scholarly journals Numeracy as Social Practice: Global and Local Perspectives

2020 ◽  
Vol 27 (1) ◽  
Author(s):  
Keiko Yasukawa ◽  
Jeff Evans

Edited by Keiko Yasukawa, Alan Rogers, Kara Jackson and Brian Street Routledge, London and New York, 2018, 260 pages. ISBN 9781138284449

Numeracy ◽  
2020 ◽  
Vol 13 (2) ◽  
Author(s):  
Helen M Oughton

Yasukawa, K., Rogers, A., Jackson, K. and Street, B. (Eds) (2018) Numeracy as Social Practice: Global and Local Perspectives, Oxford: Routledge. ISBN 978-1-138-28445-6. This edited collection of chapters, part of Routledge’s Rethinking Development series, examines the uses of numeracy in a wide variety of contexts in countries around the world, and the educational approaches which reflect – or in many cases, fail to reflect – those real-life numeracy activities. Educators and researchers with a commitment to social justice and global development will find this book a valuable resource for building a broader vision of what numeracy means.


Author(s):  
Dale Chapman

Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period. The emergence of financialization as a key dimension of the global economy shapes a variety of aspects of contemporary jazz culture, and jazz culture comments upon this dimension in turn. During the stateside return of Dexter Gordon in the mid-1970s, the cultural turmoil of the New York fiscal crisis served as a crucial backdrop to understanding the resonance of Gordon’s appearances in the city. The financial markets directly inform the structural upheaval that major label jazz subsidiaries must navigate in the music industry of the early twenty-first century, and they inform the disruptive impact of urban redevelopment in communities that have relied upon jazz as a site of economic vibrancy. In examining these issues, The Jazz Bubble seeks to intensify conversations surrounding music, culture, and political economy.


2006 ◽  
Vol 355 (2) ◽  
pp. 282-293 ◽  
Author(s):  
Lisa W. Kwok ◽  
Inna Shcherbakova ◽  
Jessica S. Lamb ◽  
Hye Yoon Park ◽  
Kurt Andresen ◽  
...  

2008 ◽  
Vol 15 (1) ◽  
pp. 56-69 ◽  
Author(s):  
Kristian Kristiansen

When I agreed to present the article as a vehicle for discussion at a session at the EAA's annual meeting in Zadar, Croatia, I decided to approach the question of a European archaeology from what I considered to be the three organizing pillars of archaeological practice: heritage, theory and publications. Heritage is the dominant organizational/legislative framework for archaeological practice, and it is where most of the money is spent. Theory, on the other hand, organizes most of our interpretations of the past, while publications are still the most common way of presenting the results of both heritage work (mostly excavations) and interpretations of that work. In this way I hoped to have encircled the dominant parameters for a diagnosis of the archaeological landscapes in Europe. I assumed that there might be some correlation between the three, and that such observed common trends within two or more variables would strengthen the argument, to paraphrase processual jargon.


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