The Story of An Image

2021 ◽  
Author(s):  
Qiong Zhang
Keyword(s):  
Production Process ◽  
Historical Events

Focusing on the uniqueness of tapestries and embroideries based on paintings, this vignette retrieves the production process of one set of ‘embroidered paintings’ based on the same painting. These objects are outstanding pieces of artwork, often marking important historical events. The essay investigates the sequence of commissioning the painting in different media and the diverse patterns of production procedures, management, and finance in the process.

Young journalists and old news: remembering mass protests in Hong Kong

Journalism ◽  
2021 ◽  
pp. 146488492199953
Author(s):  
Donna Chu
Keyword(s):  
Hong Kong ◽  
Production Process ◽  
Collective Memory ◽  
Cultural Environment ◽  
Historical Events ◽  
Collective Memories ◽  
The Past ◽  
Professional Norms

In this study, 20 journalists who had worked on news about the anniversaries of mass protests in Hong Kong were interviewed. Given that most had been born after the historical events being commemorated, this paper aims to understand how young journalists comprehend and cover such old news. It also uncovers the journalistic processes behind the related anniversary journalism and discusses the role of journalism in constructing collective memory. The study traced how journalists normally do their research and what they consider in the production process. We found that journalists, as with other assignments, generally lack the time to conduct thorough research. Instead of venturing into hard facts or heated debates, most opted to focus on the personal and the emotional. For the personal, they relied on stories told by living witnesses and participants. For the emotional, they tapped into the cultural environment as well as their peers to determine appropriate feelings and moral tones. Professional norms compelled them to find new angles for old news and package the stories in ways that would engage and attract their audience. All of these factors shape how journalists tell the stories about the past; these stories in turn become new resources in the ‘inventory’ of collective memories.

scholarly journals AN ANALYSIS ON WILLIAM KENTRIDGE’S PRINTS IN TERMS OF THE CONCEPT OF MEMORY

2021 ◽  
Vol 10 (78) ◽  
Keyword(s):  
Production Process ◽  
South African ◽  
Social Dynamics ◽  
Recent History ◽  
Historical Events ◽  
The Social ◽  
Characteristic Nature

This research aims to review the prints by South African artist William Kentridge created with reference to historical events resulting from the destructive impacts of colonialism and totalitarianism in terms of the concept of memory. Kentridge shows the social dynamics of the era by blending various disciplines from drawings and opera to films and printmaking together in his production process. As transforming the geography and the era in which he lived into creativity through his inherent perspective, Kentridge also offers the viewer an aspect on the recent history. In the research, it will be analyzed the distinctive interpretations that Kentridge brings to printmaking techniques, as well as his characteristic nature and the social and personal touches left by the era he lived in. In this context, many events recorded or not recorded by the history will be interpreted with an artistic perspective in the artworks that the artist created on the basis of the concept of memory. Keywords: Printmaking, memory, film, William Kentridge

Self-sacrifice for in-group's history: A diachronic perspective

2018 ◽  
Vol 41 ◽  
Author(s):  
Maria Babińska ◽  
Michal Bilewicz
Keyword(s):  
Clinical Psychology ◽  
Historical Events ◽  
Emotional Events ◽  
Reciprocal Process ◽  
The Way

AbstractThe problem of extended fusion and identification can be approached from a diachronic perspective. Based on our own research, as well as findings from the fields of social, political, and clinical psychology, we argue that the way contemporary emotional events shape local fusion is similar to the way in which historical experiences shape extended fusion. We propose a reciprocal process in which historical events shape contemporary identities, whereas contemporary identities shape interpretations of past traumas.

Appropriation des Savoirs et Mémoire Collective

2013 ◽  
Vol 72 (2) ◽  
pp. 71-78
Author(s):  
Sophie Richardot
Keyword(s):  
Collective Memory ◽  
Factorial Analysis ◽  
Experimental Results ◽  
Ancient History ◽  
Historical Events ◽  
Memoire Collective ◽  
Obedience To Authority

The aim of this study is to understand to what extent soliciting collective memory facilitates the appropriation of knowledge. After being informed about Milgram’s experiment on obedience to authority, students were asked to mention historical or contemporary events that came to mind while thinking about submission to authority. Main results of the factorial analysis show that the students who do not believe in the reproducibility of the experimental results oppose dramatic past events to a peaceful present, whereas those who do believe in the reproducibility of the results also mention dramatic contemporary events, thus linking past and present. Moreover, the students who do not accept the results for today personify historical events, whereas those who fully accept them generalize their impact. Therefore, according to their attitude toward this objet of knowledge, the students refer to two kinds of memory: a “closed memory,” which tends to relegate Milgram’s results to ancient history; and an “open memory,” which, on the contrary, transforms past events into a concept that helps them understand the present. Soliciting collective memory may contribute to the appropriation of knowledge provided the memory activated is an “open” one, linking past to present and going beyond the singularity of the event.

Optimization of the production process of special purpose pasta with the addition of carrots and pectin

2019 ◽  
Vol 28 (9) ◽  
pp. 50-53
Author(s):  
N.N. Martynov ◽  
◽  
G.A. Sidorenko ◽  
G.B. Zinyukhin ◽  
E.Sh. Maneeva ◽  
...  
Keyword(s):  
Production Process

IMPLEMENTASI JOB ORDER COSTING METHOD DALAM PERHITUNGAN HARGA POKOK PRODUKSI MAP

2018 ◽  
Vol 4 (2) ◽  
pp. 43-55
Author(s):  
Ika Yulianti ◽  
Endah Masrunik ◽  
Anam Miftakhul Huda ◽  
Diana Elvianita
Keyword(s):  
Production Process ◽  
Quantitative Data ◽  
Production Cost ◽  
Qualitative Data ◽  
Cost Data ◽  
Method Calculation ◽  
Cost Of Production ◽  
The Right ◽  
The Cost

This study aims to find a comparison of the calculation of the cost of goods manufactured in the CV. Mitra Setia Blitar uses the company's method and uses the Job Order Costing (JOC) method. The method used in this study is quantitative. The types of data used are quantitative and qualitative. Quantitative data is in the form of map production cost data while qualitative data is in the form of information about map production process. The result of calculating the cost of production of the map between the two methods results in a difference of Rp. 306. Calculation using the company method is more expensive than using the Job Order Costing method. Calculation of cost of goods manufactured using the company method is Rp. 2,205,000, - or Rp. 2,205, - each unit. While using the Job Order Costing (JOC) method is Rp. 1,899,000, - or Rp 1,899, - each unit. So that the right method used in calculating the cost of production is the Job Order Costing (JOC) method

Archibald Menzies (1754–1842), an early botanist on the northwestern seaboard of North America, 1792–1794, with further notes on his life and work

2001 ◽  
Vol 28 (1) ◽  
pp. 71-122 ◽  
Author(s):  
ERIC W. GROVES
Keyword(s):  
North America ◽  
Pacific Coast ◽  
Later Life ◽  
Northwest Pacific ◽  
Historical Events ◽  
Short Biography

ABSTRACT: This paper includes a short biography of Menzies and an outline of the historical events on the northwest Pacific coast leading up to Vancouver's voyage. A table listing the botanical visitors to that area prior to 1792 is given followed by a résumé of the evolution of Menzies's journal. Sources used in compiling the chronology of his movements during Vancouver's voyage are then set down, ending the section with an account of Menzies's own visit, 1792–1794. His method of plant collecting is discussed along with an account of his collections and their subsequent disposal. The paper concludes with details of Menzies's later life, his connection with other botanists of the day, and an assessment of his achievements.

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