scholarly journals Unfamiliar acts of citizenship: enacting citizenship in vernacular music and language from the space of marginalised intergenerational migration

2018 ◽  
pp. 16-32
Author(s):  
Aoileann Ní Mhurchú
2014 ◽  
Vol 46 (3) ◽  
pp. 285 ◽  
Author(s):  
Han LAI ◽  
Miao XU ◽  
Yiying SONG ◽  
Jia LIU

Author(s):  
Mattson Ogg ◽  
L. Robert Slevc

Music and language are uniquely human forms of communication. What neural structures facilitate these abilities? This chapter conducts a review of music and language processing that follows these acoustic signals as they ascend the auditory pathway from the brainstem to auditory cortex and on to more specialized cortical regions. Acoustic, neural, and cognitive mechanisms are identified where processing demands from both domains might overlap, with an eye to examples of experience-dependent cortical plasticity, which are taken as strong evidence for common neural substrates. Following an introduction describing how understanding musical processing informs linguistic or auditory processing more generally, findings regarding the major components (and parallels) of music and language research are reviewed: pitch perception, syntax and harmonic structural processing, semantics, timbre and speaker identification, attending in auditory scenes, and rhythm. Overall, the strongest evidence that currently exists for neural overlap (and cross-domain, experience-dependent plasticity) is in the brainstem, followed by auditory cortex, with evidence and the potential for overlap becoming less apparent as the mechanisms involved in music and speech perception become more specialized and distinct at higher levels of processing.


2008 ◽  
Vol 25 (4) ◽  
pp. 357-368 ◽  
Author(s):  
ANIRUDDH D. PATEL ◽  
MEREDITH WONG ◽  
JESSICA FOXTON ◽  
ALIETTE LOCHY ◽  
ISABELLE PERETZ

TO WHAT EXTENT DO MUSIC and language share neural mechanisms for processing pitch patterns? Musical tone-deafness (amusia) provides important evidence on this question. Amusics have problems with musical melody perception, yet early work suggested that they had no problems with the perception of speech intonation (Ayotte, Peretz, & Hyde, 2002). However, here we show that about 30% of amusics from independent studies (British and French-Canadian) have difficulty discriminating a statement from a question on the basis of a final pitch fall or rise. This suggests that pitch direction perception deficits in amusia (known from previous psychophysical work) can extend to speech. For British amusics, the direction deficit is related to the rate of change of the final pitch glide in statements/ questions, with increased discrimination difficulty when rates are relatively slow. These findings suggest that amusia provides a useful window on the neural relations between melodic processing in language and music.


Popular Music ◽  
2007 ◽  
Vol 26 (1) ◽  
pp. 1-4
Author(s):  
David Horn

This issue of Popular Music is produced in honour of Paul Oliver, in recognition of his outstanding contribution to popular music scholarship.Paul was a member of the original Editorial Board for Popular Music when it was set up in 1980 and continued to serve as a member of that body, and subsequently of the Editorial Group, until 1990. He was also a founding member of the International Association for the Study of Popular Music and has maintained a keen interest in the organisation, continuing to attend, and speak at, its international conferences. His vision of both the potential and the needs of the Association as a global network lay behind his proposal in 1985 that a project be undertaken to compile a worldwide encyclopedia of popular music, an idea which subsequently bore fruit in EPMOW (The Encyclopedia of Popular Music of the World). All these achievements are worth celebrating in themselves, but it is Paul's outstanding contribution to scholarship in the area of vernacular – particularly African-American vernacular – music that we wish to honour with this issue.


1992 ◽  
Vol 36 (2) ◽  
pp. 147 ◽  
Author(s):  
Bryan G. Levman
Keyword(s):  

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