The Limits to American Hegemony in Asia

2016 ◽  
pp. 179-198
Keyword(s):  
American Hegemony

Japanese Reinvention of Self through Hawai‘i’s Japanese Americans

2012 ◽  
Vol 83 (2) ◽  
pp. 333-349 ◽  
Author(s):  
Yujin Yaguchi
Keyword(s):  
United States ◽  
Asian American ◽  
The United States ◽  
Japanese Americans ◽  
Japanese History ◽  
Postwar Japan ◽  
Postwar Reconstruction ◽  
American Hegemony ◽  
Modern Japanese History ◽  
American Society

This article investigates the relationship between Asian American and modern Japanese history by analyzing the image of Japanese Americans in postwar Japan. Based on a book of photographs featuring Japanese immigrants in Hawai‘i published in 1956, it analyzes how their image was appropriated and redefined in Japan to promote as well as reinforce the nation’s political and cultural alliance with the United States. The photographs showed the successful acculturation of Japanese in Hawai‘i to the larger American society and urged the Japanese audience to see that their nation’s postwar reconstruction would come through the power and protection of the United States. Japanese Americans in Hawai‘i served as a lens through which the Japanese in Japan could imagine their position under American hegemony in the age of Cold War.

Chinese IPE debates on (American) hegemony

2013 ◽  
Vol 20 (6) ◽  
pp. 1165-1188 ◽  
Author(s):  
Wang Yong ◽  
Louis Pauly
Keyword(s):  
American Hegemony

Cinema and the Cultural Cold War

2020 ◽  
Author(s):  
Sangjoon Lee
Keyword(s):  
Cold War ◽  
Motion Picture ◽  
Film History ◽  
The United States ◽  
Central Intelligence Agency ◽  
Intelligence Agency ◽  
American Hegemony ◽  
East And Southeast Asia ◽  
Institutional Linkages ◽  
The Cold War

This book explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. The book adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. The book reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. The book elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. The book demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. This book reanimates this almost-forgotten history of cinema and the film industry in Asia.

America’s Signal Crisis in Salman Rushdie’s Fury

2017 ◽  
Vol 52 (3) ◽  
pp. 484-500 ◽  
Author(s):  
Treasa De Loughry
Keyword(s):  
New York ◽  
New York City ◽  
Roman Empire ◽  
Financial Markets ◽  
Violence Against Women ◽  
Upper Class ◽  
Narrative Form ◽  
American Hegemony ◽  
Class Status

This article examines how Salman Rushdie’s Fury (2001) registers a signal crisis of American hegemony through its hyperreal production of an aesthetics of excess, constituted by fragmented subjectivities, a frenetic narrative form, references to the decaying years of the Roman Empire, and irruptions of violence against women. The text’s libidinal investment of personal anguish with public discontent, or a psychopathological fury, is read through Fredric Jameson’s account of third-world allegory as a symptom of the novel’s registration of America’s hegemonic decline. The scalping of several upper-class young women in New York City by their financier boyfriends is thus further examined as an aspect of the text’s aesthetics of excess and use of allegory, which frames the violent interrelation between public discontent and private hubris. The murdered women are read as symbols of American hegemony and class under threat by turbulent financial markets, and hoarding their scalps is represented as a crude and violent attempt by their boyfriends to halt the dwindling value of America’s cultural capital and financial markets. The destabilization of class structures due to turbulent financial markets breeds a semantic confusion between real and symbolic signifiers of class status, a process facilitated by the narrator’s comparison of these women to prototypically American symbols, such as “Oscar-Barbie” statuettes and dolls. Fury’s mapping of Solanka’s cultural products, dolls and masks, from New York to the peripheral nation of Lilliput-Blefescu further actualizes the flow of American cultural and economic power to peripheral regions. This, alongside the text’s problematic characterization of gender and race, is read as evidence of Rushdie as a writer in terminal decline.

scholarly journals (Im)mobile Geographies

2013 ◽  
Vol 68 (1) ◽  
pp. 7-16 ◽  
Author(s):  
C. Minca
Keyword(s):  
Academic Work ◽  
Academic Careers ◽  
International Literature ◽  
University Management ◽  
American Hegemony ◽  
English Speaking ◽  
Anglo American ◽  
The Relationship ◽  
Good Research

Abstract. The growing tendency to evaluate – sometimes even ''measure'' – the ''productivity'' of academics is seriously affecting what we consider to be relevant geographical output. This tendency is also significantly reshaping the actual geographies of the disciplinary debate, by introducing important debates about the relationship between one English speaking mainstream international literature and the different national schools. However, the related discussion on the Anglo-American hegemony in geography seems to be strongly influenced by the growing request on the part of university management to identify ways of ''ranking'' good research and how to respond to the increasing internationalization of academic work. This paper will discuss the effects of neoliberal agendas on how geographical work is promoted, produced and circulated in Europe, with different results in different contexts; in some cases originating perverse impacts on the quality of geographical work; in others, creating the opportunity for innovative agendas and for more transparent ways of managing academic careers.

scholarly journals Contextualising Late-Nineteenth-Century Feminism: Problems and Comparisons

2006 ◽  
Vol 1 (1) ◽  
pp. 17-36
Author(s):  
Judith Allen
Keyword(s):  
Nineteenth Century ◽  
Women's Movements ◽  
Late Nineteenth Century ◽  
Western Countries ◽  
American Experience ◽  
American Hegemony ◽  
History Of ◽  
Anglo American ◽  
Sexual Cultures ◽  
International Character

Abstract Histories of feminism since the 1970s have generally observed national and regional boundaries. In view of the international character of women's movements in western countries since the last quarter of the nineteenth century, the neglect of comparative approaches has been unfortunate. The outcome is parochialism and inwardness, as feminist historians evaluate feminists of the past according to current preoccupations, in a cycle of identification and repudiation. An Anglo-American hegemony in the field is identified as is the consequent and pervasive “Northern Hemispherism” it ordains (notwithstanding an almost invariable omission of Canadian feminist experience). Advantages of comparative, international approaches to the history of feminism are not confined to the virtues of representativeness and comprehensiveness. Rather, major causal and chronological schema generalised from Anglo-American experience stand to beproblematised and revised in more useful directions. Most significantly, comparative studies of feminism permit due recognition of the fact that feminism emerged relatively contiguously across western countries in response to relatively common international characteristics of transformations in sexual patternings and sexual cultures.

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