scholarly journals Whose Life Should Be Reformed?: The Transformation of the Life Reform Movement in Prewar Japan

2018 ◽  
Vol 10 (2) ◽  
pp. 10
Author(s):  
Eisuke Hisai
Keyword(s):  
Rural Areas ◽  
Second World War ◽  
Reform Movement ◽  
Small Community ◽  
World War ◽  
Community Based ◽  
Life Reform ◽  
Movement Organizations ◽  
Second World

This paper aims to show that the life reform movement taking place in Japanese cities before the Second World War was not separate from the postwar life reform movement taking place in rural areas; rather, it possessed aspects that were continued after the war. Previous studies have pointed out that life reform movement organizations established in cities in the Taisho period targeted the middle class. However, they have only made fragmentary references to the fact that such organizations instead came to emphasize the importance of farmers, who made up the majority of the population, starting in the late 1920s. This paper is a case study of the activities of the Life Reform League (renamed the Central Association of Life Reform in November 1933), which spearheaded prewar Japan’s life reform movement. The results of this study clarify that the leaders of the life reform movement in the late 1920s and beyond focused on farmers, who made up the majority of the population, as a new target demographic to stop the movement from stagnating. Moreover, they proposed a movement with a foundation consisting not of individuals, but of small, community-based groups. Although many of the organization’s new initiatives never left the planning stages, this change in the organization’s activity policy is nonetheless a clear indication of the process by which the initial principle of “life reform,” concerned with only part of society, transitioned to become a postwar principle concerned with the entire Japanese population.

scholarly journals Promotion of Atheism as a Principle of the Communist Ideology - Case Study: Romania

2021 ◽  
Vol 7 (2) ◽  
pp. 117-140
Author(s):  
Alin Goron
Keyword(s):  
Rural Areas ◽  
Social Economic ◽  
Second World War ◽  
Eastern European ◽  
World War ◽  
European Area ◽  
Communist Ideology ◽  
Scientific Socialism ◽  
Second World

The Communist ideology called for the denial of Christianity as a form of "mysticism" filled with "superstitions", but particularly as one of the factors that impeded social, economic and cultural progress. Scientific socialism, however, was meant to awaken class consciousness, setting Romanian society on a path towards true modernity. Thus a real battle ensued on the ideological front between two entities, the secular and ecclesiastical authorities, arising from the divide between traditional religious beliefs and atheist Marxism. The actions of the authorities against religious propaganda included both practical measures, which involved activities that filled the free time of the villagers, but also coercive measures consisting in political pressure or arrests. In spite of the communist regime's efforts to impose its own cultural agenda, the effects were long overdue, with rather modest results. Romania's forced development was faced with some inherent problems of the process of modernization and industrialization. The forced imposition of a foreign ideology to a conservative Eastern European area relying on obsolete mindsets, a society where 80% of the population lived in rural areas as of the end of the Second World War, required a longer period of time than the regime had originally planned.

Three hundred years of House Sparrow (Passer domesticus) persecution in Germany

2007 ◽  
Vol 34 (2) ◽  
pp. 307-317 ◽  
Author(s):  
J. SEITZ
Keyword(s):  
Rural Areas ◽  
House Sparrow ◽  
Bird Species ◽  
Passer Domesticus ◽  
Second World War ◽  
Population Increase ◽  
World War ◽  
Large Numbers ◽  
Urban And Rural Areas ◽  
Second World

