CAUTION-Contains Extremely Offensive Material: David Wojnarowicz V. American Family Association, The Visual Artists Rights Act, and A Proposal To Expand Fair Use To Include Artists’ Moral-Rights

The author in the article explores the issues of using publications available in Open Access on the digital network. The article describes the definition of the term «Open Access». This concept is based on the Budapest Open Access Initiative (2012) — this document contains one of the most widely used definitions of Open Access. The basic features of this term are established.A comparison is made between the free (fair) use of works and the use of publications available in Open Access. The difference between these concepts are established.The use of publications available in Open Access, except for works that have become public domain, may not be copyright free. Moral rights are reserved by the authors, and property rights belong to the person who acquired them in accordance with the law or the contract. These rights must be adhered when publishing and using this publication available in Open Access. The use of the term «Open» does not mean unlimited access to the works.The article explores that Open Access publishing is possible if there are not legal, financial, technical obstacles. It has been proven that overcoming these obstacles is directly or indirectly related to the need for compliance copyright law.The article explores the problematic issues of authors' payment for article publishing charge and the use of publications available in Open Access (Article processing charge) and ways solution these issues.This article gives an overview of examples of contracts where publication fees are paid not by institutional authors but by interested organizations. The article explores the different types of contracts that can be concluded when publishing works and the use of publications available in the Open Access. In particular, the agreements of the rights transfer, the public licenses for Creative Commons.Generally, the use of a published work may be permitted subject to the conditions, defined by the person, who has the exclusive right under law or contract to permission the use of the work, and may determine the conditions of access to that work. The article argues that the key issue is the compliance of copyright for works that are created, published, and made available to the public online under the Open Access. The author analyzes the others issues of application of the legislation in the sphereof copyright, gives examples from practices.

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IDENTIFIKASI FAIR USE/FAIR DEALING HAK CIPTA ATAS BUKU DALAM PENGEMBANGAN IPTEK PADA PENDIDIKAN TINGGI DI JAWA TENGAH

Yustisia Jurnal Hukum ◽

10.20961/yustisia.v4i3.8682 ◽

2015 ◽

Vol 4 (3) ◽

Author(s):

Anis Mashdurohatun ◽

M. Ali Mansyur

Keyword(s):

High Education ◽

Science And Technology ◽

Sampling Technique ◽

Fair Use ◽

Moral Rights ◽

Reading Habit ◽

Literature Study ◽

Fair Dealing ◽

Policy Model ◽

Central Java

AbstractThe purpose of this research is identified the implementation of fair use/ fair dealingof book’s copyright of science and technology book on High Education in Central Java. This research conducted by sociological and juridical approach. The sampling technique with purposive nonrandom sampling. The data collection is used with literature study and field (observation, questionaires, and interview) for the author and users book. Analizing data is used with qualitative desctription analizing. The result shows that identification of implementation fair use/fair dealing of book’s copyright for development science and technology in High Education in Central Java has some problem with perception of users’s book society at Salatiga, Semarang District and the Semarang City, that cause of offence of book’s copyright, and low reward of moral rights and economic rights of creators/holders, also reading habit of people are low and purchasing power of people for books are very low, so because of it development of science and technology in High Education are needed fair use/fair dealing policy model of book’s copyrights of developing science and technology in High Education in Central Java with based balance rights value and utilization of books easy, which qualified in form of text books and e-Books in affordable price.Keyword : fair use/fair dealing, book’s copyrights, science and technology, and High Education. AbstrakTujuan penelitian adalah untuk mengidentifikasi implementasifair use/ fair dealinghak cipta atas buku pengembangan IPTEK pada Pendidikan Tinggidi Jawa Tengah. Penelitian ini dilakukan dengan menggunakan pendekatan yuridis sosiologis. Teknik pengambilan sampel dengan menggunakan purposive nonrandom sampling. Adapun pengumpulan data dilakukan dengan studi kepustakaan dan lapangan (observasi, kuesioner dan wawancara) terhadap penulis dan pengguna buku. Analisis data dilakukan dengan menggunakan analisis deskriptif kualitatif. Hasil penelitian menunjukkan bahwa identifikasi implementasi fair use/fair dealing hak cipta atas buku dalam pengembangan IPTEK pada pendidikan tinggi di Jawa Tengah terkendala dengan beragamnya persepsi masyarakat pengguna buku di Salatiga, Kabupaten Semarang dan Kota Semarang, sehingga memicu terjadinya pelanggaran hak cipta atas buku, dan rendahnya penghargaan hak moral dan hak ekonomi pencipta/pemegang hak cipta, selain itu juga reading habit masyarakat yang rendah dan daya beli masyarakat terhadap buku masih sangat rendah, oleh karena itu dalam pengembangan IPTEK pada Pendidikan Tinggi diperlukannya kebijakan model fair use/fair dealing hak cipta atas buku dalam pengembangan IPTEK pada pendidikan tinggi di Jawa Tengah dengan berasaskan keseimbangan hak dan pemanfaatan buku yang menjamin aksebilitas buku mudah, yang berkualitas dalam bentuk buku teks dan e-Books dengan harga yang terjangkau.Kata kunci : fair use/fair dealing, hak cipta buku, IPTEK dan Pendidikan Tinggi

