Voices of the Enslaved

2019 ◽  
Author(s):  
Sophie White
Keyword(s):  
Eighteenth Century ◽  
New Orleans ◽  
West African ◽  
Court Cases ◽  
Autobiographical Narratives ◽  
Criminal Trials ◽  
Enslaved Women ◽  
Legal Testimony ◽  
Familial Bonds ◽  
French Louisiana

In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana’s courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.

scholarly journals “Comme des bons pères de famille:” Masculinity, Patriarchy, and the Transnational Violences of Slavery in French Colonial North America

2017 ◽  
Vol 5 ◽  
Author(s):  
Lauren Laframboise
Keyword(s):  
North America ◽  
New Orleans ◽  
18Th Century ◽  
New France ◽  
Sexual Assaults ◽  
French Empire ◽  
Class Differences ◽  
Enslaved Women ◽  
French Colonial ◽  
French Louisiana

French colonial Louisiana has long captured the imaginations of academic and amateur historians alike. However, the histories of French Louisiana and New Orleans have often been analyzed within the canon of American history, overlooking its transnational and transcontinental connections to New France and the French Empire. This paper mobilizes 18th Century court documents from French colonial New Orleans that detail an assault perpetrated by a plantation overseer against enslaved workers. Jacques Charpentier dit le Roy migrated to Louisiana from what is now known as Canada, and was employed as an overseer by plantation owner and Superior Council member Amyault d’Auseville. Charpentier’s violent conduct led to the death of an enslaved man by the name of Brunet, and perpetrated multiple physical and sexual assaults against enslaved women, including Brunet’s wife, Bizao. The d’Auseville vs. Charpentier case not only illustrates the violence of slavery within the French Empire, but also the ways in which class differences were mobilized to entrench racial hierarchies. Above all, the case shows that the institution of slavery was sustained by migrations within the French Empire in North America, and provides concrete evidence of the transnational and transcontinental nature of slaveholding. This paper problematizes historiographical arguments that slavery was ‘less brutal’ in the French Empire by bringing the d’Auseville vs. Charpentier case in conversation with the Codes Noirs and its patriarchal foundations.

Coercing the Delta. The French Grammar of Control in the African Landscape of Colonial Louisiana, 1699-1732

2021 ◽  
Vol 14 (3) ◽  
pp. 535-563
Author(s):  
Nicholas Paskert
Keyword(s):  
Built Environment ◽  
New Orleans ◽  
Passive Voice ◽  
Chattel Slavery ◽  
Performative Language ◽  
French Colonial ◽  
French Grammar ◽  
French Louisiana ◽  
French Design

The long-term transformation of the Louisiana delta beginning in 1699 has been primarily understood as a French colonial struggle for the control of nature. Yet, in order for French colonisers to control nature, they first sought to control enslaved Africans. While slave coercion was a daily problem for French inhabitants, documentation of the 'routinized violence' of chattel slavery is predictably absent in records of the built environment. As a result, the building of colonial New Orleans, beginning in 1718, has become a story of French design, not of enslaved African labour. This paper examines the accounts and correspondence of French colonisers who veiled their own dependence on indigenous, indentured and enslaved people by adopting a performative language of mastery as they projected or described labour projects essential to the 'control of nature'. What colonisers could not master in person they performed on paper via pronouns, tenses, constructions and the passive voice. The 'French' Louisiana delta is better understood as an African-built landscape reinscribed on Indigenous territory under French coercion.

The Dahomean Middleman System, 1727–c. 1818

1987 ◽  
Vol 28 (3) ◽  
pp. 357-375 ◽  
Author(s):  
David Ross
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
West African ◽  
The West ◽  
Large Numbers ◽  
Supply Problem ◽  
West African Coast ◽  
African Coast ◽  
Trading Partners

