Slovene Musical Stage Works

2021 ◽  
Vol 78 (2) ◽  
pp. 235-245
Author(s):  
Pia Brodnik ◽  
Leslie De’Ath
Keyword(s):  
Music Literature ◽  
Slovene Language ◽  
Lyric Diction

This second installment of a two-part article on Slovene music literature and lyric diction surveys musical stage works in the Slovene language, with a large chart of composers and works, along with sample music examples and further commentary on Slovene composers.

Tvorbeni Potencial Glagolskih Novotvorjenk Na -Ing + -Irati V Slovenščini

2018 ◽  
Vol 69 (3) ◽  
pp. 572-580
Author(s):  
Irena Stramljič Breznik
Keyword(s):  
Language Use ◽  
Cognitive Grammar ◽  
Slovene Language

Abstract The paper focuses on new verbal formations in Slovene coined from borrowed nouns ending in -ing with the Slovenian morpheme -irati (e.g. šoping-irati) on the basis of analogous phonological and semantic structures in the language, and examines their spread in the sphere of informal language use. The word­formational potential of such verbs is further examined with the basic categories of cognitive grammar, such as morphemic transparency, schematicity of the word­formational pattern and the established status of the phonemic sequence *ingira* in the previously existing lexical units of the Slovene language.

Intermedialität

2006 ◽  
Vol 51 (2) ◽  
pp. 52-78 ◽  
Author(s):  
Corina Caduff ◽  
Sabina Gebhardt Fink ◽  
Florian Keller ◽  
Steffen Schmidt
Keyword(s):  
Visual Arts ◽  
The Other ◽  
Systematic Description ◽  
Artistic Representations ◽  
Music Literature ◽  
Music Film ◽  
Made In

Intermedialität wird hier systematisch an Musik, Literatur, visuelle Kunst und Film dargestellt. Den Anfang machen allgemeine Überlegungen zu Materialität und Medium in diesen verschiedenen Künsten. Im Weiteren werden unter dem Aspekt ›Bimedialität‹ verschiedene Beispiele vorgestellt, die jeweils aus zwei Medien bestehen (z.B. Musikfilm, das Lied oder Schriftbilder). Dabei folgen wir der Frage, ob und wie jeweils eines der beiden Medien eine Vorrangstellung bekommt. Der abschließende Teil behandelt „intermediale Bezüge in Monomedialität“. Hier geht es um monomediale Darstellungen, denen aber eine Beschäftigung mit einem anderen Medium vorangegangen ist. Das ist etwa dann der Fall, wenn ein Schriftsteller über ein Bild schreibt, ohne daß dieses (im Text) zu sehen ist. In this article, we offer a systematic description of intermedia relations across music, literature, the visual arts, and film. Beginning with some general reflections on materiality and medium in these diverse fields of art, we then offer various examples consisting of two media (e.g. music film, song, images in writing). We pursue the question if, and how, one of the two media may take priority over the other. In our conclusion, we deal with „intermedia relations in monomediality“. This section focuses on artistic representations made in one medium, but based on reflections on another medium. For instance, this is the case when a novelist writes about a picture without having this picture reprinted in the text.

scholarly journals Perceiving Music Through the Lens of Synaesthesia and Absolute Pitch

Perception ◽  
2021 ◽  
pp. 030100662110344
Author(s):  
Solange Glasser
Keyword(s):  
Music Perception ◽  
Research Effort ◽  
Absolute Pitch ◽  
Potential Relationship ◽  
Current Thinking ◽  
Music Literature ◽  
Behavioural Evidence

Synaesthesia and absolute pitch (AP) are two rare conditions that occur more frequently within populations of artistic professionals. Current thinking surrounding synaesthesia and AP and their relationship to music perception form the focus of this article. Given that synaesthesia has rarely been discussed in the music literature, the article surveys and consolidates general neurobiological, psychological, and behavioural evidence to summarise what is currently known on this topic, in order to link this back to the conditions that most relate to music. In contrast, research on AP is now well established in the music literature, but the important gap of linking AP to other conditions such as synaesthesia has yet to be fully explored. This article investigates the potential relationship between synaesthesia and AP for musicians who possess both conditions by systematically comparing the definitions, classifications, prevalence, diagnoses, and impacts on music perception of synaesthesia and AP and provides insights into the varying states of the literature and knowledge of both conditions. In so doing, this article aims to facilitate a greater understanding of music and auditory forms of synaesthesia and their interaction with AP and encourage increased research effort on this important topic.

English in Slovenia: status, functions, and features

English Today ◽  
2009 ◽  
Vol 25 (4) ◽  
pp. 28-38 ◽  
Author(s):  
Špela MeŽek
Keyword(s):  
Eastern Bloc ◽  
Eastern European ◽  
World Language ◽  
Slovene Language ◽  
Science And Education ◽  
The Media ◽  
Eastern European Countries ◽  
The Cold War ◽  
Education Science ◽  
Second World

ABSTRACTSlovenia, like many former Eastern bloc countries, is now coming to terms with the increasing popularity of English.Today English is the most widely used foreign language in Europe. It is used in business, education, science, the media, advertisements, music, graffiti, and in many other places, although its greatest use can be found in commerce, culture, science and education (Phillipson, 2003). The presence of English is felt more in some parts of Europe than in others, however. In the Scandinavian countries, for example, English manifests itself in all parts of society and the knowledge of English is so high that some consider it a second language (McArthur, 1996). In Eastern Europe, the acquisition and use of English has traditionally not been as widespread, although in recent years, the picture has changed greatly, as English has become more and more popular in what were formerly Eastern bloc countries.In many ways Slovenia has been following the trends in other Central and Eastern European countries. The influence of English has been growing since the Second World War and in particular after the end of the Cold War. Its influence has intensified even more after Slovenia became an independent country. Today, Slovenes feel both cautious and enthusiastic about English. There is extensive legislation to protect the Slovene language, while at the same time there is a ‘certain enthusiasm for both “western” ideas and the world language, English’ (Schlick, 2003: 4).

Blaski i cienie pracy mózgu. O miłości, sztuce i pogoni za szczęściem

2012 ◽  
Author(s):  
Semir Zeki
Keyword(s):  
Fine Arts ◽  
Aesthetic Perception ◽  
Brain Science ◽  
Literature And Philosophy ◽  
Music Literature

A look at the works of Dante, Balzac, Zola, Mann and the great poets of the Orient, as well as Michelangelo’s sculptures, Cezanne’s paintings, and Wagner’s music from a brain science perspective. The fascinating publication in the field of neuroesthetics. Describing the neurobiological foundations of aesthetic perception, the author extends the considerations from fine arts to music, literature and philosophy.

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