Queer Natures, Queer Mythologies

2020 ◽  
Author(s):  
Sam See
Keyword(s):  
Sexual Selection ◽  
Virginia Woolf ◽  
Langston Hughes ◽  
Modern Literature ◽  
Scholarly Work ◽  
Literary Modernism ◽  
Hart Crane ◽  
Wide Range ◽  
The Aesthetic ◽  
Leading Journals

This book collects the scholarly work that Sam See had completed as of his death in 2013. It includes essays that have been previously published in leading journals as well as materials that remained unpublished. Its parts represent the two book projects that See hoped to complete: Queer Natures: Feeling Degenerate in Literary Modernism and Queer Mythologies: Community and Memory in Modern Literature. The first reinterprets the key term nature, central to so many discussions of literature and sexuality. For See, nature is no longer an unchanging substrate or a philosophical given. Relying on a thorough reading of Darwin, See argues instead that nature is constantly and aimlessly variable. Since it makes room for the aesthetic, by way of what Darwin called sexual selection, nature is also affected by feeling. On these grounds, See argues that nature itself might be considered queer. The second project proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. See looks at the ways in which queer community has been imagined in literary works from a wide range of authors, and he analyzes the role that literature has played in providing significant aesthetic versions of that community. Locating the various failures of these myths is a way, he hopes, of approaching another, more successful communal story. In addition to his reading of Darwin, See provides new interpretations of modern writers including Langston Hughes, Virginia Woolf, Oscar Wilde, Hart Crane, and T. S. Eliot.

Adopting SCAMPER`S Strategies to Incorporate the Sustainability Concepts Within Architectural Design Process

2021 ◽  
Author(s):  
Farhan Ali ◽  
Keyword(s):  
Design Process ◽  
Creative Thinking ◽  
Architectural Design ◽  
Divergent Thinking ◽  
Functional Performance ◽  
Necessary Condition ◽  
Existing Building ◽  
Starting Point ◽  
Wide Range ◽  
The Aesthetic

Thinking creatively, is a necessary condition of the Design process to transform ideas into novel solutions and break barriers to creativity. Although, there are many techniques and ways to stimulate creative thinking for designers, however, this research paper adopts SCAMPER; which is acronym of: Substitute- Combine-Adapt- Modify or Magnify-Put to another use-Eliminate-Reverse or Rearrange- to integrate the sustainability concepts within architectural design process. Many creative artifacts have been designed consciously or unconsciously adopting SCAMPER strategies such as rehabilitation and reuse projects to improve the functional performance or the aesthetic sense of an existing building for the better. SCAMPER is recognized as a divergent thinking tool are used during the initial ideation stage, aims to leave the usual way of thinking to generate a wide range of new ideas that will lead to new insights, original ideas, and creative solutions to problems. The research focuses on applying this method in the architectural design, which is rarely researched, through reviewing seven examples that have been designed consciously or unconsciously adopting SCAMPER mnemonic techniques. The paper aims to establish a starting point for further research to deepen it and study its potentials in solving architectural design problems.

scholarly journals Temperature as a modulator of sexual selection

2018 ◽  
Author(s):  
Roberto García-Roa ◽  
Francisco Garcia-Gonzalez ◽  
Daniel W.A. Noble ◽  
Pau Carazo
Keyword(s):  
Global Warming ◽  
Sexual Selection ◽  
Thermal Environment ◽  
Abiotic Factors ◽  
Meta Analysis ◽  
Population Viability ◽  
Order Effects ◽  
Secondary Sexual Traits ◽  
Trade Offs ◽  
Wide Range