During the first quarter of the eighteenth century, European merchants bought more slaves in the Bight of Benin than on any other part of the West African coast. From c. 1720 until 1727 much of their buying was concentrated in Savi, the capital of a small Aja state called Whydah. When the Dahomeans overran Savi in 1727 they stopped the inland slave suppliers from travelling to the coast, prevented the local Hueda from going inland to collect slaves, and insisted that the Europeans bought slaves only from Dahomean dealers. In an attempt to make sure that the Europeans had nothing more to do with their former trading partners the Dahomeans burned the factories in Savi and forced their European occupants to retire to Grehue, Savi's port, a spot on the coast where the Europeans maintained a number of fortified warehouses.The middleman policy did not at first operate satisfactorily. There were two reasons for this. The first was that the Dahomeans were, in practice, unable to prevent the Europeans from continuing to trade with the Hueda. The second was that the inland suppliers refused to sell slaves to Savi's conquerors. The Dahomeans solved their ‘coastal’ problem in the 1740S by placing a garrison in Grehue. This garrison kept the exiled Hueda at bay and held the Europeans in what amounted to open captivity. The Dahomeans were never able completely to solve their ‘supply’ problem. In the 1730s and 1740S the inland merchants took their slaves to ports which opened up on the Bight to the east of Grehue. Only in the 1750s and 1760s did they channel substantial numbers of slaves through Dahomey. In the last decades of the century they again boycotted the Dahomean market. Dahomey therefore prospered as a middleman state only between c. 1748 and c. 1770.An examination of their eighteenth century trading suggests that the Dahomeans were a slave-raiding community whose members realised in 1727 that they would soon run out of fresh raiding grounds. They appear to have introduced their middleman policy in an attempt to ensure that they would continue to profit from slave trading even after they had ceased to be able to take large numbers of captives themselves. Although the policy was by no means a complete success, it was important in that it seems to have led the Dahomeans to begin placing garrisons in the territories they ravaged. It appears, in fact, to have been the pursuit of their middleman goals that led them to begin creating the often described nineteenth century ‘greater’ Dahomean state. The middleman programme ceased to be of much importance after c. 1818, when the fall of Oyo enabled the Dahomeans to resume raiding widely in unexploited territory.

Weak Whites: Yellow Fever in Three Nineteenth-Century Louisiana Novels

2020 ◽  
Vol 70 (1) ◽  
pp. 33-55
Author(s):  
Robin Anita White
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
New Orleans ◽  
Yellow Fever ◽  
Woman Writer ◽  
George Washington ◽  
George Washington Cable ◽  
The Third ◽  
Nineteenth Century Novels ◽  
The Voice

Since the eighteenth century, yellow fever has had a racialized history in New Orleans and elsewhere in the Americas stemming, in part, from the disease’s origins in West Africa. There was a misconception that blacks were less likely to fall victim to the disease. This article establishes the theories around contagion and susceptibility, showing that whites, especially foreigners, were thought to be at greater risk for what was called the “Strangers’ Disease.” It then analyzes three nineteenth-century novels about New Orleans wherein yellow fever plays an important role. Two of the novels are quite well known: The Grandissimes: A Story of Creole Life (1880) by George Washington Cable and Chita: A Memory of Last Island (1889) by Lafcadio Hearn. The third novel, Amitié et dévouement, ou Trois mois à la Louisiane (1845) by Camille Lebrun, although virtually forgotten, is especially important as it represents the voice of a French woman writer whose views on race differ from those of the two other authors.

From the Bamboula to the Baby Dolls

Walking Raddy ◽  
2018 ◽  
pp. 89-108
Author(s):  
Jennifer Atkins
Keyword(s):  
African American ◽  
New Orleans ◽  
Cultural Practices ◽  
West African ◽  
African American Community ◽  
Cultural Tradition ◽  
African Dance ◽  
Twentieth Century Music ◽  
West African Dance ◽  
Baby Doll

Baby Dolls embodied the rambunctious, ambulatory dance practices of New Orleans' African-American community, playing with ragtime dancing, a style in conversation with early twentieth century music. Baby Doll dancing referenced their contemporary situation, empowering them through ribald street jaunts full of dynamism, while also relating to other cultural practices like jazz funerals and connecting them to a historical legacy that traced back to Congo Square (and earlier). Essential to Congo Square, where the Bamboula dance featured prominently, was that West African dance aesthetics persevered but also blended with sociocultural ideas influenced by its New Orleans context. Improvisation was key. Dancing, whether in Congo Square or ragtime style, highlighted spontaneity and a spirited—even competitive—style that cultivated agency while acknowledging a communal presence. These moments (and movement) were vibrant, illuminating Baby Dolls as innovators within a rich, cultural tradition that left troubles behind as liveliness surged through their dancing processions.