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A Study on the Improvement of the Copyright Restriction System Focusing on Expanding the Application of Fair Use to Moral Rights

Studies in Humanities and Social Sciences ◽

10.17939/hushss.2018..60.002 ◽

2018 ◽

Vol null (60) ◽

pp. 21-41

Author(s):

나강

Keyword(s):

Fair Use ◽

Moral Rights ◽

Restriction System ◽

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Newspapers and Digital Libraries

E-Publishing and Digital Libraries ◽

10.4018/978-1-60960-031-0.ch017 ◽

2011 ◽

pp. 363-381

Author(s):

Nadia Kyprouli

Keyword(s):

Digital Libraries ◽

Fair Use ◽

Free Access ◽

Visual Artists ◽

Educational Materials ◽

Contractual Arrangements ◽

Legal Implications ◽

The Social ◽

The Status ◽

Exceptions And Limitations

This chapter deals with the new digital environment that embraces newspaper content. The notions of newspapers, news, articles, photographs, cartoons and podcasts are considered. The legal notion of the entitlement of creators’ rights in different newspaper contents (journalists, photographers, cartoonists, visual artists), the legal implications due to contractual arrangements and the status of rights in case of an employment contract and in case of a services contract are analyzed from the copyright perspective. The chapter answers the question who owns the electronic rights in the newspapers contents. It considers the exceptions and limitations of copyright, the fair use principle and the three-steps test. Lastly, it deals with the undisputed modern reality of digital libraries with newspaper content and digital libraries of general cultural content and defines the unique characteristics of works included in newspapers. It concludes that, while international and national legislators acknowledge the social request for a more free access to technical and educational materials, copyrights are to be respected.

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Massachusetts Museum of Contemporary Art Foundation v. Christoph Büchel: An Appellate Perspective on the Visual Artists Rights Act

International Journal of Cultural Property ◽

10.1017/s0940739111000105 ◽

2011 ◽

Vol 18 (2) ◽

pp. 255-258 ◽

Cited By ~ 1

Author(s):

Anastasia Telesetsky

Keyword(s):

Contemporary Art ◽

Moral Rights ◽

Appellate Court ◽

Visual Artists ◽

Art Installation ◽

Museum Of Contemporary Art ◽

Football Field ◽

Disaster Training ◽

And Training ◽

The U.S

When the U.S. Congress passed the Visual Artists Rights Act (VARA) in 1990, no legislator really anticipated that courts would be applying the act to art installations that were only half-finished. But this was the very challenge that the U.S. Appellate Court for the First Circuit faced in Massachusetts Museum of Contemporary Art Foundation, Inc. v. Christoph Büchel. Deliberating over a failed football-field-sized art installation wryly entitled “Training Ground for Democracy,” the appellate court was asked to determine whether VARA protected Swiss artist Büchel's moral rights in his half-finished work that if completed would have given viewers “training to be an immigrant, training to vote, protest, and revolt, training to loot, training [in] iconoclasm, training to join a political rally, training to be the objects of propaganda, training to be interrogated and detained and to be tried or to judge, training to reconstruct a disaster, training to be in conditions of suspended law, and training various other social and political behaviors.”

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The Grey Album: Copyright Law and Digital Sampling

Media International Australia ◽

10.1177/1329878x0511400106 ◽

2005 ◽

Vol 114 (1) ◽

pp. 40-53 ◽

Cited By ~ 15

Author(s):

Matthew Rimmer

Keyword(s):

Fair Use ◽

Moral Rights ◽

Digital Sampling

In the field of digital sampling, disk jockeys have shown a recent enthusiasm for ‘mash-ups’ — new compositions created by combining the rhythm tracks of one song and the vocal track of another. Most famously of all, DJ Danger Mouse remixed the vocals from Jay-Z's The Black Album and the Beatles' White Album and called his creation The Grey Album. The Grey Album poses a number of difficult issues regarding copyright law and digital sampling. Does such a ‘mash-up’ go beyond the de minimis use of a copyright work? Is The Grey Album protected by the defence of fair use under copyright law because it provides a transformative use of copyright works? Can such remixes by compulsorily licensed? Does a ‘mash-up’ raise issues concerning the moral rights of attribution and integrity, which are recognised in Europe and Australia?

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Global Mandatory Fair Use

10.1017/9781108884099 ◽

2020 ◽

Author(s):

Tanya Aplin ◽

Lionel Bently

Keyword(s):

Fair Use

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