A central question in ecology and evolution is to understand why sexual selection varies so much in strength across taxa, and it has long been known that ecological factors are crucial to this respect. Temperature is a particularly critical abiotic ecological factor that can drastically modulate a wide range of physiological, morphological and behavioural traits, impacting individuals and populations at a global taxonomic scale. Furthermore, temperature exhibits substantial temporal variation (e.g. daily, seasonally and inter-seasonally), and hence for most species in the wild sexual selection will regularly unfold in a dynamic thermal environment. Unfortunately, studies have so far almost completely neglected the role of temperature as a modulator of sexual selection. Here, we outline the main pathways via which temperature can affect the intensity and form (i.e. mechanisms) of sexual selection, via: a) direct effects on secondary sexual traits and preferences (i.e. trait variance, opportunity for selection and trait-fitness covariance), and b) indirect effects on key mating parameters, sex-specific reproductive costs/benefits, trade-offs, demography and correlated abiotic factors. Building upon this framework, we show that, by focusing exclusively on the first order effects that environmental temperature has on traits linked with individual fitness and population viability, current global warming studies may be ignoring important eco-evolutionary feedbacks mediated by sexual selection. Finally, we tested the general prediction that temperature modulates sexual selection by conducting a meta-analysis of available studies experimentally manipulating temperature and reporting effects on the variance of male/female reproductive success and/or traits under sexual selection. Our results show a clear association between temperature and sexual selection measures in both sexes. In short, we suggest that studying the feedback between temperature and sexual selection processes can be vital to better understand variation in the strength of sexual selection in nature, and its consequences for population viability in response to environmental change (e.g. global warming).

scholarly journals Optimization of Cultural and Creative Product Design Based on Simulated Annealing Algorithm

Complexity ◽  
2021 ◽  
Vol 2021 ◽  
pp. 1-10
Author(s):  
Xianzhe Meng
Keyword(s):  
Simulated Annealing ◽  
Product Design ◽  
Simulated Annealing Algorithm ◽  
Cultural Resources ◽  
Application Process ◽  
Wide Range ◽  
Development And Utilization ◽  
Annealing Algorithm ◽  
Creative Products ◽  
The Aesthetic

This paper introduces the basic principle and application process of simulated annealing algorithm and improves the simulated annealing algorithm so that it can converge faster to get the new parameters of cultural and creative product design and make it more in line with the reality of engineering optimization. In the cultural creative industry, it is necessary to use the creatorʼs creativity and technology to derive and develop the original cultural resources with the help of various materialization means, to refine the abstract and profound contents of cultural resources to make them more visualized, and to produce products with both spiritual and economic values through the multiple development and utilization of their intellectual property contents. By studying the feasibility analysis of the cultural and creative design, the design positioning of the cultural and creative products is determined. In this article, we use the simulated annealing method to simulate and analyse the condition values in the design process of cultural creative products. As the Internet era progresses, people have more diversified requirements for cultural and creative products, and they need to have innovative ideas to follow the trend, so the design of cultural and creative products can spread culture through different design expressions and media. As one of the important pillar industries for future development, cultural and creative products are characterized by a wide range of styles and practicality, which meet the aesthetic needs and fashion trends of modern people.

Materialities of Abstraction

2021 ◽  
Vol 67 (2) ◽  
pp. 191-214
Author(s):  
Brandon Truett
Keyword(s):  
Material Culture ◽  
Virginia Woolf ◽  
Literary History ◽  
Abstract Art ◽  
Artistic Practice ◽  
Material World ◽  
Bloomsbury Group ◽  
Art Object ◽  
Visual Artist ◽  
The Aesthetic

This article recovers the 1918 chapbook that the understudied Vorticist poet and visual artist Jessie Dismorr composed for the American sculptor John Storrs and his wife Marguerite. It examines the ways the chapbook reorients the aesthetic criteria by which we recognize abstraction in the early twentieth century. Studying how Dismorr’s divergent and feminist approach to Vorticist practice exploits “the materialities of abstraction,” or the traces of the material world that evince the outside of the abstract art object, it suggests that these material traces lead us to reimagine the boundary between inside and outside, and thus the way an art object indexes and interacts with the material world. Proposing that the recovery of an object as seemingly inconsequential as an individual chapbook in fact raises questions about how we construct the literary- and art-historical field of modernism, the article situates Dismorr’s work in relation to other feminist understandings in British modernism of the socialized space of artistic practice across media exemplified by Virginia Woolf ’s account of sociability within the Bloomsbury Group, and argues for the importance of such unique objects as chapbooks to the study of material culture within literary history and within art history as well.

