Further Developments, 1957–1958

2017 ◽  
Keyword(s):  
United States ◽  
Great Britain ◽  
Atlantic Ocean ◽  
Folk Music ◽  
The United States ◽  
Folk Song ◽  
Folk Revival ◽  
Greenwich Village ◽  
Music Scene ◽  
The Village

This chapter describes the folk music scene from 1957 to 1958. It discusses the emergence of the Kingston Trio that energized the folk revival; folk festivals and recordings; the continued popularity of skiffle in Great Britain; magazines the covered the folk music scene, including Sing Out! and Caravan; and Alan Lomax's return to the United States after seven years of folk-song collecting across Europe. According to Greenwich Village musician Dave Van Ronk, “the last years of the 1950s were a great time to be in the Village.” “It was not too crazy yet, but there was an exhilarating sense of something big right around the corner. As for the folk scene, it was beginning to look as if it might have a future, and me with it.” What was happening in Greenwich Village was rapidly spreading around the country. Folk music, broadly defined, appeared to have a bright future, while spanning the Atlantic Ocean.

scholarly journals Visions of Diversity: Cultural Pluralism and the Nation in the Folk Music Revival Movement of the United States and Canada, 1958–65

2006 ◽  
Vol 40 (3) ◽  
pp. 593-614 ◽  
Author(s):  
GILLIAN A. M. MITCHELL
Keyword(s):  
United States ◽  
Folk Music ◽  
The United States ◽  
Cultural Pluralism ◽  
Folk Revival ◽  
The North ◽  
Folk Music Revival ◽  
Revival Movement ◽  
Excellent Work ◽  
The 1960S

This article focusses on the concept of cultural pluralism in the North American folk music revival of the 1960s. Building on the excellent work of earlier folk revival scholars, the article looks in greater depth at the “vision of diversity” promoted by the folk revival in North America – at the ways in which this vision was constructed, at the reasons for its maintenance and at its ultimate decline and on the consequences of this for anglophone Canadian and American musicians and enthusiasts alike.

Background in the United States and Great Britain to 1950

2017 ◽  
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Great Britain ◽  
Folk Music ◽  
The United States ◽  
Major Influence ◽  
Political Agenda ◽  
Anglo Saxon ◽  
The Public ◽  
The 1950S

Throughout the twentieth century, folk music has had many definitions and incarnations in the United States and Great Britain. The public has been most aware of its commercial substance and appeal, with the focus on recording artists and their repertoires, but there has been so much more, including a political agenda, folklore theories, grassroots styles, regional promoters, and discussions on what musical forms—blues, hillbilly, gospel, Anglo-Saxon, pop, singer-songwriters, instrumental and/or vocal, international—should be included. These contrasting and conflicting interpretations were particularly evident during the 1950s. This chapter begins by focusing on Alan Lomax (1915–2002), one of the most active folk music collectors, radio promoters, and organizers during the 1940s. Lomax had a major influence on folk music in both the United States and Great Britain, tying together what had come before and what would follow. The chapter then discusses folk festivals and performers; British folk music, musicians, and trans-Atlantic musical connections; and Carl Sandburg's publication of the The American Songbag in 1927.

Folk Music of the United States: Anglo-American Ballads from the Archive of American Folk Song

1957 ◽  
Vol 70 (276) ◽  
pp. 185
Author(s):  
Willard Rhodes ◽  
Alan Lomax ◽  
Duncan Emrich
Keyword(s):  
United States ◽  
Folk Music ◽  
The United States ◽  
Folk Song ◽  
Anglo American

Corruption as a Political Issue in Modern Societies: France, Great Britain and the United States in the Long 19th Century

Public Voices ◽  
2016 ◽  
Vol 10 (2) ◽  
pp. 68 ◽  
Author(s):  
Jens Ivo Engels
Keyword(s):  
United States ◽  
Great Britain ◽  
19Th Century ◽  
French Revolution ◽  
Political Corruption ◽  
The United States ◽  
Modern World ◽  
Political Issue ◽  
Starting Point ◽  
Bureaucratic State

The so-called “long 19th century”, from the French Revolution to the First World War, ranks as the crucial phase in the genesis of the modern world. In the Western countries this period was characterized by the differentiation of the public and the private spheres, the birth of the modern bureaucratic state and the delegitimation of early modern practices such as clientelism and patronage. All these fundamental changes are, among other things, usually considered important preconditions for the modern perception of corruption.This paper will concentrate on this crucial phase by means of a comparative analysis of debates in France, Great Britain and the United States, with the aim to elucidate the motives for major anti-corruption movements. The questions are: who fights against corruption and what are the reasons for doing so? I will argue that these concerns were often very different and sometimes accidental. Furthermore, an analysis of political corruption may reveal differences between the political cultures in the countries in question. Thus, the history of corruption serves as a sensor which enables a specific perspective on politics. By taking this question as a starting point the focus is narrowed to political corruption and the debates about corruption, while petty bribery on the part of minor civilservants, as well as the actual practice in the case of extensive political corruption, is left aside.

Counterterrorism Between the Wars

2020 ◽  
Author(s):  
Mary S. Barton
Keyword(s):  
United States ◽  
Great Britain ◽  
Domestic Politics ◽  
The United States ◽  
League Of Nations ◽  
Great Powers ◽  
Common Interests ◽  
Independence Movements ◽  
Second World ◽  
The U.S

This is a book about terrorism, weapons, and diplomacy in the interwar years between the First and Second World Wars. It charts the convergence of the manufacture and trade of arms; diplomacy among the Great Powers and the domestic politics within them; the rise of national liberation and independence movements; and the burgeoning concept and early institutions of international counterterrorism. Key themes include: a transformation in meaning and practice of terrorism; the inability of Great Powers—namely, Great Britain, the United States, France—to harmonize perceptions of interest and the pursuit of common interests; the establishment of the tools and infrastructure of modern intelligence—including the U.S.-U.K. cooperation that would evolve into the Five Eyes intelligence alliance; and the nature of peacetime in the absence of major wars. Particular emphasis is given to British attempts to quell revolutionary nationalist movements in India and elsewhere in its empire, and to the Great Powers’ combined efforts to counter the activities of the Communist International. The facilitating roles of the Paris Peace Conference and League of Nations are explored here, in the context of the Arms Traffic Convention of 1919, the Arms Traffic Conference of 1925, and the 1937 Terrorism Convention.

Sign in / Sign up

Export Citation Format

Share Document