Een ondeugende Diogenes

Lampas ◽  
2019 ◽  
Vol 52 (2) ◽  
pp. 139-151
Author(s):  
Inger N.I. Kuin

Summary In the corpus of apocryphal Cynic letters those attributed to Diogenes stand out: they form the bulk of the letters and they are the most humorous. This corresponds with representations of him as a provocateur elsewhere in imperial Greek literature. This article focuses on the topic of sex in Diogenes’ letters, and answers two main questions: first, whether the sexual humor of the letters is more risqué than what we find in the other sources; second, how this sexual humor contributes to the overall purpose of the apocryphal Diogenes letters. I suggest that even though in the letters euphemistic language persists, they treat the Diogenes anecdotes about sex in greater detail than anywhere else. The provocative, risqué humor contained in these anecdotes would serve to entice and entertain audiences in order to get them engaged in Cynic philosophy.

1973 ◽  
Vol 93 ◽  
pp. 74-103 ◽  
Author(s):  
John Gould

To Professor E. R. Dodds, through his edition of Euripides'Bacchaeand again inThe Greeks and the Irrational, we owe an awareness of new possibilities in our understanding of Greek literature and of the world that produced it. No small part of that awareness was due to Professor Dodds' masterly and tactful use of comparative ethnographic material to throw light on the relation between literature and social institutions in ancient Greece. It is in the hope that something of my own debt to him may be conveyed that this paper is offered here, equally in gratitude, admiration and affection.The working out of the anger of Achilles in theIliadbegins with a great scene of divine supplication in which Thetis prevails upon Zeus to change the course of things before Troy in order to restore honour to Achilles; it ends with another, human act in which Priam supplicates Achilles to abandon his vengeful treatment of the dead body of Hector and restore it for a ransom. The first half of theOdysseyhinges about another supplication scene of crucial significance, Odysseus' supplication of Arete and Alkinoos on Scherie. Aeschylus and Euripides both wrote plays called simplySuppliants, and two cases of a breach of the rights of suppliants, the cases of the coup of Kylon and that of Pausanias, the one dating from the mid-sixth century, the other from around 470 B.C. or soon after, played a dominant role in the diplomatic propaganda of the Spartans and Athenians on the eve of the Peloponnesian War.


1939 ◽  
Vol 71 (3) ◽  
pp. 407-422 ◽  
Author(s):  
R. Walzer

H. Ritter has referred again to the Arabian manuscript Tübingen Weisweiler, nr. 81, in Islam, 21 (1933), p. 91. It contains the only copy hitherto known of the oldest mystic book on the subject of love, the k. 'aṭf al-alif al-ma'lūf 'alā' l-lām al ma'ṭūf of Abū'l-Ḥasan 'Alī b. Muḥammad al-Dailamī. The year of al-Dailamī's death has hitherto not been established; he was a pupil and the rāwī of the well-known author on mysticism, Abū 'Abdallāh Muhammad b. Khafīf (died 371 h. = a.d. 981), therefore probably one of the older contemporaries of Ibn Sīnä (died 428 h. = a.d. 1037). A year ago, Dr. Arberry kindly drew my attention to the fact that this manuscript contained some quotations of ancient authors which could not be traced and which might be worth considering. The opinions of the astronomers, scientists, and on love are discussed in the first part of the book; the passage on the scientists (32b 7–33b 9) is specially interesting, as it offers two hitherto absolutely unknown fragments, one of the last century of the Alexandrian-Greek literature, the other very probably of a lost dialogue of Aristotle.


1990 ◽  
Vol 110 ◽  
pp. 26-42 ◽  
Author(s):  
Lamar Ronald Lacy

Aktaion's own hounds devoured him, convinced by Artemis that he was a deer. This grim reversal, the great hunter who dies like a hunted beast, was the strongest element of the mythic tradition associated with the Boiotian hero and inspired numerous scenes in Greek art. Aktaion's Offense, on the other hand, received little iconographic attention before the imperial era, and Greek literature accounted for Artemis' hostility in a variety of ways. The chronology of the extant sources suggests a neat sequence of misdeeds, and the resulting succession of versions is the object of a well-established scholarly consensus. The information which survives is actually too scant and too fragmentary to bear so straightforward a reading, but a critical approach can suggest the outlines of more plausible, if less neat, picture.


1912 ◽  
Vol 6 (3) ◽  
pp. 179-203 ◽  
Author(s):  
C. M. Gillespie
Keyword(s):  

After reading carefully the essay which, in his recently-published Varia Socratica, Part I., Prof. A. E. Taylor has written on the use of the words and in the Greek literature of the Socratic and Platonic periods, I find myself on the one hand in agreement with him as to the importance of such linguistic investigations for the understanding of Plato, and on the other in frequent disagreement with him as to the meaning of the words in the passages he cites, and the inferences he draws from them. Thinking that Prof. Taylor's analysis of the use of the terms in Hippocrates is very far from final, I offer in this paper a further contribution to their interpretation, confining myself as far as possible to the question, What do and mean in the Hippocratean writings?


