scholarly journals TRADUÇÃO DO PREFÁCIO DE ÉTIENNE GILSON À EDIÇÃO EM LÍNGUA INGLESA DE 1964 DE LA POÉTIQUE DE L’ESPACE, DE GASTON BACHELARD

Sapere Aude ◽  
2020 ◽  
Vol 11 (22) ◽  
pp. 573-576
Author(s):  
Gustavo Bertoche
Keyword(s):  
Gaston Bachelard ◽  
Etienne Gilson

La Poétique de l'Espace (1958) é uma das obras mais importantes da fase imaginética de Gaston Bachelard: um texto composto de teses maduras, que constituem a sua perspectiva definitiva a respeito da questão da imagem poética. Quando o texto foi traduzido para a língua inglesa, o editor solicitou a Étienne Gilson, um dos maiores historiadores da filosofia franceses - e colega de Bachelard -, que escrevesse um pequeno prefácio. Nele, Gilson descreve a surpresa causada em muitos professores pela "virada estética" de Bachelard, e sustenta que os princípios metodológicos criados pelo filósofo inauguram uma nova era nos estudos da filosofia da arte. Este prefácio é aqui traduzido para o português.

Science and Dialectics in the Philosophies of Deleuze, Bachelard and DeLanda

Paragraph ◽  
2006 ◽  
Vol 29 (2) ◽  
pp. 98-114 ◽  
Author(s):  
James Williams
Keyword(s):  
Gilles Deleuze ◽  
Explanatory Power ◽  
Scientific Theories ◽  
Gaston Bachelard ◽  
Contemporary Science

This article charts differences between Gilles Deleuze's and Gaston Bachelard's philosophies of science in order to reflect on different readings of the role of science in Deleuze's philosophy, in particular in relation to Manuel DeLanda's interpretation of Deleuze's work. The questions considered are: Why do Gilles Deleuze and Gaston Bachelard develop radically different philosophical dialectics in relation to science? What is the significance of this difference for current approaches to Deleuze and science, most notably as developed by Manuel DeLanda? It is argued that, despite its great explanatory power, DeLanda's association of Deleuze with a particular set of contemporary scientific theories does not allow for the ontological openness and for the metaphysical sources of Deleuze's work. The argument turns on whether terms such as ‘intensity’ can be given predominantly scientific definitions or whether metaphysical definitions are more consistent with a sceptical relation of philosophy to contemporary science.

Produktiver Schein

2015 ◽  
Vol 60 (2) ◽  
pp. 11-24
Author(s):  
Emmanuel Alloa
Keyword(s):  
Gaston Bachelard ◽  
Intrinsic Connection ◽  
Scientific Fact ◽  
Scientific Facts ◽  
Epistemological Realism

Der Begriff der Phänomenotechnik, den Gaston Bachelard in den 1930er Jahren einführte, erfreut sich in der neueren Wissenschaftsforschung großer Beliebtheit, welche damit auf die technische und sozial vermittelte Dimension wissenschaftlicher Tatsachen hinweist. Im Zuge der allgegenwärtigen Rückkehr zu ›realistischen‹ Wirklichkeitsauffassungen wurde das Konzept der Phänomenotechnik mehrheitlich als ›konstruktivisches‹ Relikt verworfen. Der Beitrag schlägt eine alternative Lesart des Konzepts vor, in der es anstelle der These von der Konstruiertheit aller wissenschaftlicher Tatsachen um die spezifische Verbindung von Phänomenalität und Technizität geht: Was heißt es, davon auszugehen, dass dasjenige, was erscheint, nicht einfach gegeben ist, sondern immer erst zur Sichtbarkeit gebracht werden muss? Anstelle einer Technikauffassung, die Technik bloß auf Entlastung und auf die Fähigkeit des ›Übersehens‹ zurückführt (›Anästhesie‹ des Mediums), wird für eine Technikauffassung plädiert, die der eigentümlich hervorbringenden, aisthetisierenden Leistung des Technischen Rechnung trägt. Abschließend werden die Parameter einer noch zu schreibenden ›Techno-Ästhetik‹ benannt. <br><br>The notion of ‘phenomenotechnique’ which Gaston Bachelard introduced in the 1930’s has enjoyed popularity among historians of science who used it in order to insist upon the technical and social mediateness of scientific facts. In the wake of the current triumphal return to epistemological ‘realism,’ the idea of phenomenotechnique has been dismissed as an alleged relic of ‘constructivism.’ The article advocates for a different reading of ‘phenomenotechnique,’ which, rather than insisting on the fabrication of the scientific fact, highlights the intrinsic connection of phenomenality and technicality. Phenomena are not simply given, they must be brought to visibility. While philosophies of technique have mostly stressed that technicity consists in overlooking the process (the ‘anesthesia’ of the medium), the paper argues for a conception of technicity that makes space for its productive, aestheticizing capacity. Finally, the article gestures towards parameters of what a ‘techno-aesthetics’ could look like.

