The Glazed Eyes of History: Reading the 1964 AIA-ACSA Teacher Conference

This position paper looks at the 1964 AIA -ACSA Teacher conference, one that offers us a window into the current anxieties of architectural history survey courses. The conference was organized at a time when PhD programs in Architectural History and Theory were emerging, with accompanying mid-century notions of disciplines with clear boundaries, objects of study and hierarchy of experts. The questions that were being asked were fundamental: What is Architectural History? What are its contents? How should it be taught? Who is an Architectural Historian? However, a closer look beneath the masculine bravado of the conference reveals many of the same symptoms that persist today: questions of ‘diversity’ of content, anxiety to be ‘relevant’ to students in professional programs and a tendency to leave unquestioned the tradition of ‘designo’. This paper journeys through these anxieties with the hope of bringing some of those in play today into sharper focus. Perhaps, it concludes, the work of architectural history might be what Spivak termed as a project of “Planetarity”, involving not merely a change in epistemological methods but an undoing of the social order of architectural history.

Cultural Institutions as Formative Elements in the Work of Behrens, Utzon and Kahn

This paper is concerned with the role of human institutions as generators of architectural form, with reference to the writings and works of Peter Behrens, Jørn Utzon, and Louis Kahn. These architects were willing to regard human institutions as living cultural entities, which ought to have a determinative influence on the design of the buildings that were to house them. This may be contrasted with the naïve functionalism promoted by some of their contemporaries. The paper begins with a brief view of the theoretical background alluded to above, and then turns to the theatre as a primary cultural activity, and the prominent place it held in Behrens's thinking during the opening years of the twentieth century. Affinities are explored between Behrens's concept of the theatre and Utzon's subsequent treatment of the theatre as a central civic institution in his design for the Sydney Opera House (1956). A parallel is seen in Louis Kahn's insistence that the starting-point for an architectural project should lie in a vision of the human institution which the project is to serve. A critical role for cultural institutions as objects of architectural attention indeed was present in urban schemes produced from the early twentieth century, as exemplified by the work of Tony Garnier.

Photographs of silos

This article explores the dissemination of the photographs and photo-reproductions of the now-canonical North and South American grain elevators, published and disseminated in the early twentieth century in publications such as the 1913 Werkbund Yearbook where Walter Gropius included them as illustrations to his article, and later by Le Corbusier in Vers une architecture, amongst many others. It emphasises that while within architecture discourse the idea of a canon made up of buildings is widely accepted, this article identifies and stresses the role of ‘photographic canons’ as a means to further challenge these constructions. To do so, the article focuses on the moment where these photo-reproductions were consolidated as canonical and the mechanisms that such a construct implied. It investigates the photo-reproductions’ history as objects of trade and exchange, as well as their mobilisation in relation to photographic media and different dissemination platforms to argue that, on the one hand, that this informed their reading as architectural, and thus singular, objects. And on the other, that the materiality of the photo-reproductions’ different instances testifies to their nature as commodities and objects of trade, and therefore to the consolidation of their canonical status.

Reviews Fall 2021

Hopkins, O. A review of Maureen Cassidy-Geiger (ed.), Living with Architecture as Art: The Peter W. May Collection of Architectural Drawings, Models, and Artefacts. London: Ad Ilissvm, 2021. Svalduz, E. A Review of Martin Gaier and Wolfgang Wolters, eds., Dilettanti di architettura nella Venezia del Cinquecento. Venice: Istituto Veneto di Scienze Lettere ed Arti, 2020. Kuenzli, K. A review of Mark Wigley, Konrad Wachsmann’s Television: Post-architectural Transmissions. Berlin: Sternberg Press, 2020. Antonucci, M. A review of Dario Donetti, Francesco da Sangallo e l’identità dell’architettura toscana. Rome: Officina Libraria, 2020. Williams, S. A review of Zoltán Somhegyi, Reviewing the Past: The Presence of Ruins. London: Rowman & Littlefield International Ltd., 2020.