This chapter contextualizes and theoreticizes the literary topography of space and emotion, the (de)formation of modern subjectivity, individual desire and collective consciousness, political conflicts and historical violence, as well as nationalist sentiments and cultural memories centering around Beijing, the ancient capital and modern city, which has framed the material infrastructures, human conditions, mental images, political regimes, cultural identities, and literary imaginations from the late Imperial and Republican periods to the Cold War era and after. I consider five modes of creating a city-text that fashion Beijing: (1) a warped hometown, (2) a city of snapshots and manners, (3) an aesthetic city, (4) an imperial capital in comparative and cross-cultural perspective, and (5) a displaced and relocated city on the Sinophone and diasporic postmemory. Each method of imagining Beijing provides a unique entry point into the nexus of urban settings, archives of emotions, and strategies of literary mappings in Beijing’s journey from imperial capital to socialist city.