Is there room for weaklings in Darwin's theory of evolution? The “survival of the fittest”–that muscular phrase taken from Herbert Spencer–would seem to suggest not. A more nuanced and counterintuitive picture emerges, however, when fitness is remapped: as a form of mutuality between the human and the nonhuman, rather than an exclusively human attribute vested in a single individual. I explore that possibility in the contemporary novel, a genre evolving steadily away from its Victorian antecedent, and circling back to the epic to reclaim an elemental realism, alert to the reparative as well as destructive forces of the nonhuman world. In Barbara King-solver's The Poisonwood Bible and Richard Powers's The Overstory, these nonhuman forces turn the novel into a shelter for disabled characters, granting them a testing ground and a future all the more vital for being uncertain.
The Poisonwood Bible, Lumumba, and A Congo Chronicle: Patrice Lumumba in Urban Art