Modernization of agriculture, economic development and population increase after the end of the Thirty Years' War caused authorities in many parts of Germany to decree the eradication of so-called pest animals, including the House Sparrow. Farmers were given targets, and had to deliver the heads of sparrows in proportion to the size of their farms or pay fines. At the end of the eighteenth century German ornithologists argued against the eradication of the sparrows. During the mid-nineteenth century, C. L. Gloger, the pioneer of bird protection in Germany, emphasized the value of the House Sparrow in controlling insect plagues. Many decrees were abolished because either they had not been obeyed, or had resulted in people protecting sparrows so that they always had enough for their “deliveries”. Surprisingly, various ornithologists, including Ernst Hartert and the most famous German bird conservationist Freiherr Berlepsch, joined in the war against sparrows at the beginning of the twentieth century, because sparrows were regarded as competitors of more useful bird species. After the Second World War, sparrows were poisoned in large numbers. Persecution of sparrows ended in Germany in the 1970s. The long period of persecution had a significant but not long-lasting impact on House Sparrow populations, and therefore cannot be regarded as a factor in the recent decline of this species in urban and rural areas of western and central Europe.

Turning Aliens into Socialists

2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg
Keyword(s):  
Outer Space ◽  
The United States ◽  
Second World War ◽  
World War ◽  
History Of ◽  
Swedish History ◽  
Second World ◽  
The Universe ◽  
Highly Evolved

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.

scholarly journals Vera Lynn on Screen: Popular Music and the ‘People's War’

2017 ◽  
Vol 14 (2) ◽  
pp. 245-270 ◽  
Author(s):  
KATE GUTHRIE
Keyword(s):  
Popular Music ◽  
Art Music ◽  
Second World War ◽  
World War ◽  
Recent Scholarship ◽  
A Site ◽  
Second World

AbstractBy the outbreak of the Second World War in Britain, critics had spent several decades negotiating the supposed distinctions between highbrow and lowbrow culture, as recent scholarship has shown. What has received comparatively little attention is how the demands of wartime living changed the stakes of the debate. This article addresses this lacuna, exploring how war invited a reassessment of the relative merits of art and popular music. Perhaps the most iconic British singer of the period, Vera Lynn provides a case study. Focusing on her first film vehicle,We'll Meet Again(1942), I explore how Lynn's character mediated the highbrow/lowbrow conflict – for example, by presenting popular music as a site of community, while disparaging art music for its minority appeal. In so doing, I argue, the film not only promoted Lynn's star persona, but also intervened in a broader debate about the value of entertainment for a nation at war.

The Etappe Kanaren: A case study of the secret supply of the German Navy in Spain during the Second World War

2018 ◽  
Vol 30 (3) ◽  
pp. 472-487 ◽  
Author(s):  
Juan J. Díaz Benítez
Keyword(s):  
Active Role ◽  
Second World War ◽  
Primary Sources ◽  
World War ◽  
The One ◽  
Intense Activity ◽  
German Navy ◽  
Second World

The secret supply of the German Navy during the Second World War has scarcely been studied until now. The goal of this article is to study one of the more active supply areas of the Etappendienst at the beginning of the war, the one known as Etappe Kanaren, as part of the Grossetappe Spanien-Portugal. In this research primary sources from German Naval War Command have been consulted. Among the main conclusions, it should be pointed out, on the one hand, the intense activity to support the Kriegsmarine during the first years of the war, despite the distance from mainland Spain and the British pressure, which finally stopped the supply operations. On the other hand, we have confirmed the active role of the Spanish government in relation to the Etappendienst: Spanish authorities allowed the supply operations, but pressure from the Allies forced the Spanish government to impede these activities.

Can Events Facilitate Intercultural Understanding?

2021 ◽  
pp. 218-237
Author(s):  
Karen Davies ◽  
Caroline Ritchie
Keyword(s):  
Second World War ◽  
Ethnographic Case Study ◽  
Intercultural Understanding ◽  
World War ◽  
Time And Space ◽  
Cultural Events ◽  
Physical Spaces ◽  
Second World

The founding philosophy of many cultural events established after the Second World War was to enhance the dynamics of peace through supporting and developing multicultural understanding. Over 50 years after their establishment, this chapter investigates the potential of such iconic events to achieve this aim and contribute to the concept of peace through tourism, based on a longitudinal ethnographic case study of Llangollen International Musical Eisteddfod. The results show that this aim can be achieved by such events if they provide enough time and space for participants (performers and audiences) to interact. However, the study also identifies current cultural, political, and fiscal challenges in providing these temporal and physical spaces.

