scholarly journals Art for the Reader’s Sake: An Historical and Textual Study of Emilio De Marchi’s Il cappello del prete (1888)

2021 ◽  
Vol 13 (1) ◽  
Author(s):  
Christina Petraglia
Keyword(s):  
Author(s):  
Judson B. Murray

Confucian mysticism is a subfield in academic areas of study including Chinese thought, Chinese religions, Confucian studies, and comparative mysticism. Important topics examined in this subfield include, first, a view of the human self that is fundamentally relational, both in an interpersonal sense and because Confucians presuppose various correlations and an integration between, on the one hand, the matter–energy, capacities, processes, and activities comprising the self and, on the other, the elements, forces, patterns, and processes of the world it inhabits. One paradigmatic way Confucians conceptualize the interrelation between the self and the cosmos is their idea and ideal of the “unity of Heaven and humanity.” The Confucian mystical self, provided failings such as unbalanced emotions, selfish desires, and self-centeredness are effectively curtailed, contributes vitally to, because of its profound reverence for life, the generative and life-sustaining process of change that pervades and animates the cosmos. Second, practitioners use various techniques of religious praxis in combination to form multifaceted training regimens aimed at self-cultivation and self-transformation. Examples include a form of meditation called “quiet-sitting,” rituals, textual study, “investigating things,” self-examination and self-monitoring, filial piety, and “reverent attentiveness.” Third, training in these practices can achieve the different mystical aims, experiences, and transformations they seek, all of which relate to the overarching ideal of the unity of Heaven and humanity. These objectives, broadly speaking, include self-understanding, accurately grasping the “principles” of things and affairs, effortless moral virtuosity, “forming one body with all things” (and other types of Confucian mystical union), and exemplifying “sincerity.” Accomplishing them collapses the conventional divide separating several specious dichotomies, such as thought and action, self and other, humankind and nature, internal and external, the subjective and the objective, and moral ought and is. Fourth, the influence that precedent and tradition exert in Confucianism has prompted scholars to devote attention both to notable continuities and to intriguing innovations in comparing ancient mystical ideas, practices, experiences, and aims to later expressions and elaborations of them. At present, much of the scholarship on Confucian mysticism contributes to efforts attempting to provide rich and nuanced analyses of the tradition’s core doctrines, practices, experiences, and ethical and religious aims, by viewing these subjects through the lens of Confucianism’s mystical and spiritual dimensions. Less scholarly attention has been devoted to identifying and explicating the possible contributions that studying Confucian mysticism can make to the scholarship on theories of mysticism and comparative mysticism. Scholars of mysticism have not yet availed themselves of the wealth of data, the possible additional perspectives on contested issues, and the new trajectories for future research that Confucianism offers to these fields. Also, few studies employ the definitions, categories, and theories that have been developed in the contemporary study of mysticism as a methodology for studying Confucian mysticism.


2013 ◽  
Vol 13 (1) ◽  
Author(s):  
Budi Astuti ◽  
Anna Retno Wuryastuti

Penemuan jejak masa lalu atas keberadaan suatu bentuk budaya, merupakan suatu fenomena yang sangat bernilai. Hal ini dapat melengkapi upaya menelusuri jejak masa lalu dengan ditemukannya susunan materi gerak untuk visualisasi teks tarinya. Namun demikian tafsir kebudayaan atas penemuan jejak masa lalu tersebut tidak bisa meninggalkan faktor kesejarahannya. Dalam kajian teks bedhaya Sumreg ini diketahui susunan materi gerak Bedhaya Sumreg dan keterkaitan makna sumreg dengan pola lantai dan pola gendhing pengiringnya. Pola-pola gendhing yang ditampilkan secara struktural tetap menggunakan tata aturan baku yang sampai sekarang lazim disebut dengan lampah bedhayan. Bedaya yang dianggap pusaka ini diungkapkan tidak hanya materi tekstualnya saja tetapi juga mencakup materi kontekstualnya.Kata kunci: bedhaya Sumreg, tari Yogyakarta, tari pusaka.ABSTRACTBedhaya Sumreg of Yogyakarta Palace. The discovery of the past existence traces of a culture is trully a valuable phenomenon. This may complete the efforts to trace the past with the discovery of the structure of motion for the textvisualization of a dance. However, the interpretation of culture on the discovery of traces of the past cannot abandon the historical factor. The textual study of Bedhaya (traditional dance) Sumreg has identifi ed the motional structure of Bedhaya Sumreg and the linkage of Sumreg meaning with the fl oor pattern and gendhing (the accompanied music). Thepatterns of gendhing structurally shown remain applying predefi ned set of rules, commonly known as lampah bedhayan (rules in dancing). Bedhaya (traditional dance) is considered a heritage and is revealed not only its textual material but also the contextual one.Keywords: bedhaya Sumreg, Yogyakarta dance, dance heritage.


2019 ◽  
Author(s):  
Muhammad Deden Purnama ◽  
Dhita Hapsarani

Children’s literature is often used as a medium for teaching values, for example religious values, in order to shape children’s character based on the understanding or ideology of certain groups. Through religious-based children’s literature, the figure of a religious ideal child was created and called a pious child. This example is applied by Salafi Islamic groups in Indonesia. The group that bases its teachings from the Salaf creates Islamic children’s book genre called ”Sunna children’s book”. The method used in this article is library-based qualitative research. Studies of pious character in European minority Muslim children’s literature have been widely carried out by Green-Oldendorf (2011), Shavit (2016) and Janson (2017), while studies of pious children in Indonesian contexts have only been done little, including this article. Textual study on the construction of pious children character is carried out according to the concept of ideal child in children’s literature by Purbani (2009), children book illustration and visual by Nodelman (2004), and pious Muslim child and childhood by research approach (Hendra-Priadi, 2019 and Scourfield et. al., 2013). The result of the research shows that pious children are represented through the main character who is very diligent in worshiping, behaving well, and obedient to parents. In addition, the construction of pious children in Serial Salman dan Hamzah is based on Salafi ideology concept of tarbiyah (education) that textually refers to the Quran and Hadith.


2021 ◽  
Author(s):  
Veronica Eny Iryanti ◽  
Wahyu Lestari ◽  
Moh. Hasan Bisri
Keyword(s):  

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