1993 ◽  
Vol 43 (1) ◽  
pp. 32-46 ◽  
Author(s):  
Z. Theodorou

Madness and emotion could be said to share, to a certain extent, their definition as kinds of human response to influences from their environment. The connection between madness and emotion is stressed in modern psychological observations establishing strong links between the causation of madness and human emotionality. Despite the fact that similar insights were absent from Greek medical theorists, or indeed from other contemporary writers, this would come as no surprise to either Sophokles or Euripides. Both tragedians handled their material in such a way as to demonstrate how the strong pressures of familial or social influences can lead to mental disturbance. While it is most probably Sophokles who, for the first time, turns to the influence of internal forces in the process of madness, the lack of subject matter in his surviving plays allows us little scope for further comparison. On the other hand, Euripides seems to have dedicated more of his portrayals to madness. These portrayals offer an almost unique opportunity to examine the introduction, not only in drama but perhaps in the whole of Greek literature, of the emotions as contributing factors in madness.


Author(s):  
José-Antonio Fernández-Delgado

Abstract One aspect of the Greek epic that has yet to be thoroughly explored is the possibility of differentiating, in the midst of formulaic wording, the different genres that from the point of view of Greek literature comprise, for example, the telling of heroic deeds (Iliad, Odyssey), gnomic-paraenetic poetry (Works and Days), or the stories of genealogies, be they divine (Theogony), or heroic (Ehoiai). However, each of these forms of poetic expression had available a specific formulaic apparatus apart from the other much more abundant and more visible, the epic one, shared among the different genres. Thus has it been pointed out on some occasions, although the critics have scarcely pursued the consequences. Here my proposal consists of investigating the dynamics of the formulaic diction of oral poetry of the genealogical type, based on information provided in this regard by the Hesiodic poems of the Theogony, and above all, of the Catalogue of Women.


1988 ◽  
Vol 38 (2) ◽  
pp. 271-276 ◽  
Author(s):  
S. C. R. Swain
Keyword(s):  

The story of Meleager as it is told in Greek literature clearly reflects two discrete versions, which may be termed the epic and the non-epic. The latter, as retold by Apollodorus(Bibl. 1.8.1–3), shows the folktale elements of love and the life-token (the brand which must not be rekindled). The other version, as told by Homer(Iliad 9.524-99) followed by Apollodorus (1.8.3), is an epic story where Meleager is the great hero whose μῆνις keeps him from fighting for his native Calydon against the neighbouring Curetes of Pleuron.


1954 ◽  
Vol 1 (2) ◽  
pp. 58-64 ◽  
Author(s):  
C. M. H. Millar ◽  
J. W. S. Carmichael

Although Telemachus is not the chief character of the Odyssey, his part in the plot is of considerable importance, and in one way he seems to be unique. For he is, perhaps, the only character in Greek literature who shows any development. All the other people who appear in Homer are already fully grown and, as characters, static. For in an epic it is the story which is of first importance, and the people can be adequately described by one major trait. In Greek tragedy, also, where no doubt character is of greater moment and occupies a larger proportion of the whole, we never see the characters growing as time passes. For there was a continual obstacle to the development of character on the tragic stage from a rather unexpected quarter—the Chorus. As H. C. Baldry says, ‘Because of the chorus, a fifth-century tragedy could not easily be a serial drama, leaping from incident to incident and place to place… such plays leave no scope for the development of character. The hero's nature may be revealed to the audience step by step, but in most of the extant tragedies it does not change.’


1972 ◽  
Vol 19 (2) ◽  
pp. 190-207 ◽  
Author(s):  
P. A. L. Greenhalgh

The subject of this article is the appearance in archaic Greek literature of the two basic principles of aristocracy as a form of government—republicanism and noble rule—and how they were upheld, augmented, qualified, idealized, and justified against the alternatives of monarchy and the aspirations of non-nobles either to join or disestablish the nobility as the ruling class. When Greek states emerged from the Dark Ages into the clearer light of history in the eighth and seventh centuries b.c., monarchy had almost everywhere given way to aristocracy. More or less exclusive groups of noble families had learnt, in Aristotle's phrase, ‘to take turns in ruling and being ruled’. The formation of the first republics required no change in the ideological climate of the unquestioning acceptance of the noble monopoly of wealth and privilege which we find in Homer and Hesiod, and similarly no change in this climate was required before republican governments were likely to be challenged. The Homeric nobleman's primary obligation, simply expressed in Hippolochus' parting injunction to his son ‘always to be best’, runs contrary to the principle of equals taking turns in ruling and being ruled, and it would not be surprising if many a Greek aristocrat acquiesced in being equal best only because he lacked the opportunity to make himself single best. And where there were narrow aristocracies which by their exclusiveness made permanent political inferiors of noble families which were the socio-economic peers of the politically privileged, as in Corinth under the Bacchiads or Mytilene under the Penthilids, there was likely to be a greater incentive for an ambitious nobleman to usurp for his own family the corporate constitutional superiority of his privileged rivals; and there might be correspondingly less ideological opposition from noble republicans so far as other politically unprivileged nobles would be constitutionally no less deprived under a tyrant, and might have much to gain in power and wealth from supporting the overthrower of the exclusive regime. The disappearance of Dark Age kingship of the Homeric primus inter pares type is nowhere likely to have generated all at once an ideology which made monarchy an anathema. The Homeric king is not even distinguished from the other nobles by a title which is not also enjoyed by the heads of other great houses, and the lack of traditions about the disappearance of kingship suggests that it was undramatic. On the other hand, because tyranny (in the basic sense of an autocracy established in a state which had been a republic) necessarily meant permanent constitutional inferiority for social equals, acquiescence in even a benign and initially popular autocracy was likely to wane once the possibility of constitutional equality had been discovered (however narrow the ruling circle of equals had been).


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