Dynamic Form

2020 ◽  
Author(s):  
Cara L. Lewis
Keyword(s):  
Virginia Woolf ◽  
Henry James ◽  
Gertrude Stein ◽  
Political Commitment ◽  
Literary Modernism ◽  
Mina Loy ◽  
Spatial Form ◽  
History Of ◽  
Modernist Studies ◽  
Verbal Category

This book traces how intermedial experiments shape modernist texts from 1900 to 1950. Considering literature alongside painting, sculpture, photography, and film, the book examines how these arts inflect narrative movement, contribute to plot events, and configure poetry and memoir. As forms and formal theories cross from one artistic realm to another and back again, modernism shows its obsession with form—and even at times becomes a formalism itself—but as the book states, that form is far more dynamic than we have given it credit for. Form fulfills such various functions that we cannot characterize it as a mere container for content or matter, nor can we consign it to ignominy opposite historicism or political commitment. As a structure or scheme that enables action, form in modernism can be plastic, protean, or even fragile, and works by Henry James, Virginia Woolf, Mina Loy, Evelyn Waugh, and Gertrude Stein demonstrate the range of form's operations. Revising three major formal paradigms—spatial form, pure form, and formlessness—and recasting the history of modernist form, the book proposes an understanding of form as a verbal category, as a kind of doing. It thus opens new possibilities for conversation between modernist studies and formalist studies and simultaneously promotes a capacious rethinking of the convergence between literary modernism and creative work in other media.

Introduction

2020 ◽  
pp. 1-21
Author(s):  
Samantha Matthews
Keyword(s):  
Case Studies ◽  
Virginia Woolf ◽  
Women Poets ◽  
Poetic Language ◽  
Social Spaces ◽  
Gender Hierarchy ◽  
Cultural Interest ◽  
The Aesthetic ◽  
Key Terms

Virginia Woolf dismissed Byron’s early poetry as ‘album stuff’ and critics have assumed album poetry is inherently unoriginal and imitative. The introduction challenges these received ideas by laying out the aesthetic and cultural interest of this neglected hybrid, protean form designed to be read and circulated in manuscript, and which developed its own poetic language, generic conventions, and common themes. Writers of album poetry range from canonical Romantic poets, women poets, society poets, to amateurs, and albums create social spaces where different views of gender, hierarchy, and poetry clash. ‘Albo-mania’ has been seen as a phenomenon of the 1820s. The introduction traces the fashion’s origins in the 1780s, defines and contextualizes key terms ‘album verse’ and ‘album’, while analysis of Byron’s ‘Written in an Album’ (1812) lays out the characteristics and creative possibilities of album poetry examined in the six case studies which follow.

Constructing the digital self in the Global South

2020 ◽  
Vol 9 (1) ◽  
pp. 1-13 ◽  
Author(s):  
Baird Campbell ◽  
Nell Haynes
Keyword(s):  
Special Section ◽  
Global South ◽  
Gender And Sexuality ◽  
The Self ◽  
Discursive Practices ◽  
Wide Range ◽  
Online Spaces ◽  
Global North ◽  
The Aesthetic ◽  
Self Formation

Abstract The papers in this special section examine how people in various contexts of the Global South “construct the self” in online spaces. With examples from Chile, Senegal, and Trinidad, the papers show the wide range of discursive practices, encompassing the textual and the aesthetic, which individuals use to enact gendered and sexual selves online. By privileging gender and sexuality as central components of selfhood, we draw from the longstanding attention paid to gender and sexuality in linguistic studies of identification (see Bucholtz & Hall 2004). In placing this concept within digital worlds, we pay attention to the ways in which daily life is now lived and experienced online. Authors in this issue think critically about practices of self-formation and the performance of gender and sexuality that differ from those that have normalized in the Global North, considering both revolutionary possibility, and re-entrenchment of constraint.

