The so Called Visual Turn of Contemporary Culture – Myth or Reality?

The article presents a reflection on the experience of prenatal ultrasound and on the nature of cultural beings, it creates. It exploits chosen ethnographic and cultural descriptions of prenatal ultrasounds in different cultures, as well as documentary and artistic reflections on medical imagery and new media technologies. It discusses different ways of defining the role of ultrasound in prenatal care and the cultural contexts build around it. Although the prenatal ultrasounds often function in the space of enormous tensions (although they are also supposed to give pleasure), it seems they will accompany us further in the future. It is worthwhile to find some new ways of describing them and to invent new cultural practices to deal with them.

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The Concept of Sacred in Post-Soviet Literature

10.26686/wgtn.17004754.v1 ◽

2021 ◽

Author(s):

◽

Akvilina Cicenaite

Keyword(s):

Cultural Practices ◽

Russian Literature ◽

Analytical Tool ◽

Contemporary Culture ◽

Soviet Literature ◽

Universal Term

<p>Rejecting the prior essentialist assumptions connected with the classical notions of the sacred, this dissertation argues for the redefinition of this concept and its use as an analytical tool. Religion, too, should no longer be held as a privileged space for the emergence of the sacred. The sacred is held not to be a numinous phenomenon experienced privately, a universal term, or of an unchangeable structure. Instead, it is a relative and temporary category constructed through certain cultural practices, which helps us disclose the concepts of meaning, identity and community. Such a redefined notion can be applied when speaking about contemporary culture and literature. This dissertation presents Russian writer Victor Pelevin as a case study, demonstrating the possibility to speak of the sacred in the seemingly secular post-Soviet milieu. It provides insights into the role of the sacred in his works and introduces new possible approaches towards his writings and his position in Russian literature. Moreover, the analysis of Pelevin’s works shows that this redefined understanding of the sacred is productive not only in his writings, but also in general in the studies of sacrality in the postmodern world, making this post-Soviet sacred a more extensive concept, applicable in a wide variety of contexts.</p>

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CORPOREALITY AND THE SELF: DISSOLVING BORDERS WITH TECHNOLOGY

RUDN Journal of Philosophy ◽

10.22363/2313-2302-2019-23-3-302-311 ◽

2019 ◽

Vol 23 (3) ◽

pp. 302-311

Author(s):

A K Selchenok ◽

V A Berest

Keyword(s):

Contemporary Art ◽

Virtual World ◽

Cultural Context ◽

Complete Disappearance ◽

Contemporary Culture ◽

Identification Process ◽

The Subject ◽

Impact Of Technology ◽

Physical Capacities

This paper describes the concept of corporeality in the context of science art and the role of technology in contemporary culture. Human corporeality is a body endowed with soul and meaning. It results from personal and social experience, historical development, or cultural context and its implicit impacts. The subject of this research is corporeal code that organize the nature of modern artistic productions and human being identity. Contemporary artists use the strategies of participation and interaction, forms of interventions to make art an agent of social change and to become active drivers for the new identity process activation. Problems of identity make up a significant layer in contemporary art. The identification process develops in them in various directions. We can characterize its evolution as a change of identities. Recognizing the role and intense impact of technology on contemporary culture, we can trace two main directions: one involves extension of human senses and abilities by creating new solutions, software and tools, that let us get advanced understanding of the reality, and the second one is based on presupposed physical capacities of the human corporeality. According this approach the understanding of reality as a reality given in sensations is disappearing. The virtual world comes to replace it, our essence becomes involved in the process of mixing and indistinguishability until its complete disappearance.

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The Concept of Sacred in Post-Soviet Literature

10.26686/wgtn.17004754 ◽

2021 ◽

Author(s):

◽

Akvilina Cicenaite

Keyword(s):

Cultural Practices ◽

Russian Literature ◽

Analytical Tool ◽

Contemporary Culture ◽

Soviet Literature ◽

Universal Term

<p>Rejecting the prior essentialist assumptions connected with the classical notions of the sacred, this dissertation argues for the redefinition of this concept and its use as an analytical tool. Religion, too, should no longer be held as a privileged space for the emergence of the sacred. The sacred is held not to be a numinous phenomenon experienced privately, a universal term, or of an unchangeable structure. Instead, it is a relative and temporary category constructed through certain cultural practices, which helps us disclose the concepts of meaning, identity and community. Such a redefined notion can be applied when speaking about contemporary culture and literature. This dissertation presents Russian writer Victor Pelevin as a case study, demonstrating the possibility to speak of the sacred in the seemingly secular post-Soviet milieu. It provides insights into the role of the sacred in his works and introduces new possible approaches towards his writings and his position in Russian literature. Moreover, the analysis of Pelevin’s works shows that this redefined understanding of the sacred is productive not only in his writings, but also in general in the studies of sacrality in the postmodern world, making this post-Soviet sacred a more extensive concept, applicable in a wide variety of contexts.</p>

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Challenges of Fear Conditioning Research in the Age of RDoC

Zeitschrift für Psychologie ◽

10.1027/2151-2604/a000303 ◽

2017 ◽

Vol 225 (3) ◽

pp. 189-199 ◽

Cited By ~ 5

Author(s):

Tina B. Lonsdorf ◽

Jan Richter

Keyword(s):

Fear Conditioning ◽

Clinical Diagnosis ◽

Research Domain Criteria ◽

Major Focus ◽

The Future ◽

Definition Of ◽

Methodological Considerations ◽

Research Domain

Abstract. As the criticism of the definition of the phenotype (i.e., clinical diagnosis) represents the major focus of the Research Domain Criteria (RDoC) initiative, it is somewhat surprising that discussions have not yet focused more on specific conceptual and procedural considerations of the suggested RDoC constructs, sub-constructs, and associated paradigms. We argue that we need more precise thinking as well as a conceptual and methodological discussion of RDoC domains and constructs, their interrelationships as well as their experimental operationalization and nomenclature. The present work is intended to start such a debate using fear conditioning as an example. Thereby, we aim to provide thought-provoking impulses on the role of fear conditioning in the age of RDoC as well as conceptual and methodological considerations and suggestions to guide RDoC-based fear conditioning research in the future.

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