Political Amnesia

Author(s):  
Alan M. Wald

The career of philosopher Sidney Hook is presented as an example of the way in which the political trajectory of the New York intellectuals is frequently misunderstood. At issue are representations of the post-World War II transformation as explained by William Barrett, William Phillips, and more. Matters such as the definition of intellectuals, the significance of Trotskyism, shifting definitions of Stalinism, and the views of the author are explored.

2019 ◽  
Vol 46 (3) ◽  
pp. 494-499
Author(s):  
Destin Jenkins

This essay revisits Making the Second Ghetto to consider what Arnold Hirsch argued about the relationship between race, money, and the ghetto. It explores how Hirsch’s analysis of this relationship was at once consistent with those penned by other urban historians and distinct from those interested in the political economy of the ghetto. Although moneymaking was hardly the main focus, Hirsch’s engagement with “Vampire” rental agencies and panic peddlers laid the groundwork for an analysis that treats the post–World War II metropolis as a crucial node in the history of racial capitalism. Finally, this essay offers a way to connect local forms of violence to the kinds of constraints imposed by financiers far removed from the city itself.


Prospects ◽  
1987 ◽  
Vol 12 ◽  
pp. 125-148
Author(s):  
Ilene Susan Fort

During the decade prior to World War II, James Guy (1910–1983) achieved a substantial reputation in the New York art world. He was one of the earliest American exponents of surrealism, adopting it years before the abstract expressionists responded to the aesthetic. Guy used surrealism as a vehicle for social criticism, creating some of the most pungent attacks on the societal ills of his day. The Depression was a period when many American artists became socially and politically concerned and viewed their art as an instrument of change. Most of these artists have been labeled social realists. While recent literature on socially conscious artists of the 1930s has expanded the term to include artists who do not exactly fit the definition of social realists, no reference to Guy has been given in any of these surveys.


2020 ◽  
Vol 58 (4) ◽  
pp. 1045-1128 ◽  
Author(s):  
Steven G. Medema

The Coase theorem is one of the most influential and controversial ideas to emerge from post–World War II economics. This article examines the theorem’s origins, diffusion, and the wide variety of uses to which it has been put by economists and others over the sixty years since Coase published “The Problem of Social Cost.” Along the way, we explore the ambiguity and controversy surrounding the theorem, develop a Coase theorem that is valid as a proposition in economic logic, and probe the implications of all of this for the use of the Coase theorem going forward. (JEL D23)


Author(s):  
Kathleen Sprows Cummings

This chapter focuses on Elizabeth Ann Seton’s cause between papal conclave of 1939, when her cause leaped forward at the Roman Center, through Seton’s beatification in 1963. It analyzes gender and power in the Catholic church through the conflict between Seton’s Daughters of Charity and the Vincentian priest assigned to serve as Seton’s vice-postulator. It explains the fierce competition between Seton’s advocates and those of John Neumann, who was also beatified in 1963. The chapter argues that in the post-World War II era, saints became stand-ins for U.S. Catholics' new role in the nation and in the world--and harbingers of more transformations on the way, in sanctity and beyond.


Eubie Blake ◽  
2020 ◽  
pp. 283-314
Author(s):  
Richard Carlin ◽  
Ken Bloom
Keyword(s):  
New York ◽  
A Minor ◽  

This chapter opens with background on Eubie’s second wife’s family and their courtship. After World War II, Eubie formed partnerships with several new lyricists. Among them was Ernie Ford, a newspaper advertising executive from Houston, Texas. The chapter also looks at the return of Milton Reddie to New York and Reddie and Blake’s work on the show Cleo Steps Out, which was never produced; Sissle’s continuing interest in reviving Shuffle Along on Broadway; the unexpected success of the song “I’m Just Wild about Harry” when it was adopted as Harry Truman’s campaign song; and their attempts to find a producer/backer, ultimately finding Irving Gaumont, a minor Broadway figure, who was willing to stage the show. The chapter further explores Gaumont’s decision to bring in play doctors and new songwriters to help modernize the show; Shuffle Along of 1952’s disastrous premier on Broadway; Flournoy Miller’s and Sissle’s anger at the way the show was produced and their breakup as partners for future shows.


1994 ◽  
Vol 28 (2) ◽  
pp. 209-223 ◽  
Author(s):  
Hugh Wilford

The early political activities of the New York Intellectuals, during the 1930s and World War II, form part of the canon of twentieth century American intellectual history. Their involvement in the American Communist movement, their crucial decision to renounce Stalinism, their brief adherence to Trotskyism, and their eventual disillusionment with Communism, are all well documented. Similarly, a great deal is known about them in the 1950s, especially about the role they played in the “Cultural Cold War” as America's leading anti-Communist intellectuals, helping to launch and run such organizations as the CIA-backed Congress for Cultural Freedom (CCF), and CCF's American affiliate, the American Committee for Cultural Freedom (ACCF). Comparatively little, however, has been written about them in the period immediately after World War II, the second half of the 1940s. Accounts of their political evolution usually break off some time about 1945 and resume in 1949, only months before the founding of the CCF. The aim of the present study is to fill this gap in our knowledge, first by examining in some detail the history of Europe-America Groups (EAG), a political organization created by a group of New York Intellectuals during the late 1940s, second by analyzing Mary McCarthy's 1949 novel The Oasis, which contains a fictional portrayal of EAG and constitutes a revealing fictional record of the Intellectuals’ political position at this date, and third by tracing the organizational origins of the ACCF and CCF.


Sign in / Sign up

Export Citation Format

Share Document