Introduction

2018 ◽  
Author(s):  
Carrie Rohman
Keyword(s):  
Virginia Woolf ◽  
John Cage ◽  
Art Making ◽  
Art Practices ◽  
Merce Cunningham ◽  
Isadora Duncan ◽  
The Aesthetic

Rather than looking primarily “beyond” ourselves to understand animals and aesthetics, I suggest we must also look “within” to identify a deep coincidence of the human and animal elaboration of life forces in bioaesthetic practices. A “bio-impulse” at the root of the aesthetic itself connects human artistic propensities to animality through strategies of excess, display, and intensification. Re-envisioning the aesthetic domain itself as trans-species in scope is ethically charged because our species must acknowledge the shared status of art-making, one of our most hallowed and formerly “exceptional” activities. In examining the work, theories, and art practices of Isadora Duncan, D. H. Lawrence, Virginia Woolf, Rachel Rosenthal, Merce Cunningham, and John Cage, I articulate ways to recognize and assess the entanglement of human and nonhuman aesthetic forces.

Sayyid Ahmad Khan

2019 ◽  
Author(s):  
David Lelyveld
Keyword(s):  
Political Representation ◽  
Early Years ◽  
Educational Institutions ◽  
Literary Modernism ◽  
British Imperialism ◽  
Global Networks ◽  
Colonial State ◽  
Religious Texts ◽  
Wide Range ◽  
Women's Equality

The lifetime of Sayyid Ahmad Khan (“Sir Syed”) (1817–1898) spans profound transformations introduced to India and the wider world by the twin forces industrial capitalism and British imperialism. Sayyid Ahmad’s intellectual responses to a changing world and his leadership in the establishment of educational institutions, voluntary associations, and a broad public sphere all played a significant role in defining what it means to be Muslim, especially in India and what would become Pakistan but also in wider cosmopolitan and global networks. The development, compromises, and contradictions of Sayyid Ahmad’s ideas and projects over time track the challenges he faced. If these efforts pointed the way to some sort of modernity, it was rooted in the Indo-Persian and Islamic formation of his early years and developed by selectively adopting bits and pieces of European ideologies, technologies, practices, and organizational arrangements. He has been claimed or condemned by advocates and opponents of a wide range of ideological and political tendencies under circumstances that he would barely have recognized in his own time: nationalism, democracy, women’s equality, and religious and literary modernism. At different points in his career one may find mysticism, scriptural literalism, and daring rationalism with respect to religious texts; charters for Muslim “separatism” and calls for Hindu-Muslim unity; demands for autonomy and political representation and opposition to it; bold critiques of British rulers; and proclamations of “loyalty” to the colonial state. A major figure in the advancement of the Urdu language, he later argued for the superiority of English, of which he himself had little, for the purposes of education and administration. Most of all, he helped establish an intellectual and institutional framework for contemporaries and future generations to debate and pursue collective goals based on religion, language, social status, or class interest.

Beauty in Efficiency

2016 ◽  
Vol 35 (1) ◽  
pp. 93-120 ◽  
Author(s):  
Odette da Silva ◽  
Nathan Crilly ◽  
Paul Hekkert
Keyword(s):  
Experimental Design ◽  
Experimental Evidence ◽  
Product Design ◽  
Consumer Products ◽  
Maximum Effect ◽  
Aesthetic Appreciation ◽  
Use Of Resources ◽  
Wide Range ◽  
The Aesthetic ◽  
Principle Of Maximum

Theory and discourse suggest that the aesthetic appreciation of a wide range of artifacts—including works of art and consumer products—is partially governed by the principle of maximum effect for minimum means. We conducted two studies to find experimental evidence of this principle in the context of product design. In Study 1, we tested the hypothesis that the aesthetic appreciation of a product would be positively affected by the perception of the product as the minimum means achieving the maximum effect. Encouraged by the results of this study, we conducted Study 2 to test again the principle of maximum effect for minimum means using a more controlled experimental design. Our findings provide support for our hypothesis, indicating that the aesthetic appreciation of a product depends, to some extent, on the perception that the product achieves more than other products from its category by making an efficient use of resources.

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