Materialism and Legal Historiography, from Bachelard to Benjamin

2019 ◽  
pp. 1-19
Author(s):  
Christopher Tomlins
Keyword(s):  
Walter Benjamin ◽  
Historical Materialism ◽  
First Century ◽  
Gaston Bachelard ◽  
Spatial Justice ◽  
Legal Studies ◽  
New Materialisms ◽  
The World ◽  
Prime Elements ◽  
Cultural Turn

As the linguistic/cultural turn of the last fifty years has begun to ebb, sociolegal and legal-humanist scholarship has seen an accelerating return to materiality. This chapter asks what relationship may be forthcoming between the “new materialisms” and “vibrant matter” of recent years, and the older materialisms—both historical and literary, both Marxist and non-Marxist—that held sway prior to post-structuralism. What impact might such a relationship have on the forms, notably “spatial justice,” that materiality is assuming in contemporary legal studies? To attempt answers, the chapter turns to two figures from more than half a century ago: Gaston Bachelard—once famous, now mostly forgotten; and Walter Benjamin—once largely forgotten, now famous. A prolific and much-admired writer between 1930 and 1960, Bachelard pursued two trajectories of inquiry: a dialectical and materialist and historical (but non-Marxist) philosophy of science; and a poetics of the material imagination based on inquiry into the literary reception and representation of the prime elements—earth, water, fire, and air. Between the late 1920s and 1940, meanwhile, Benjamin developed an idiosyncratic but potent form of historical materialism dedicated to “arousing [the world] from its dream of itself.” The chapter argues that by mobilizing Bachelard and Benjamin for scholarship at the intersection of law and the humanities, old and new materialisms can be brought into a satisfying conjunction that simultaneously offers a poetics for spatial justice and lays a foundation for a materialist legal historiography for the twenty-first century.

Gaston Bachelard and Phenomenology: Outline of a Theory of the Imagination

1999 ◽  
Vol 30 (1) ◽  
pp. 1-17 ◽  
Author(s):  
C. Thiboutot ◽  
A. Martinez ◽  
David Jager
Keyword(s):  
Human Condition ◽  
Phenomenological Psychology ◽  
Gaston Bachelard ◽  
Human Habitation ◽  
Human World ◽  
The Human Condition

AbstractGaston Bachelard's thought remains a continual source of inspiration for a phenomenological psychology that takes human habitation as a fundamental given and as an abiding mystery of the human condition. the following essay explores the ideas Bachelard developed in the course of his study of poetry. It examines in particular his vision of imagination as a unique passage way by means of which we reach an inhabitable, intersubjective and fully human world. Within that perspective, our lives are constantly renewed by the appearance of a revealing image or a telling metaphor. Each time that we are awakened by this appeal we commemorate the birth and rebirth of a human world.

Etienne Gilson: God and Philosophy

2006 ◽  
Vol 30 (2) ◽  
pp. 252-253
Author(s):  
Peter Salamonsen
Keyword(s):  
Etienne Gilson
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