addition, the book unearths intense intellectual debates around the rulers’ right to interfere with freedom of movement. The Empire’s political order guaranteed extensive transit rights, but apologies of free movement and claims of protection could also mask aggressive attempts of territorial expansion. Drawing on sources discovered in more than twenty archives and covering the period between the late sixteenth to the early nineteenth century, the book offers a new perspective on the unstable relationship of political authority and human mobility in the heartlands of old-regime Europe.


Author(s):  
Alexander Lee

Scholars have long believed that ‘medieval’ universalism was supplanted by ‘Italian’ nationalism over the course of the fourteenth century. As this chapter demonstrates, however, nothing could be further from the truth. Although the humanists were often more concerned with the fate of Italy, or of individual cities, than of mankind as a whole, they did not waver in their belief that the Holy Roman Empire enjoyed universal dominion. Only at the very end of the Visconti Wars, when the Empire was seen to threaten the peace and liberty of the peninsula did ‘Italianness’ at last begin to come to the fore. Yet this is not to say that their universalism was unvarying. Depending on whether they chose to view it more as the successor of the ancient imperium Romanum or as an instrument of providence, they could paint it in idealistically ‘Roman’ colours, or endow it with a more ‘hegemonic’ tinge.


2021 ◽  
pp. 1-32
Author(s):  
FREDERICK G. CROFTS

ABSTRACT Examining the understudied collection of costume images from Heidelberg Calvinist, lawyer, and church councillor Marcus zum Lamm's (1544–1606) ‘treasury’ of images, the Thesaurus Picturarum, this article intervenes in the historiography on sixteenth-century German national imaginaries, emphasizing the import of costume books and manuscript alba for national self-fashioning. By bringing late sixteenth-century ethnographic costume image collections into scholarly discourse on the variegated ways of conceiving and visualizing Germany and Germanness over the century, this article sheds new light on a complex narrative of continuity and change in the history of German nationhood and identity. Using zum Lamm's images as a case-study, this article stresses the importance of incorporating costume image collections into a nexus of patriotic genres, including works of topographical-historical, natural philosophical, ethnographic, cartographic, cosmographic, and genealogical interest. Furthermore, it calls for historians working on sixteenth-century costume books and alba to look deeper into the meanings of such images and collections in the specific contexts of their production; networks of knowledge and material exchange; and – in the German context – the political landscape of territorialization, confessionalization, and dynastic ambition in the Holy Roman Empire between the Peace of Augsburg and the Thirty Years War (1555–1618).


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