Basaglia in France

2020 ◽  
pp. 275-294
Author(s):  
Nicolas Henckes ◽  
Anne M. Lovell
Keyword(s):  
Subsequent Development ◽  
Second World War ◽  
The Other ◽  
World War ◽  
Community Based ◽  
Institutional Practice ◽  
The One ◽  
Mental Health Policies ◽  
Second World ◽  
French Paradox

This chapter assesses Franco Basaglia’s enduring influence in France by focusing on the circulation of concepts and practices and their effects on French mental health policies and scattered experimentation. Despite similar origins, Basaglia’s early work contrasts with the Second World War movement of French psychiatric reformers to humanize the asylum, including through ‘psychothérapie institutionnelle’ and the subsequent development of a sectorization policy. The chapter then examines the extent to which Basaglia’s ideas took ground in France through the efforts of a small network of psychiatric practitioners and intellectuals, within roughly three periods: 1960–1980, 1980–2000, and 2000 to the present. In conclusion, the chapter asks what might explain the French paradox: the early receptivity to Basaglia’s politically-oriented, community-based, anti-institutional practice, on the one hand; and a tenacious hospital-centric psychiatric system and increased use of constraints and high-security confinement, on the other.

scholarly journals The Massigli Affair and its Context: Turkish Foreign Policy after the Molotov–Ribbentrop Pact

2019 ◽  
Vol 55 (2) ◽  
pp. 271-296
Author(s):  
Onur Isci
Keyword(s):  
Foreign Policy ◽  
Soviet Union ◽  
Second World War ◽  
World War ◽  
Turkish Foreign Policy ◽  
The Soviet Union ◽  
Second World ◽  
English I

This article examines Turkey's wartime diplomacy between the Molotov–Ribbentrop Pact and Hitler's unleashing of Operation Barbarossa. Rather than a survey of Turkish foreign policy as a whole, it takes a critical episode from July 1940 as a case study that – when put in context – reveals how fear of Nazi power and even greater fear of the Soviet Union created in Turkey a complex view of a desired outcome from the Second World War. Juxtaposing archival materials in Turkish, Russian, German, and English, I draw heavily on the hitherto untapped holdings of the Turkish Diplomatic Archives (TDA). Overall, this article demonstrates both the breadth and limits of Nazi Germany's sweeping efforts to orchestrate anti-Soviet propaganda in Turkey; efforts that helped end interwar Soviet-Turkish cooperation. Against previously established notions in historiography that depict Soviet-Turkish relations as naturally hostile and inherently destabilizing, this article documents how the Nazi–Soviet Pact played a key role in their worsening bilateral affairs between 1939 and 1941. The argument, then, is in keeping with newer literature on the Second World War that has begun to compensate for earlier accounts that overlooked neutral powers.

scholarly journals Propaganda Music in Second World War Britain: John Ireland's Epic March

2014 ◽  
Vol 139 (1) ◽  
pp. 137-175 ◽  
Author(s):  
Kate Guthrie
Keyword(s):  
Art Music ◽  
Second World War ◽  
World War ◽  
Musical Style ◽  
Art And Politics ◽  
Total War ◽  
Problematic Relationship ◽  
Music And Politics ◽  
Second World

ABSTRACTWhile biographical studies of British composers' experiences in the Second World War abound, little attention has been paid to how the demands of ‘total’ war impacted on music's ideological status. This article sheds new light on how composers and critics negotiated the problematic relationship between art music and politics in this period. John Ireland's Epic March – a BBC commission that caused the composer considerable anxiety – provides a case study. Drawing first on the correspondence charting the lengthy genesis of the work, and then on the work's critical reception, I consider how Ireland and his audiences sought to reconcile the conflicting political and aesthetic demands of this commission. With its conventional musical style, Epic March offers an example of a ‘middlebrow’ attempt to bridge the gap between art and politics.

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