Further Additions to Materials for West African History in the Archives of Belgium and Holland by Patricia Carson

1969 ◽  
Vol 12 (01) ◽  
pp. 81-89
Author(s):  
H. M. Feinberg
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
The Netherlands ◽  
West African ◽  
African History ◽  
Guinea Coast ◽  
The West ◽  
Archival Material ◽  
The Hague ◽  
State Archives

This article is a supplement to a previous article on the same subject published in the African Studies Bulletin. Before I list further citations omitted from Materials for West African History in the Archives of Belgium and Holland, I will discuss, in some detail, the nature of the archival material deposited in the Algemeen Rijksarchief, The Hague. I will attempt to enhance the brief discussions of Miss Carson while avoiding repetition of statements which seem clear and/or are adequately discussed in her book. The General State Archives, The Hague, includes two major collections of interest to the West African historian: the Archives of the West India Companies and the Archives of the Netherlands Settlements on the Guinea Coast. Initially, one must realize that most of the seventeenth-century papers of both collections have been lost or destroyed, and that as a consequence there are many gaps among the existing manuscripts. For example, volume 81 (1658-1709) of the Archives of the Netherlands Settlements on the Guinea Coast includes only manuscripts for the following times: December 25, 1658-June 12, 1660; August, 1693; and October 12-December 31, 1709. Also, most of the seventeenth-century material is written in script, whereas the eighteenth-century manuscripts, with some exceptions, are in more conventional hand-writings.

Jihad in West Africa: early phases and inter-relations in Mauritania and Senegal

1971 ◽  
Vol 12 (1) ◽  
pp. 11-24 ◽  
Author(s):  
Philip D. Curtin
Keyword(s):  
Eighteenth Century ◽  
Middle East ◽  
West Africa ◽  
Religious History ◽  
West African ◽  
Reform Movement ◽  
External Influence ◽  
Religious Leadership ◽  
Religious Reform ◽  
Early Phases

The tradition of religious revolution directed against partially Muslim rulers is traced to the religious reform movement among the zwāya of Mauritania in the 1660s, and to the jihad that brought them briefly into control of Futa Toro, Cayor, Walo, and Jolof in the 1670s. In spite of the reconquest of these states by their secular rulers and the re-establishment of Hassānī control in southwestern Mauritania, the tradition of religious revolt and the aim of establishing an imamate under religious leadership lived on, to reappear in other Fulbe states. It came a generation later, with the jihad of Malik Sy in Bundu during the 1690s, and direct connexions can be traced between the leadership in Bundu and the leadership in the later jihad in Futa Jallon. The jihad in Futa the 1770s and 1780s followed in the same tradition. This evidence suggests that the external influence of the mid-eighteenth-century revival of Islam in Arabia and the Middle East has been overemphasized in West African religious history. Forces working for the reform of Islam based in Africa itself were already at work.

Antiguan Methodism and Antislavery Activity: Anne and Elizabeth Hart in the Eighteenth-Century Black Atlantic

2000 ◽  
Vol 69 (1) ◽  
pp. 86-115 ◽  
Author(s):  
John Saillant
Keyword(s):  
Eighteenth Century ◽  
Black Family ◽  
Black Atlantic ◽  
Nation State ◽  
Enslaved Women ◽  
Late Eighteenth ◽  
Slave Traders ◽  
Women And Children ◽  
The Difference ◽  
Modern Nation State

Around 1790, two young sisters born into a slaveholding free black family began instructing Antiguan slaves in literacy and Christianity. The sisters, Anne (1768–1834) and Elizabeth (1771–1833) Hart, first instructed their father's slaves at Popeshead—he may have hired them out rather than using them on his own crops—then labored among enslaved women and children in Antiguan plantations and in towns and ports like St. John's and English Harbour. Soon the sisters came to write about faith, slavery, and freedom. Anne and Elizabeth Hart were moderate opponents of slavery, not abolitionists but meliorationists. When compared to their black American, British, and West African contemporaries, the Hart sisters illuminate the birth of a black antislavery Christianity in the late eighteenth century precisely because they never became abolitionists. The Hart sisters shared with their black contemporaries a vivid sense of racial identity and evangelical Christianity. Yet as meliorationists, the Hart sisters did not oppose slavery as an institution, but rather the vice it spread into the lives of blacks. The difference between the Hart sisters and their contemporaries such as Richard Allen, Quobna Ottobah Cugoano, Olaudah Equiano, Lemuel Haynes, and John Marrant—all luminaries of black abolitionism of the late eighteenth and early nineteenth centuries—was that the abolitionists felt themselves citizens of a modern nation-state characterized by power that could be used against slave traders and slaveholders. The Hart sisters never thought of themselves as citizens and abjured political means, including revolution, of ending slavery. This essay aims to describe the Hart sisters' faith and antislavery activity and to analyze the difference between meliorationism and abolitionism in terms of a black writer's ability or inability to identify as a citizen of a modern nation-state.

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