scholarly journals The Segmental and Tonal Structure of Verb Inflection in Babanki

2019 ◽  
Vol 15 ◽  
Author(s):  
Pius W. Akumbu ◽  
Larry M. Hyman ◽  
Roland Kießling
2020 ◽  
Vol 2 (2) ◽  
Author(s):  
Pius Akumbu ◽  
Larry Hyman ◽  
Roland Kießling

In this study we provide a comprehensive phonological and morphological analysis of the complex tense-aspect-mood (TAM) system of Babanki, a Grassfields Bantu language of Cameroon. Our emphasis is on the competing inflectional tonal melodies that are assigned to the verb stem. These melodies are determined not only by the multiple past and future tenses, perfective vs. progressive aspect, and indicative vs. imperative, subjunctive, and conditional moods, but also affirmative vs. negative and “conjoint” (CJ) vs. “disjoint” (DJ) verbal marking, which we show to be more thorough going than the better known cases in Eastern and Southern Bantu. The paper concludes with a ranking of the six assigned tonal melodies and fourteen appendices providing all of the relevant tonal paradigms.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Matteo Pellegrini

AbstractThis paper provides a fully word-based, abstractive analysis of predictability in Latin verb paradigms. After reviewing previous traditional and theoretically grounded accounts of Latin verb inflection, a procedure is outlined where the uncertainty in guessing the content of paradigm cells given knowledge of one or more inflected wordforms is measured by means of the information-theoretic notions of unary and n-ary implicative entropy, respectively, in a quantitative approach that uses the type frequency of alternation patterns between wordforms as an estimate of their probability of application. Entropy computations are performed by using the Qumin toolkit on data taken from the inflected lexicon LatInfLexi. Unary entropy values are used to draw a mapping of the verbal paradigm in zones of full interpredictability, composed of cells that can be inferred from one another with no uncertainty. N-ary entropy values are used to extract categorical and near principal part sets, that allow to fill the rest of the paradigm with little or no uncertainty. Lastly, the issue of the impact of information on the derivational relatedness of lexemes on uncertainty in inflectional predictions is tackled, showing that adding a classification of verbs in derivational families allows for a relevant reduction of entropy, not only for derived verbs, but also for simple ones.


2011 ◽  
Vol 15 (1) ◽  
pp. 22-38 ◽  
Author(s):  
PEGGY F. JACOBSON

This study examined object clitic pronouns (OCPs) and verb inflections in twenty-five school-age children with typical development (TD) and twenty children with bilingual language impairment (BLI). MANOVA and ANOVA were used to explore differences according to grade level and language status (TD vs. BLI). Although children with BLI produced higher rates of grammatical errors overall, accuracy on number and gender assignment for OCPs was better for both groups in the higher grades. Although the rate of verb inflection errors did not differ for children with TD and BLI in the lower grades, a significant interaction yielded higher error rates on subject–verb agreement for third person singular and plural inflections in the later grades for children with BLI. Greater accuracy on OCP use in later grades weakens claims that bilingualism exacerbates language impairment. For BLI, whether incomplete acquisition or delayed development is the determining factor for verb inflection errors remains undetermined.


1968 ◽  
Vol 7 (2) ◽  
pp. 92
Author(s):  
Peter Lackowski
Keyword(s):  

1943 ◽  
Vol 2 (4) ◽  
pp. 193-209 ◽  
Author(s):  
J. F. Carrington
Keyword(s):  

2020 ◽  
Vol 26 (3) ◽  
Author(s):  
Sarah Marlowe

This study offers a comparative analysis of J. S. Bach’s Fugue in D minor, from the Well-Tempered Clavier Book I (WTC I). Detailed examination of multiple divergent readings of the same musical excerpts raises important questions about Schenkerian theory and its application to fugal textures. I suggest that analytical discrepancies arise primarily when voice-leading concerns are not completely disentangled from our deeply rooted views of formal design in fugue. In the end, an over-reliance on the details of outer form risks blocking access to the fugue’s inner form. I identify and resolve significant differences that emerge at the foreground in these readings, later considering how a combined view of formal design (outer form) and tonal structure (inner form) resolves ambiguities and enhances our understanding of the work as a whole.


1986 ◽  
Vol 5 (2/3) ◽  
pp. 281
Author(s):  
Cristle Collins Judd ◽  
Richard S. Parks
Keyword(s):  

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